124. HTML 5

In this weeks show we explore how to create better online surveys and Lachlan Hunt joins us to discuss HTML5

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News and events

Removing Microformats

The story that has generated the most email this week is the BBC announcement that they will be dropping the hCalendar Microformat. This decisions comes because of long standing accessibility concerns over the machine readable content within that particular Microformat. The problem is that code meant to be used programatically is potentially read out to screen reader users and displayed as meaningless tooltips to sighted users.

The decision of the BBC to adopt Microformats was a huge boost to the movement. Equally the rejection the hCalendar is a blow. However, it is important not to get this out of proportion. Remember, they are only rejecting a single Microformat not the whole approach.

The other thing to consider is that the BBC is a public service organisation with an incredibly high obligation to ensure maximum accessibility. In many ways they are in a unique position. Although it maybe appropriate for your organisation to pull hCalendars too, it should not be based on the decision of the BBC.

My advice is as follows. If you already have hCalendar information on your site I would probably leave it (dependant on your exact circumstances). The Microformat community is working on a solution and I would implement that rather than removing hCalendar entirely. If however, you are not yet using hCalendar then I suggest you hold off until an updated specification is released.

Becoming employable

In the past we have spoken about becoming a professional web designer. I know that many people who listen to this show or read the blog are students. You are concerned that the skills you are being taught are out of date and will not improve your employment prospects. How then do you become a more employable web designer? What skills do you actually require?

Andy Rutledge tackles this subject in his post "the employable web designer". Without a doubt it is the best post I have read on the subject of web design career development. I highly recommend you read it.

The thing that impresses me is that it looks beyond the obvious design and technical skills required to be a web designer. It also tackles the business and communication skills too. He really drives home quite how wide an understand a good web designer has to have.

My only criticism is that it could feel demoralising. You may read the list and think it is an unachievable aim. However, I don’t think that is the case. What Andy outlines is the optimal requirement of a web designer, rather than what is needed to get your first step on the ladder. I certainly did not have all of the attributes listed when I started.

All we need now is a second post telling us how to gain the skills he lists.

Better CSS font stacks

David (a boagworld listener) sent in the next story. It covers a subject that I am currently still grappling with. It is a post about CSS font stacks.

If you code in CSS you already know about font stacks. It is where you specify the fonts you wish to use. You can say for instance; use Helvetica and if that isn’t available use Arial. If that fails use a generic san-serif font.

For many of us that is as far as our thinking goes. The majority of us use very basic font stacks that are uninspiring to the point of being insipid.

I love this post because it lays out a very clear methodology for improving your font stacks. It also goes on to provide an impressive selection of font stacks organised into heading and body fonts, allowing you to instantly improve your site

If your site is looking tired and boring, but you don’t have the time to redesign, consider adding a new font stack. Such a simple change could make a real difference.

Do flexible layouts still matter?

Our last story of the day is a post from Smashing Magazine entitled Flexible Layouts: Challenge For The Future. To be honest I was ensure whether to include this post or not. On one hand it covers an issue many people have been asking me about. On the other, its arguments seem stretched and the whole thing ends with an advert for a CSS framework.

The article tackles zooming and fluid design. The new generation of web browsers – Firefox 3, Opera 9.5 and Internet Explorer 7 – provide full screen zooming. This gives users has the ability to enlarge the whole interface, not just text. Some are arguing that this is the end of fluid layout because zooming tackles many of the accessibility concerns associated with fixed width sites. However, this article strongly disagrees.

The author argues that flexible designs are better for mobile devices, that pixels are becoming less important and that the user shouldn’t be required to customise a site to their needs (it should be done automatically). Although his arguments are weak at times and he uses some fairly dodgy comparisons I do generally agree with him. I see no reason to think fluid design will go away anytime soon.

That said, I am in no doubt that page zoom does reduce the number of occasions fluid sites are necessary. Ultimately there is no right or wrong answer. It is entirely based on the situation. For example Boagworld, Headscape and The Website Owners Manual all use fixed designs. However, many of my client websites do not. That decision is based on numerous factors such as device, user base and business priorities.

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Feature: Creating a Better Survey

The web allows us to interact with our customers more than any other medium. One of the tools in our arsenal is the online survey. However, these are often badly implemented. In this weeks feature we find out how we make your surveys more effective?

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Interview: Lachlan Hunt on HTML 5

Paul: Joining me today is Lachlan Hunt; It’s good to have you on the show

Lachlan: Thank You Very much

Paul: It’s great to have you here I really appreciate you taking the time to join us, now the reason that we asked Lachlan on the show is because he posted a brilliant article on the A List Apart site about the subject of HTML 5 and I have been keen to look at this subject for a while partly because of my own ignorance to be honest, um, so lets kinda kick off by if you could perhaps tell us a little bit about where HTML 5 is at the moment I know that kinda getting a language to a release like this finalized is a massive process so can you tell us where we are at in that process.

Lachlan: OK, it’s, um, a really an ongoing process with browsers implementing different parts of it progressively so it’s not, you know, going to be all implemented at once and ready to go in one, er the next few browser implementations. We have some features implemented already and shipping in browsers other features which are being worked on at the moment and other are planned for, but still a few years of yet. But it is gradually getting there. We are trying to focus on what authors really need, instead of trying to do it all at once

Paul:Ahh, okay so that a slightly different approach that we have seen in the past, the idea of an incremental roll out. So how does that work from the W3C’s point of view are they doing modular releases is that how it works

Lachlan: Um, at the moment no, but the way the spec is structured each part of the spec, what I am trying to indicate is the stability of each section of the spec as we go along. SO thing like the Canvas API which has been in browsers for a few years now, it should be getting to IE very soon. That section is pretty stable, Other things for example "data grid" or a lot of the web forms are not widely implemented.

Paul: OK so that quite an interesting approach to the problem I guess from what you were saying earlier to me there is a community base element people can get involved and contribute. How is that all working then?

Lachlan: Well we’ve got a REALLY REALLY open mailing list on whatwg.org anyone can subscribe at the moment there wa about 800 subscribers on that list anyone is free to subscribe and post feedback about the spec if they want to, but that’s not for everyone obviously because it’s quite a high volume mailing list and not everyone can keep up with that. We have also got an open blog on http://blog.whatwg.org/ where absolute anyone who wants to can write an article submit it and have it published. Anything to do with what the WHATWG are about, HTML5 and anything related to it at all. It’s also a good way to let the community know what’s going on by publishing articles also to find out what people think because they keep posting comments on there as well. We have also got an open forum which is at http://forums.whatwg.org/ again anyone can subscribe to that, am sue you know how a forum works

Paul: So there are lots of different ways to be involved, I have to confess things like that can feel quite intimidating to get involved in. You’re kinda worried about putting your foot in it, and saying something really dumb, is there kind of Opportunities to lurk and are people fairly friendly over there? I guess you are going to say yes aren’t you

Lachlan: Yeah everyone is friendly over there,they are nice sort of area to go to aim at web developers and people who aren’t quite as technical with the spec areas and stuff. You can ask any question you want and just learn whatever you want as well. Their is also the w3c side of it as well. Which is strictly related but is more focused on the actual technical side and issues so yeah. The What WG and the W3C are both publishing exactly the same spec and they both work on it together and feedback can be sent to either place, it will all be taken into account

Paul: Oooh, that’s useful. So looking at kinda the state of affairs at the moment with HTML 5, reading through your article there was some things in there that really sounded quite exciting, there was this thing about structure and some kind of additional elements that could be used, which provide a little bit more structure, headers and footers and things like that can you tell us a little about that, and maybe explain a bit of what those do.

Lachlan: Well at the beginning of the work back in 2004 / 2005 we basically took a look at what a lot of site where doing and we noticed that they were all using a similar structure. All the blog’s were using headers and footer and generally things like column layouts to show articles and stuff like that. So we wanted some semantic elements to come and cover each of those features that people actually used, solving the real problems that they were actually focusing on. instead of having to do "Div" elements for everything, which is what people do we give them an actual element and that also has a side effect of increasing accessibility because an element with specific semantics can be hooked into the accessibility API’s and help someone with assistive technology navigate the document a bit easier.

Paul: Okay, because I mean reaction just glancing at it quickly and not thinking about it was what’s wrong with the div with an ID Equals footer, or an ID equal header or whatever but like you say, as you think about it more it become obvious that if those are considered distant elements, one person might call it a footer another might call it "the bottom" or whatever else if they have consistent semantic names then you know you can have screen readers and stuff jumping to the footer or avoiding / not reading the footer depending on what is set in their preferences, is that what you are thinking?

Lachlan: Yeah that sort of it, it’s also helping the authoring side too, as there are lots of Div elements in source code which makes it easier to read if you have got elements with different names

Paul: yeah very much so, I spend half my life trying to which closing Div relates to which elements, that very exciting. Obviously the other big area you talk about in your A List Apart article is the audio visual elements and there is a lot that’s happening in there. It’s always had the vague feeling that HTML has never had any kind of, erm, erm, the audio visual elements have always been and after thought, what happing in HTML 5 in regards to that?

Lachlan: Well we have added the video and audio elements to the spec to try and allow video to be added directly to HTML, at the moment we have sites like youtube revel and all the other video site out there using flash to embed video and using the flash to give customized controls and stuff to the user, it’s really awkward, depending on proprietor technology, so we want to open that up a bit give a very very easy to use Javascript API to hook into and promote custom controls and all sorts of cool stuff with videos and of course audio as well. We have got experimental implementations of that in opera and in webkit. I have heard mozilla is considering implementing it as as it is now I am not sure of the status of their implementation. However the one big problem with video and audio at the moment is with Codecs, there are a whole load of software patent issues going around and we are not quite sure what codec we are going to standardize upon or if we are going o be able to get common codec support among the browsers, That’s an open issue but I am no lawyer to I cannot really go into that, so the ultimate aim is that you will be able to embed your movie file, your avid file or whatever directly into the HTML without the need to kinda pump it through something like flash

Paul: cool

Lachlan: that make it a whole lot easier to the authors hopefully

Paul: Yeah, you kind of, to some extent got to ask the question why do we need that when we have got a solution like flash

Lachlan: Well because Flash is a proprietary technology it’s managed only buy Adobe , they control it, they control the changes and what does and what does not go into future versions of it, however the thing with HTML is that it is an open standard platform which can be implemented by anyone and maintain interoperability between those venders.

Paul: It’s intrusting isn’t it that adobe has just announced they are opening up the flash format, do you wonder if that’s a reaction to some of the stuff you have been doing to kind of force their hand if they want to stay ahead o the game and dominant they need to be open

Lachlan: Yeah I don’t know how that going to work though, it depends, if they open the format up and actually make it an open development process where anyone can contribute to the future version and features which go into it or whether they just write the specs and tell other people to implement based on what they write, so I don’t know much about that. It will be interesting to see how it goes.

Paul: Very interesting, Now the next thing you cover in the A List Apart article is something which you titled "Document Representation" now I have to confess this confused me, so do you want to explain a little about what you meant by document representation. What you were getting at there.

Lachlan: Yeah, well in the past we have had HTM, and XHTML with two separate specs, HTML 4.1 which a lot of people use and XHTML 1.0 which a whole lot of other people use one of them is based on XML and is really really strict syntax that requires well formedness and is supposed to when you serve it correctly, if you make a well formedness error the browser is suppose to stop processing and throw and error message saying "Sorry I cannot handle this" where as HTML is more sorta loose and convenient in its error handling, it’s the traditional inspired by SGML, although really only syntactically similar these day but the error handling is a bit more lenient and you can get away with making a lot more errors. So instead of having two distinct language which you can use we have combined them into a single language which share the same elements and attributes and everything and as much a possible and when the browser reads those file it produces and internal representation called the DOM, a lot of javascript user will be familiar with the DOM as they work with that with their scripts to modify the document through the DOM. That’s an internal representation which is mapped, the DOM which is sort of mapped to by the syntax’s, the HTML and the XHTML syntax’s so it give the authors a choice of which syntax they want to use

Paul: So why do we need that choice what is the key difference, I mean you talk about HTML being more lenient are there other reason for choosing one over the other.

Lachlan: erm, well I don’t really know. However a lot of authors do prefer the strict syntax of XHTML like to make sure they quote the attributes and encode all their ampersands properly. They like to know they have done everything perfectly as with HTML a lot of people do make mistakes inadvertently and don’t want end users to see big error messages, so it’s a bit more user friendly if some little small error slips though their CMS and causes problems.

Paul: So it’s basically come down to personal preference then

Lachlan: yeah

Paul: Okay, that’s fair enough, so both, we are going to see equal support for both of them in browser manufacturers are we

Lachlan: Well that’s the hope we have said that we have got good support in most browsers, it’s just IE which is lagging behind

Paul: (Sarcasm) Oh that’s a suprise (Laughs) Okay are there ant other things in HTML 5 that might be of interest to those listening to the show which we should be paying attention to?

Lachlan: erm, well, as I said before we got canvas implemented in most browsers

Paul: So tell us, what’s canvas

Lachlan: It’s a 2D drawing API that you can use javascript to draw dynamic image with. People have used it to implement things like graphs that are built using tables of data which are on the page. People have also gone and done 3D games with it which is really cool

Paul: Wow, that incredible. I mean that sounds very similar to SVG is it a different thing.

Lachlan: It is different SVG is entirely done with XML, you modify that with script via the DOM by changing elements and attributes and stuff or with CSS. Canvas is an immediate mode graphics API where it is more like a bitmap sort of thing where as SVG is vector graphics, and canvas is bit map. They can both do images, the same sort of images, if you like but we have both vector images and bitmap images, so they both can serve different purposes.

Paul: Right, I see. Okay that’s good, so okay the big question, kind of the final question everyone is going to have is when can they start doing some of the cool stuff. Now you said right at the beginning this is going to be modular support based thing so we are going to be able to see some of these elements before others. You know some parts before other, so what can we do now, what are we going to be able to do soon give us an idea of where things are at.

Lachlan: erm, okay let’s see I think what’s being implemented at the moment. Cross document messaging is being implemented at the moment, that’s an API that lets you send message between documents with javascript without worrying about cross domain security issues,

Paul: Oooo…. that’s good.

Lachlan: Yeah it’s a really, really handy API that been implemented in opera for a while and I heard mozilla is implementing it soonish and should be in firefox 3 thought I am not entirely sure about that. That should be very very soon, erm, what else have we got, we got…. hmmm, this is tough

Paul: Sorry put you on the spot there (laughs) is that last one supported in webkit?

Lachlan: erm, I am not sure I would have to double cheek that

Paul: Okay that’s fair enough

Lachlan: yeah,

Paul: Okay so any other elements? Things like the structural changes are any of those being supported yet?

Lachlan: Not quite yet, erm as far as I know support for those requires changed to the phaser, and to implment the new pharsing algorithm in HTML 5, as far as I know browsers are not yet focusing on doing that because..

Paul: Okay that’s a shame, because that one I liked the sound of, what about the audio and the visual stuff?

Lachlan: We have experimental implementations in opera which supports OGG video, though it’s not really in a public build version yet, there is a experimental version which was released last year sometime. And webkit also has support in their nightly builds, which supports mpeg 4 unfortunate they don’t support the same codec but you can experiment with them.

Paul: (laughs) That would be far to easy

Lachlan: yes I know

Paul: So it’s all progressing slowly but, erm you know obviously the one name which has been very absent in the list you keep mentioning is Internet Explorer, so I expect we can probably see some slower movement there. We are talking you know in the years before this all becomes mainstream and we can actually start using it. Is that a fair comment to make?

Lachlan: Yes it will be several years before the entire spec is finished, we are hoping that it can get finished sooner rather than later but realistically it’s going to be quite a while yet, But it is important to know people will be able to use theses features before the spec is finished; so it depends on when browsers start supporting features authors can go ahead and use it.

Paul: That’s great and real exciting that you can start to do that sort of stuff. you know that we don’t need to wait for it all to be set in stone before moving forward. And it’s always exciting as well to see the future, know what coming up and be aware of everything. so is there somewhere people can go a websites address and keep an eye on what is currently supported by browsers.

Lachlan: Not at the moment but that’s something worth looking into, I think there is a wiki on the Working Group site, it does have some implementations listed but I am not sure how up to date. But it’s something I think we should look into

Paul: Yeah it would be great to have some kind of single page which says what features are supported by each browser that you could check back every few months see what’s going, there you go there is my contribution to the working group (laughs). Alright it was really good to speak to you and thank you so much for your time, What we will do is to get you back in further down the line and have a check to see where we have currently got to in the development of HTML 5, Thank you so much for your time.

Thanks to Jamie Knight for transcribing this interview.

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Listeners feedback:

Staying healthy on the web

Evan writes: My question to you is not entirely related to design, development or management but rather about health in the web industry. This is very important but we often seem to forget about it. We spend hours upon hours at our desks but are unaware of the damage this could be having on our health. Eyeballs almost touching the screen, typing without a break, sitting incorrectly – just a few examples. So, what do you do to maintain good health while working?

I am possibly the worst person in the world to answer this question. I consistently abuse my body while at work. In fact a physiotherapist friend said I had the worse posture in front of a computer she had ever encountered.

However, there is possibly something to learn from my terrible example. Let’s look at what I do and compare that to best practice.

  • I sit with my leg tucked up under me – Posture while working is important. Both feet should be flat on the floor, rest your wrists on the desktop in front of your keyboard and make sure your monitor is at eye level (in other words avoid laptop screens).
  • I stoically refuse to use anything other than my preferred mouse and keyboard – Using the same keyboard and mouse in the same position day after day can cause damage. Try using a variety of different hardware and positions. Push your mouse and keyboard nearer or further from you to change the position of your arms.
  • I believe that an individual pixel should fill my field of view - Leaning too close to your monitor is a particular weakness of designers who want to position that pixel ‘just so’. This not only damages your eyes but also your back. When you learn forward your neck and back support the weight of your head. When sat upright, the head is supported by a straight spine and therefore your chair bears the weight.

On the upside I do take regular breaks. I would like to claim this is because of my health. However, I think it has more to do with my short attention span. I get easily distracted and wander off to do something more interesting.

From Photoshop to HTML

I see a lot of PSD 2 HTML services on the internet but never tried any out. It seems to be an great option for an designer for making an quick website, to edit later myself.

What is the opinion of you guys? Love to hear you discuss this topic in one the next podcasts.

An long time listener from Holland.

I have to confess to being a snob over these services. Until recently I have always doubted the quality of the code but after seeing some recent examples I have begun to change my mind.

We are even considering giving them a try at Headscape, just to see what happens. Certainly from an economic point of view they make sense especially if you have more work than you can handle. That said, I do have three concerns.

First, results may vary. Without a personal recommendation it could be hard to find a provider who can produce the quality you require. Anybody can convert a photoshop document into HTML. However, it is much harder to do so using techniques like microformats, semantic markup and accessibility. Also, just because the quality was good once, does not mean it will be so again. As the good providers get busy it can lead to a decline in quality.

Second, people code in different ways. Unless careful attention is given to commenting, it is hard to pick up somebody elses markup. This is fine for relatively static sites where only small changes are required. However for projects where change happens regularly as the site evolves, it is more important that the markup is tailored to your style of coding.

My final concern is that this could lead to designers not learning HTML. As I have said before on the show, I believe all designers should be able to code themselves. You need to understand how the web works and markup is apart of that. Also, if you cannot code how can you judge the quality of the markup you receive?

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120. WCAG 2

In this weeks show we talk with Patrick Lauke about WCAG 2 and we discuss the perils of blindly following conventions.

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News and events

IE testing made easy

Testing in Internet Explorer is horrible for many reasons. Not least the fact that you cannot run multiple versions of IE on a single operating system.

In the past there have been a number of solutions to this problem. There were standalone versions of IE. However, it quickly became apparent that they did not behave as IE does natively. There are online services which provided screenshots of your site in different versions of IE. However that does not give a sense of whether interactive elements were working correctly.

The only really feasible solution was to run multiple operating systems as virtual PCs but this was slow and inconvenient.

However, it looks like things might be about to change. DebugBar have just released IETester. A free web browser that allows you to have the rendering and javascript engines of IE8 beta 1, IE7, IE 6 and IE5.5 on Vista and XP all at once.

They are currently describing it as Alpha software (whatever that means), so it sounds like it is still a work in progress. As with any such software it is hard to know if it is accurate. If you do choose to use IETester, I would still recommend giving your site a final once over in native copies of IE before making it live.

That said, this does look very promising and I will be trying it out myself very soon.

Hosting your Javascript libraries

Our next story is an announcement from Google. They have started to host the main Javascript libraries including…

  • jQuery
  • prototype
  • script.aculo.us
  • MooTools
  • dojo

This means that if you are using a Javascript library it does not need to run from your own server, but can pull it directly from Google.

“Why would I want to do that?” I hear you cry. Mainly to improve performance. First, according to people much cleverer than myself the Google servers are faster and can deliver libraries much quicker. I know little about server performance so I will have to take their word on this.

However the main reason is that if enough web developers use this approach we will see a significant caching benefit. Lets say a user visits headscape.co.uk and this site pulls its jquery library from Google. Boagworld.com does the same thing so when the user visits that site it uses the cached version (from the visit to Headscape) rather than re-downloading it again. As more and more sites pull their Javascript libraries from Google the likelihood that a user already has a cached copy of that particular library increases.

Of course allowing Google to host your Javascript does require a level of trust. What if Google goes down? What if Google turns evil and starts using Javascript to manipulate your site? What about the data this approach gives Google about your site?

However, if these concerns do not worry you, then there are definitely tangible benefits.

Prototyping website interaction in flash

Next up we have a tutorial demonstrating a quick and easy way to prototype complex website interactions.

In some ways the static Photoshop comp is becoming less useful. Modern websites have numerous interactive elements that are hard to convey through static images. There is a need for something that can demonstrate this functionality.

We have spoken before about wireframing interactive websites, but not how to demonstrate changes in visual look and feel. This article on boxes and arrows suggests that Flash maybe the answer.

The advantage that flash has over something like a clickable PDF is that it allows for easier updating when the client wants to make changes. However, it does require basic Actionscript skills. Fortunately, the tutorial talks you through these step by step and none of it is too challenging.

If you are looking for a way to better demonstrate interaction in your design comps then this might be the answer.

The rule of thirds

The final news story today is another post from those lovely people at Smashing Magazine (we love them since they said nice things about our podcast!) The article entitled “Applying Diving Proportion To Your Web Design“, introduces the reader to the fascinating subject of the golden ratio (also known as the divine proportion or rule of thirds.)

If you haven’t come across this principle before then I highly recommend reading more. The rule of thirds emerged in the Renaissance but has always excited in nature. There seems to be something inherently pleasing about these proportions and they occur again and again. There is something about human perception that is naturally drawn to this composition. We can use this to our advantage when designing websites.

The article goes on to demonstrate how the golden ratio can be used in all aspects of design from photography to web design. In particular it focuses on the benefits this can provide to the grid structure of your sites.

Admittedly if you have not come across the rule of thirds before this can all sound like hocus pocus. However it really does work. Following principles like this can dramatically improve your designs. What is more they can be followed by anyone even if you would not consider yourself a designer.

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Feature: Defying Conventions

As the web matures an increasing number of conventions are emerging. But should we always follow the crowd? In this weeks feature we discuss just that.

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Interview: Patrick Lauke on WCAG2

Paul: So joining me today is Patrick Lauke from splintered.co.uk, is that best way to refer to you?

Patrick: Yeah, it’s one of my many monikers, yes.

Paul: Just so many presence on the web, you’re just so well known. Good to have you on the show, Patrick, it’s been a while.

Patrick: Thanks for having me.

Paul: I don’t think you’ve actually been on Boagworld before have you done Dot Net with me, but I don’t think you’ve done Boagworld.

Patrick: Exactly, yeah, I’ve only had the pleasure of sitting on the Dot Net one.

Paul: Well this is the proper grown up, you know, professional version compared to Dot Net.

Patrick: Super!

Paul: So the reason I wanted you on the show, Patrick, I have to be honest is as much for me as it is for my listeners this time round, because you are our resident accessibility expert, and we had a conversation a long time ago on the show about WCAG2 and we talked a little bit, not with yourself but we’ve talked on the show before about WCAG2 and it was coming along and all the rest of it, but it suddenly occurred to me we haven’t done anything on it for ages, and I’m wholly ignorant on the subject and the current state of affairs, so I thought, I know, I’ll get Patrick on the show, I’m sure he’s bothered to read it and knows what’s going on. Hence you’re here.

Patrick: Excellent.

Paul: So you’re not going to let me down, you have actually read WCAG2 have you?

Patrick: I have, I’ve been fairly involved with it, yeah.

Paul: Good! That’s encouraging. OK so perhaps the best place to start is, where’s it currently at, what’s the stage of development at the moment?

Patrick: Right, well literally a few weeks ago it entered what’s called the Candidate Recommendation Stage, all part of that W3C terminology they use. It wasn’t…it has been in last call for about 2 years now, but yes, Candidate Recommendation really means that now the WCAG working group and the general public has been kind of sending in comments etc on the status of the document. They’ve all reached kind of a broad consensus about, yeah, it’s fairly…it’s pretty much there, you know, it’s fairly accurate, technically there’s no big howlers in the actual wording of the things. I mean there might still be a few minor, minor details that change from now until the end, but pretty much the actually core of it is as good as it’s going to get.

Paul: OK.

Patrick: And really the…kind of the purpose of this Candidate Recommendation Stage, you know, why aren’t they going straight out and releasing this now as a standard, is really to give people an opportunity to start test driving, you know, what WCAG2 says in its current state, so working group thinks it’s pretty much there, let’s test it out actually in the real world, so give people the opportunity to run it…run their websites through their paces according to WCAG2, see if, you know, things are feasible, if it’s realistic to kind of say, yeah, this will be the standard from now on, and they’ve actually…they want to make it quite official, so if you have an intention of kind of doing that, you have a website and you want to actually officially say, OK, I’m going to use that website to test WCAG2, they’re now asking for people to basically register their interest and to actually, you need to then implement that, you need to say, right, I’m going to run WCAG2 on my site and by the 30th of June you want to be able to basically say right, I’ve finished it, and then give feedback and basically say yeah, no problem, or you know, we tried and tried, but this is actually not realistic, it might need to be modified, but unless there are major, major issues that come out in the wash as people are now trying to implement it and test drive it, it should be fine really. One of the main things with WCAG2 is, as with any kind of Candidate Recommendation documents, is really that there are a few items where even though we’ve got consensus, the working group isn’t 100% sure that they’re going to make it in their current stage, so they’ve kind of gone very ambitious with some of them, but they realise that yeah, it might not actually make it through, and they’re called….quite fittingly, items at risk, which in the latest CR document, Candidate Recommendation document, they’re clearly marked, and they’re basically…the testing phase is really about, let’s have a look, specifically these kind of items at risk, can they actually be implemented in the kind of more stringent way that we’ve worded them? If not, we might have to scale them back. I mean there’s one for instance where it says, it talks about, you know, colour contrast, and they’ve worded it currently that the contrast needs to be on a ratio of 5:1, so if you’ve say got, you know, text and background colours, you need to have…want to do your calculations for the various algorithms, there needs to be a contrast of 5:1. Now they’ve put that at risk, because some people still felt that it might be a little bit….setting the mark a little bit too high, and they were already saying, OK, well if it turns out that it is too ambitious to say, right, you need to have that ratio, that they’re happy to kind of jump back to 4.5:1 or even 4:1, so it’s kind of things like that, we’re really now at the nitty-gritty stage with these kinds of things, of saying, you know, can it actually be implemented.

Paul: So this is getting very close to the point where, you know, your average website owner and your average web designer needs to be…we need to be looking at this now, don’t we really? I mean we’re getting that close?

Patrick: Yeah

Paul: OK, I mean it sounds like things have gone a long way since the kind of early stages where WCAG2 was quite heavily criticised. I mean what kind of shape do you personally think it’s in at the moment?

Patrick: Yes, I mean looking back, I think it was May 2006 where Joe Clarke wrote his kind of vitriolic post, to Hell with WCAG2 on A List Apart, we have definitely come a long way since then. I think it was a good wake-up call back then for somebody like Joe, somebody of Joe’s stature, to really come along and, where web designers maybe at that stage weren’t really that interested in WCAG2 to actually say, look guys, you need to start looking at this because in the current shape it’s in, it’s really not feasible, and what Joe said at the time, there are many things that he criticised, but you know, overall he was spot-on with a lot of the things. The main thing was that the whole document at that time was extremely bulky, it was one big monolithic document which tried to do everything. There was loads of Orwellian-style language, everything was made up of Newtons, and they pretty much invented…because the problem with WCAG2 it’s a kind of full shadow of it, is that because it tries to be technology agnostic, it tries to avoid in the main document and talk about anything relating to actual technology, so it doesn’t mention specific HTML elements or things like that, so to make it very tech-agnostic, that document at the time really re-defined almost anything, so it didn’t talk about web pages, but it started ta
lking about web units, and basically the glossary was almost bigger than the actual document, so you know, that was very problematic because even people who’d been doing web development for years, if you just gave them the document as it was, they would have had to completely re-learn whatever all the terms were, it was of no practical use.

Paul: So has all that gone now?

Patrick: Yes. The language has been simplified. I mean it’s gone now from 2006 onwards it’s gone through, I think it was 2 or 3 last call stages. Well it went back from…in 2006 it was at last call stage, literally the stage before we’re saying, OK, we’re up to Candidate Recommendation. They actually scaled that back. W3C don’t admit that was because of Joe Clarke, and OK, it was probably not exclusively because of his article, but I think the general kind of feelings that it stirred up, or that it tapped into, kind of made the W3C reconsider. They’ve scaled it back to a public working draft, which is kind of one step previous to that. Everybody had a pretty good look at it. There’s been rounds and rounds of comments, I mean I’ve submitted in the 2 year period that it’s now been since that article, I’ve submitted loads of comments. I mean ranging from really small things like, oh you missed a comma there, or that’s not very clear, to kind of very substantial things about the actual core concepts that are being discussed, and in that process, a lot of really hard copywriting and editing has happened since then. They’ve also split out the document into far more manageable sub-documents themselves. One of the main things, for instance, is that the whole structure of, you know, WCAG2, it’s actually a suite of documents. The main guidelines document itself is only a handful of pages, I think it’s…yes, 19 pages I’ve printed out today. That is purely the core guidelines document, and that’s the only part if you will, that is actually normative, that’s the only one that is the actual guidelines. Then there was a lot of extra documents that really are just what’s called informative, so you can read through them, but you can’t actually refer to them in terms of, you know, just if somebody sort of says, your site isn’t accessible, you can’t point to an informative document and say, yeah, but I’m following that particular thing.

Paul: OK

Patrick: One of the documents will be the techniques document. You can’t actually point to that and say, well I’m following these, because the only thing that’s important are the actual guidelines, so they’ve really slimmed it down, broken it up into separate documents, you know, 19 pages printed out, it’s nothing, you can pick that up, you can read it through. It’s roughly the same size now of WCAG1 if you will. So they’ve simplified the language. There were loads more contentious kind of fundamental problems with WCAG2 as it was back in May 2006. I mean one of the main ones that really caught, you know, the eye of a lot of developers, was the concept of base lines where basically at the time they were saying, even though the concept itself is good, but it’s pretty much read like, as a website owner I can basically say, right, to work with my site, you need to have Flash and you need to have this and you need to have that, which was completely opposite to, you know the very austere WCAG1 which basically said, you can’t have anything. This seemed to open it up completely and allow for website owners to basically say, right, you know, we are going to do a whole Flash website if you will, and our baseline will be, you need to have Flash to use this site. But the concept was good at the time, but the wording pretty much came out like that, so these kinds of things, base lines, at its core, is actually still in the current document. They’ve basically re-worded it and turned it on its head, where before it was talking about website owners can say what technology they’re using, now it’s far more, if as a website owner or designer, I’m using a technology, I need to make sure that I know for a fact that it’s supported by accessibility…assistive technologies, for instance screen readers, so they kind of turned it on their head. The onus isn’t any more on the user to say…to have the latest technology, but on the developer to make sure that the technology they use needs to be accessibility supported. So loads of kind of fundamental changes like that have happened really, and no, definitely to go back to the original question, it has improved quite dramatically since May 2006. I mean I’ve now familiarised myself extensively with it. It’s good bedtime reading material!

Paul: You’re not convincing me of that one. Not unless I want to go to sleep I guess!

Patrick: I know. OK, I’ll be blunt, it’s better toilet reading. You kind of print it out and you put it there, instead of a novel you’ve got that there. But it is very good. I mean it’s now down to the level of…it almost reads like common sense. You kind of…you go through it and you just find yourself nodding and thinking, like, that’s not contentious. OK, there are still a few here and there where I might slightly disagree in a heated argument, but overall there’s nothing really there that makes me think, ooh no, that’s never going to be realised, so absolutely, it’s in very, very good shape I would say, and this Candidate Recommendation Stage looks like it’s going to be very successful really, and fingers crossed, I think; I’m not 100% sure now of the timeline that W3C are working by, but I wouldn’t be surprised if, say by the end of calendar year, we might see actually WCAG2 being released and getting out and becoming a proper recommendation.

Paul: Cool. So then what’s the big differences from WCAG1. I mean with WCAG1, you know, every kind of standards-based designer became very familiar with that. I was a great fan of that, you know, single sheet which listed everything by priorities and I would go through and I’d check myself off, and I kind of knew where I stood with WCAG1. With WCAG2, it’s much more of an unknown entity at the moment, so kind of give me the potted version. Where are the big changes?

Patrick: Right. No you’re quite right, it’s actually a lot more vague WCAG2, but it’s that way for a reason. Right, so WCAG1 really was very much, I mean it’s a product of its time, I mean it was 1999, the web was still quite in its infancy, and it is very much HTML focused, WCAG1, there’s no denying that. There’s a few mentions of things like CSS, but pretty much it’s all about how to use HTML to create content that at the time would be deemed accessible. I mean JavaScript was pretty much bad; I mean you could use it but you need to make sure there’s a fall-back. Non-W3C technologies were completely out basically, unless you provided a W3C alternative, so things like Flash and PDF etc, when they first started becoming more and more used, that directly clashed with WCAG1 at the time. Now WCAG2, as I mentioned before, it’s far more tech-agnostic. It tries to basically not t
alk about specific technologies. It doesn’t directly reference HTML or CSS or Flash or Flex or various other things in the actual core guidelines. Now the reason for that is WCAG1 as soon as it was released, the thought behind it was that it would be updated on a very regular basis, but from 1999 onwards, nothing has really happened, and because it was so heavily influenced by the technology of its day, it aged very, very badly. I mean nowadays, if I hear people saying, we’re building against WCAG1, I almost have to chuckle a bit, because it is pretty much just going back to, you know, we’re doing the web like it’s 1999, you’re not really allowed to do anything, and it’s completely opposite to what’s actually happening with the web. I’m not going…well I am going to say Web 2.0 to sound all trendy, but you know, all those things, Ajax, Flash, PDF etc, particularly say PDF, there is now…there are now easy ways, or relatively easy ways, to create reasonably accessible PDFs, I mean the technology itself has moved on, the format has moved on, screen readers are quite capable of dealing with well-structured PDFs that are created in a certain way. We’re not really talking about, you know, you need to test your pages with links because, you know, people might just use a text only browser. Things have moved on, but WCAG1 is pretty much kind of frozen in time of 1999. There have been a few kind of…people who’ve been working towards WCAG1 have started kind of re-interpreting it a bit for the modern days. I mean in my own practice in my…one of my other identities, in my day job as web editor for the University of Salford, I’ve never actually said, we’re going to make our pages WCAG1 compliant, but always said, you know, we’re going to take inspiration from WCAG1, filter it through our own knowledge of what the technology landscape actually is today, and try to do the best we can to actually serve the users and you know, how they currently use the web.

Paul: So….so are you, you know, you said that you’d never claimed in your day job, you know, to be WCAG1. Are you intending, you know, are you more confident in WCAG2 to be able to say that, that we’re going to be WCAG2 compliant, or is it not that kind of thing?

Patrick: I think …I think yes, WCAG2, it would be a lot easier to say we’re working towards WCAG2, because to kind of go back a bit and explain WCAG2’s kind of…the thinking behind WCAG2 and how it’s structured. WCAG2 as I said, doesn’t talk about HTML, CSS, it really just sets out very general principles, when then break down into guidelines, which then in turn break down into success criteria. Now again it probably sounds like there’s a whole new language to learn, but it is fairly straightforward, so if you think, web pages themselves need to be the four principles. They need to be perceivable, operable, understandable and robust. So those are the four kind of guiding principles, which you know, make sense. It was already implicit in WCAG1, but this kind of just spells it out. These are the kind of four things that we want to make sure. Now under each of those principles, say perceivable or whatever, there are guidelines which still provide…they don’t go into detail, but they provide some very, very basic overall goals, so what we want to achieve is X. They’re not testable, because they’re still very, very generic, they’re saying, we just want to make sure that people can, say, use a keyboard to do things. They don’t go into detail about what that means particularly. And then under that you’ve got the testable, what are called success criteria. Now these are very small kind of little atomic sentences if you will, that say, right, very specifically, if you’re providing this, then make sure that that happens. Now I’ll pull out an example, I’ve made some notes here, let me just go through…yeah, I’ll give you an example here. So in the big WCAG2 document, you’ve got principle number 2, operable. User interface components must be operable. So, you know, you can’t argue with that, fair enough. Underneath that, there’s loads of guidelines, I’ve pulled out one here, guideline 2.4, navigable, which states that you should provide ways to help users navigate, find content and determine where they are. Again, that’s a very, very broad goal that doesn’t say anything about you need to use a link, you need to put title in here, or you need to make sure you use access keys. None of that. It basically just very generically tells you that. Now under Guideline 2.4, there’s loads of smaller success criteria. Now I’m just going to pull out one of them. The first one, 2.4.1, which basically is called bypass blocks, and I’m just going to read it straight from the thing, ‘a mechanism is available to bypass blocks of content that are repeated on multiple web pages’

Paul: Yes

Patrick: Now again, this doesn’t say anything about HTML or whatever, but it is quite testable. You can actually pull up your web pages and say, right, are we following this? Is there a mechanism available to bypass blocks of text, blocks of content, sorry, that are repeated? So I don’t know if that gives a flavour of…

Paul: Yeah it does.

Patrick: …against WCAG1. Now you couldn’t write a validator to actually just run through this and check for that, that is one of the core differences I think with WCAG2 compared to WCAG2. I mean even WCAG1 we all agreed that you can’t just run it through Bobby and then, you know, if Bobby gives you the thumbs up, that’s good. You still have to do some manual checking. But there were a lot of things that because it was so HTML-centric, you could pretty much run it through something and it gave you a fairly good indication of whether you were achieving that particular check-point in WCAG1 or not. Now the way the success criteria are worded, yes you could say, OK, if we accept that, we want a skip link, and the skip link will fulfil that particular success criterion, we could write an automated tester that just looks for skip-links, the presence of skip-links, however you want to code that, but it’s not to say that that is the only way in which you can pass that success criterion. The actual guidelines don’t say exactly what you’re supposed to do. They pretty much focus on the end result and particularly what I’m interested in, they focus on the end result for the user for the most part, so it really puts the onus on the developer to understand, these are the user needs, and this is the kind of very generic thing that needs to happen. You can then, from that success criteria, jump over to the techniques document for instance, which actually goes into detail, if you’re using HTML, here’s some of the ways in which you could achieve this success criterion, and then you can test against those, but the techniques document is only informative, it’s not the be-all and end-all. You could follow whatever’s said in there, or you could actually come up with something that’s completely separate, is not mentioned anywhere in the techniques, but if the end result of an actual real user is still, OK, they can still bypass blocks of text that way, then that’s fine.

Paul: Which is great, because it kind of gives people the freedom to innovate and come up with original ways of solving accessibility problems.

Patrick: Absolutely, and it puts…it puts the focus straight back on doing something that is good for the user, rather than right, we’re just going to go and make sure that we tick that particular box because the guideline says we need to do X in HTML and, well, we’ve done it, so we’re cool. This kind of forces you to actually think about solutions. I mean you can… you can go into the techniques document, and what’s mentioned in the techniques document, is pretty much they’re tried and tested ways in which that situation has been solved, so you know, you can be I’ll say lazy, but you know, you can get guidance from that techniques document, but that’s the important thing to know, is it doesn’t mean that you have to necessarily use one of those techniques, and absolutely you’re right, this will stimulate a lot more creative kind of ways in which these success criteria can actually be met. And as I said, it then applies to any technology. You could say, right I’m going to provide that functionality in Flash if I’m doing Flash, or maybe I need to do that in PDF, or whatever, so it is a lot more open. Which obviously is a problem if you’re very set in the ways of I’m going to run it through a validator, and I’m going to get a clear yes or no answer, because you pretty much need either a lot of user testing to say, OK are the users actually able to do this particular thing that the success criterion says, or you get experts that kind of help you with that, and there it’s a lot more likely that you’re going to get 2 or 3 experts and they might not necessarily agree on what’s the best way to implement something, so that is kind of…not the problem I would say, but the slight shift in mentality that website designers and website owners will have to make, that it’s less easy to make a very kind of cut and dried, yes it’s accessible, not it’s not accessible. I mean it was problematic before, now it could be even more woolly, which you know, is a bad thing in a way, but also a good thing because it does force you really to focus on the actual core of the problem rather than trying an easy way out and just implementing some mark-up that a guideline suggests.

Paul: Yeah, I mean yeah, I can see how it potentially might create some legal problems further down the line, but it certainly gets people beyond that kind of arse-covering check-box mentality, which has good to be good. So it sounds like a lot of the time we’re kind of going to be working as web designers on the success criteria level where we’re going through and making sure we conform with these various success criteria. What about priorities? WCAG1 had Priority A, AA, AAA or whatever you want to call it; Priority 1, Priority 2, Priority 3. I mean, did, you know, is there anything like that any more or has that gone away completely?

Patrick: No, that’s actually still there. At one point there was a bit of a change in terms of how it’s going to be worded, whether you could achieve full compliance or not by following…having to do all the success criteria for a particular level or not, but no, they’re pretty much there in their old form if you will, so it’s still called Level A, AA and AAA. One of the things that WCAG2 has tried to do in its wording of these Levels is to say that it wants to remove the kind of idea of hierarchy that AA aren’t less important than A, and AAA aren’t less important than AA. They’ve written a lot of nice words around it to explain why it’s actually still worth doing AAAs when you’re not fulfilling all of AA etc, but I think they’ve actually muddied up the waters a bit because in effect, you can’t claim, say, AAA, if you haven’t claimed AA, so the hierarchy is actually still there, so probably this explanation was quite confused, but it actually reflects exactly how confused the WCAG2 document is about that. They’ve tried to kind of have their cake and eat it at the same time, I think, because they have to…necessarily have some hierarchy, but they’re really trying to stress that they’re all equally important, you know, but some are just more important than others. So…interesting.

Paul: Yes. So I mean what, you know, we’ve got potentially, you know, if you’re right, until about Christmas to sort out our act and to kind of really get thinking about WCAG2. What kind of steps would you recommend for people that are owning and running websites in order to kind of prepare for this?

Patrick: I would say that because WCAG2, as I say, is a whole suite of documents, you’ve got the actual guidelines which I mean now I can read them and they’re quite understandable to me, but I’m obviously very close to the subject at hand. I can kind of understand where they’re coming from. But as part of the suite of documents, there are kind of better documents possibly to start with, depending on what your current level is. There are ….there are simple things like Understanding WCAG2, which kind of takes a helicopter view of WCAG2 and gives a lot more context that explains why, you know, certain guidelines are important, how, you know, people will use them, how they will benefit from them etc. It goes more of a context. It’s obviously a lot weightier than the actual core guidelines, but that is…if you’re a bit rusty with, you know, I haven’t looked at WCAG2 at all, you’re a bit rusty with what WCAG1 even was about, beyond just being a document that you checked some boxes against, that’s certainly worth reading, just to really get a feel of understanding why….why are we changing things, why wasn’t WCAG1 good enough, so that really gives you a good kind of introduction to the subject. And I think that’s an important step towards actually implementing WCAG2 would be for people to buy in, as with anything, if you’re trying to push it through at an organisational level. People need to understand the rationale behind it. You can’t just dump this document on say your developer’s desk and say, right, these are the new rules, you know, white is black, black is white, this is what you need to do now. They need to buy in from actually understanding what the rationale behind it is, so the understanding document will really give them all the information they need. Some, you know, technically minded people might be tempted to jump straight to the techniques document, which is fine, but again with the caveat that I mentioned before that the techniques document is actually only informative, so whatever’s written in there is not the law. Some techniques that are currently in there might even be proven later on to be maybe not optimal in certain situations etc, so it’s not the law; it can help you initially get, if you’re really technically minded, you might read the success criteria and say, yeah, OK, that’s all nice language, but what does it actually mean, you know, if I’m doing HTML, what….what are you expecting me to do? The techniques document can help, it will give you actual examples. If you’re using HTML do this, if you’re using Flash do that, etc, so it brings it back down to something that as a techie, you might be more comfortable with, but again, understand
ing that that is not the law; those are not the guidelines, and that there might be even better or more creative ways around the problems, but it’ll get you into the right frame of mind I would say.

Paul: Cool

Patrick: There’s also documentation that just pretty much compares WCAG2 to WCAG1,

Paul: Ah, that’s good

Patrick: Yeah, if you’ve got a lot of experience with WCAG1, that will kind of help you roughly map, you know, what used to be WCAG1’s check-point about this, is now this far broader guideline that covers a lot more aspects, so it’ll help you kind of move towards the thinking behind WCAG2. And I think that is the main thing as a website owner or as a designer; it’s more of a shift in perception if you will, more of a shift of understanding of what accessibility is, more than, you know, the change of how is my mark-up now going to be affected by it. It’s really moving beyond that kind of very HTML specific, you must do exactly this, to a more, you need to understand how users actually use your website and how to creatively kindly of help them in that pursuit really.

Paul: Cool. I mean that sounds good; there’s lots of different ways you can kind of start the process of learning it

Patrick: Absolutely

Paul: …which is good. I mean I guess my last question, you’ve almost kind of answered, which is, you know, if you’re somebody from a WCAG1 background that is comfortable with WCAG1, the one thing that you’re thinking is, hang on a minute, I kind of knew this, I had my head around this, you know, I’ve suddenly got to change to this new system, you know, is it going to involve more work, is it going to be painful? The fact that you’ve talked about this document that does transition, you know, between WCAG1 and WCAG2 sounds helpful. Overall, do you think it’s going to put more pressure on designers or is…more going to be expected of them as they develop stuff?

Patrick: I think it’s going to be interesting for a variety of reasons. I wouldn’t say necessarily there’s going to be more work involved. If you’ve been working similar to the way I’ve been working, that you take WCAG1, you take what you want from it, and you filter it through your knowledge of, yeah, that screen-readers can actually work well with PDFs, so I’m ignoring the non-W3C technologies I’ve banned that used to be in WCAG1, so if you’ve actually been doing accessibility based on WCAG1 in the real world rather than simply just following it as a set of check-points that you just tick the boxes, I wouldn’t say it’s going to be more work. Certainly if on the other hand, if you have been somebody who hasn’t been too understanding or involved with WCAG, you pretty much had it as a function in your, say, Dream…copy of Dreamweaver or whatever, I’ll just quickly run it through this validator, I’ll run it through Bobby, although Bobby’s now gone, thank God, various things like that, you know, if you really just saw it as a check-box exercise, yes there will be…it will be more of….I don’t want to say paradigm shift…well there you go, I just said it….absolutely, no cliché will be left unturned in this particular episode…you really need to start understanding it more. But if you’ve actually been doing what I would term in a quite elitist way, real web accessibility over the last few years, there’s no major, major big surprises there, and there’s…I wouldn’t say there’s a lot more work involved. Now it would be interesting, I think, one of the aspects will be if you’ve been working in an organisation and you’ve been trying to appease management say, and one of the things that management might have erroneously picked up is, we need to make sure our pages are Bobby-compliant, for instance, is that will be a difficult, I would say, or challenging, should we say, situation because you will have, already at the time you might have been crying, saying, well, the validator can’t check everything, you still need to do manual checks, but at the end of the day, some managers, all they wanted was to see the thumbs up and the smiling policeman with the helmet on their website. This time around it will be a lot more difficult, and yes, as I mentioned before, there will be automated tools that will help you in determining whether you’re doing certain things right according to WCAG2, but because, as I said, the techniques…there is no definitive list of techniques that are OK, and there are no definitive lists of techniques that aren’t OK, it’s practically impossible to write an automated checker that will be able to check against everything, so tools…automated tools will really just be relegated to certain interpretations of WCAG2. I know that there’s a few organisations in the States that are currently working on, you know, validators. I think the….name escapes me now, but the Fraunhofer Institute in Germany, they’re currently working on their own version of a WCAG2 accessibility tester for instance, and I had an interesting discussion with representatives from Fraunhofer the other week when I was in Germany at a conference, and they’d pretty much agreed that their tool will only check against, basically, their favourite techniques if you will, from the techniques document. Now who’s to say, as we said before, that those are the best techniques? They’re ours. You might come up with a really creative way that no tool has been primed to kind of sniff out in your mark-up or in your Flash or PDF or whatever, so you’ll always get a very, very subjective, based on what the developer’s written into their tool, very subjective assessment of your website, so bring it back to the point, it will be extremely difficult I think for a manager to be able to say, right, I just want to make sure that we pass that particular test, unless you then go and dig out exactly what that tool is looking for, and you end up back in the situation that we used to be in, where you’re trying to write it to get a good grade from a tool, rather than actually thinking about what is best for, you know, users with disabilities or users in general, so that, I think that will be the more challenging part, as I said, the paradigm shift, getting managers who might not have understood it up to now, to really kind of confront the fact that automated tools aren’t the be-all and end-all, and that yes, everything is a lot more subjective now, so really I would say the only solution to that is really start thinking more exclusively about proper user testing, getting actual end-users in there. You could give them the success criteria from WCAG2 and basically say, can you confirm that this is something that you can do on our website, so it becomes a lot less about automation and a lot more about actual end users.

Paul: Cool. I mean it all sounds really exciting, you know, a bit apprehensive, you know, a whole new thing to learn and all the rest of it, but I think the whole freedom of approach side of things, that you can approach problems in different ways and sold things in different
ways, is very refreshing and it all sounds really exciting. Patrick, thank you so much for coming on the show, that’s been really enlightening, and I look forward…

Patrick: a delight

Paul: Yes, and I look forward to getting you on again, maybe to get into some specifics once WCAG2 is up and running. Good to talk to you.

Patrick: Yes, super duper. Okey-doke.

Thanks to Alison “Anna’s Mum” Debenham for transcribing this interview.

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What are the key features of a CMS

Hi Paul. Hi Marcus. What in your opinion are the important and fundamental features of a CMS, not such as the ability to create pages, but the add-on features that make a CMS better than other CMS’s around it. Thank you very much for answering my question.

Interestingly Drew Mclellan was talking about content management systems at this years @Media. He had an excellent list of things to look for in a CMS. Some of his recommendations were…

  • Friendly URLs
  • Data Feeds(RSS)
  • Customisable and accessible administration interface
  • Well implemented search
  • Multi-site support
  • Multi-language support
  • Caching
  • Support for user generated content

Interestingly some of the features he looks for (such as friendly urls) are not always required. He wants to see them there because it indicates best practice from the developers who built the system, not because he actually needs them.

He also spoke in his presentation about the importance of not buying a CMS based on a wish list of functionality you might need one day. This will lead to unnecessary expense. It is also the problem with ‘off the shelf content management systems’. You end up buying functionality you don’t require and introducing additional complexity into the user interface. Perhaps that is the reason why both edgeofmyseat.com (Drew’s company) and Headscape have chosen to build their own CMS codebase, which can be customised to clients needs.

If you are looking for more information on the selection of a content management system be sure to check out episode 24 where we dedicate the entire show to the topic.

Is certification worth it?

Chris asks: I’ve been working in web design for the last 5 years and am really looking to get into the more user experience side of things. I was wondering if you or our listeners knew of any qualifications or certifications that might be a good idea. Are they even worth the good idea in the first place or are they not worth the paper they were written on?

As somebody who regularly recruits user experience designers I have to say that qualifications and certifications mean little. Sure, I like an employee to have a degree simply because it demonstrates a certain level of academic achievement. However, I don’t think that web specific qualifications count for a huge amount.

What I consider important is example work, that shows your skills in user interface design. I want to see sites you have produced and for you to explain to me the underlying thought process that went into them.

Given a choice between work experience with a high profile web agency or becoming a student again, I would recommend the former every time.

115. sxsw

On show 115: Lessons learnt at SXSW, Garett Dimon on form design and how to find usability test subjects.

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News and events | Lessons learnt at SXSW | Garrett Dimon on form design | Listener feedback

News and events

Microsoft launches beta of Internet Explorer 8

The big story over the last couple of weeks has been Microsoft’s release of Internet Explorer 8 as a beta. This has sparked a flurry of posts from various bloggers on the pros and cons of the new release. However the two that caught my attention were Kevin Yank at Sitepoint and Roger Johansson.

In short, IE8 looks like an impressive update with significant improvements in standards support. It would appear we can finally say good by to HasLayout, while at the same time welcoming decent CSS table support. This will open up a lot of possibilities for layout.

There are too many updates to go through here so I would encourage you to check out "what’s new in internet explorer 8" over at the MSDN blog. You might also want to look at the Internet Explorer 8 readiness toolkit that tells you all you need to know about the new browser.

Designers agnst

There seems to be a lot of designer angst flying around the tubes this week including two posts on A List Apart and one at ideas on ideas.

As designers we seem to spend too much time fretting over the creative process, always looking for inspiration and techniques to improve the quality of our work. Andy Rutledge piles on the pressure in a fascinating article about creativity where he redefines the word. A second post on A List Apart twists the knife further by arguing that as designers we need to be superhuman obsessives, willing to work late into the night to produce the truely exceptional.

It maybe the case that to be a truely outstanding designer we need to live in a world of unrealistic personal expectations. However, personally I like the down to earth reality of "Six suggestions that can make you a better designer." In this post Eric writes…

Your project doesn’t have to do everything. It doesn’t have to win awards, make you look good, or have a wry subtext. Getting something simple to work is hard enough. Concentrate on the basics, and see if your idea holds up when shown to the audience.

In my opinion there is too much written about being outstanding and not enough on just being better.

Usability challenges associated with web applications

The final story of the week is a post by Jared Spool. Jared is a truely exceptional usability expert and I can highly recommend his Podcast. He is also an excellent speaker that I had the pleasure to hear again this year at SXSW.

The reason I mention him is because of a post entitled "3 important usability challenges for designing web applications." What I find so refreshing about this post is that it focuses on the web applications we all have on our sites rather than the trendy web 2.0. apps we hear so much about.

Sites like delicious, gmail, of even the up and coming getsignoff (shamless plug!) are somewhat unusal in terms of web apps because the whole site is the app. Most web applications are a part of a greater whole. They are contact databases on corporate intranets or ticket reservation systems on airline sites.

The challenges associated with these types of web apps are different from their trendier cousins and Jared addresses these problems in his post.

It is definately worth reading if you have web applications on your site.

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Feature: Lessons learnt SXSW

Marcus shares his impressions of SXSW and the lessons we can all learn.

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Interview: Garrett Dimon on form design

Paul: So joining me today is Garrett Dimon. Good to have you on the show. How are you?

Garrett: Pretty good.

Paul: Now I have to say I’m really excited about having you on the show because I have to say I’ve become a bit of a fan. I’m sorry to admit this and I know it’s horribly embarrassing when people say things like this to you. But ever since you’ve released your website which so impressed me I’ve been kinda following your work since then, some of the stuff you’ve been doing. You’re everything I’m not. You’re minimalistic, you’re clean and considered and well thought through while I’m chaotic, over the top and brash. That’s why I’m attracted to your work I think because you’re the
opposite of me.

Garrett: Everything I do from my apartment and everything is just the less I have, the simpler things are, the better things seem to turn out for me.

Paul: If only I could live that way. I’m just not… my brain just doesn’t function in that way. But that’s really cool. So I wanted to get you on the show to talk about forms of all things. It’s something that we’ve touched upon a couple of times in the show but mainly as passing comments in news stories and things like that. In actual fact a couple of the times we have mentioned it, it’s your name that’s come up. It seems to be something that you write a lot about from time to time. You see different articles popping up in different places. Why forms? What is it about forms that seems to attract your attention?

Garret You know it’s hard to give an answer. I really don’t know. But in thinking about it probably my first bet is that I really don’t consider myself to be a designer per say in terms of the more traditional, more artistic design orientated type of visual designer. But with forms it’s more about the interaction design and the more logical aspects of design which are things that definitely work better in my head. So how do you write error messages; how do you label fields; what order do they go in; how should they be grouped; do they go on one page or two pages. Some of the more logical, more interaction issues. Then using what little design knowledge I have to supplement that and make it visually easier to digest the form and see and understand the pieces of it. Basically to me it’s basically the one thing that I feel like I can comfortably design and layout because there’s a lot more to it than just the aesthetics.

Paul: Yeah that kinda makes sense. Why do you think forms are so important in a way? It’s obviously something you consider important but there doesn’t seem to be huge amounts written on the subject. What is it that makes them worth of that kind of attention as far as you’re concerned.

Garrett: I think part of the reason is precisely because they don’t get enough attention. Any real attention you see to forms, I haven’t seen it recently but it’s how do you skin your forms to completely control how they look. Which to me is one of my huge pet peeves. It seems like such a waste of time. To worry about what the forms look like in the browser as opposed to how they actually work, I’m thinking if you’re going to invest the time worrying about how your forms looks it’s probably better to spend that time worrying about how they are going to work. Are you using the right form field for that job and some of the more critical things about forms. Really forms, especially now with web apps being what they are, forms are such a huge part of your everyday interacts. Things like efficiency, learnability, accuracy, all the vasts of usability that matter. It’s not just a matter of “Is this form efficient?”. Well it’s easy to make an efficient form but it’s not necessiarly going to be something that somebody else could learn and use or you might be able to learn it but will you remember how to use it next time you come back. Balancing all the different kind of vasts of usability that Nielsen identifies and really working them out so that you don’t dumb the form down so that it’s so simple that anyone can use it that it’s just a cumbersome process to fill out. Really kind of massaging it with all those things in mind.

Paul: You’re right when you say that in the world of web applications certainly forms are amazingly important but they pretty much appear on every site. It’s hard to thing of a site where they don’t appear.

Garrett: Well you think about a magazine site or anything like that where it’s more content orientated, it’s definitely a lower priority.

Paul: Yeah but you’ve still got contact us forms and things like that.

Garrett: Yeah, comment forms and…

Paul: Ok. So you touch there on the fact that one of your pet peeves was the fact that people worry about the design of their forms rather than how usable they are. What over common mistakes are you seeing from people about how they design and implement forms?

Garrett: I think there’s a whole slew of them and I think a lot of it is just worrying about the wrong things or not giving thought to things that matter. My main reason with the designing the form fields is that people are used to seeing form fields and what they look like in their browser, in their native rendering. Sure as a designer having pixel perfect control would be nice but I would hope that most of us who are now designing on the web would have forgone that state of mind where we have to have complete control over everything, it has to look exactly the way we want. A lot of time not only is it a waste of time but it actually hinders usability when those form fields don’t look like what someone expects a form field to look like or button for that matter. When the design becomes design for design’s sake it actually hinders usability in addition to just wasting time. When I initially started developing things it was all about consistency because consistency is easier to implement. If every form field looks the same, behaved the same, is the same size etc. it’s easier to implement because you use the same CSS and you don’t have to put as much thought into it. So while consistency is valuable there’s definitely an aspect of context that a lot of people don’t necessarily pay attention to. In some situations, I think 37 Signals have done a good job on this, they’ll make some fields larger than others relative to the size. In particular in Backpack, their headings aren’t just a form field they are actually bolder and look a little more like a header. They are a little larger font than the body of the note. It adds a little bit of context so that it’s more intuitive as to what the purpose of that field is. There’s a lot of different ways to do it. That’s just one of the more tangible ones. Basically the mistake being focusing too blindly on making everything consistent when there are appropriate situations to break the rules and use context to make some changes. Another one is just dumping a whole form onto the page without breaking it up into logical sections or groups. A lot of times people are afraid of making a form any longer visually because of scrolling. While you don’t want somebody to scroll 80 screenfuls, scrolling one versus eight screens is neligable.

Paul: So you wouldn’t suggest splitting forms across multiple pages then?

Garrett: Well there’s definitely context for that if it’s appropriate. Amazon is a great example there because you’ve got your payment screen and your address screen. It actually can be a fairly complex process but the time you’ve selected several addresses or updated an address, updated a payment method, changed the items in your cart. As you’re jumping around the different screen’s you definitely wouldn’t want all that interaction to try and be contained on one screen. It depends on the size of the form and the context of the form and how interactive it can be, how many potential branches off of that path are there to take. Another would be poor labelling. A lot of the time people label things. This goes back to just naming conventions in general. Just basic information architecture stuff. Whether it follows a corporate naming convention that may not be the right word for somebody that’s not inside the company wall or just simply flat out the wrong word for international [???]. Really anything. Just not putting enough thought into the label. The first thing that pops into your head isn’t always the right thing. Using the wrong kind of inputs so a lot of times whilst… and I have no idea in the world why people would do this… People who for instance who use checkboxes when they won’t use radio buttons and instead they write Javascript to control the radio button. Checkboxes as if they were radio buttons. Thinks like that where I just have no idea what these people were thinking in some of these situations. Just a lot of things like using a radio button or having a yes/no radio button where a checkbox could work. Multiple select lists which are an absolutely terrible interface element to use because a lot of people don’t know you can control+click. If there are small lines and you accidentally slip off that control key and click on a new one, it’ll select that new one and erase all your other selections in that list. There’s different things that kinda get abused and misused in situations where they really aren’t necessiary. A much simpler solution usually exists.

Paul: Yeah. I’ve seen the radio button, checkbox problem and it’s always very amusing.

Garrett: And vice-versa. Where it’s radio buttons and they try and make them checkboxes just because they think it looks prettier sometimes.

Paul: How bizarre.

Garrett: Which I guess is another great example – over using Javascript in forms. It’s one of those things. I don’t know where I heard it but the best description I ever heard of Javascript, Ajax or any of that stuff is that it’s really a spice. If you’re cooking you wouldn’t just dump a whole bottle into your pot. Or you wouldn’t start with a bottle of curry and dump it into a pot and say “OK, now what are we going to make?” You would decide what you are going to make and then think “You know this could really use a bit of curry here”. A lot of people just don’t use Javascript as a spice. It really starts to define the experience and in a lot of situations actually makes it worse or more confusing.

Paul: I presume you would encourage some use of Javascript for example. Things like doing some client side validation as long as it falls back on a server side validation. That kind of thing.

Garrett: Yeah absolutely.

Paul: OK so let’s turn that question around. We’ve been talking very much about the mistakes that people make, but what advice would you provide people about approaching forms? What are the things that they should be doing rather than shouldn’t be doing? I know that in some ways this is going to overlap but is there a particular approach that you take?

Garrett: One of the biggest things I guess is when ever; doing consulting for custom applications or things like that a lot of times we don’t realize that a lot of the complexity from forms comes from the complexity of the business. Whether it’s somebody doing markup or somebody designing a form, a lot of times you know if a business analyst or whoever creates these form requirements and says “here you go design this form.” It has 100 fields and this is out contact form and 80 of the fields are required. A lot of times people just say “okay, it’s my job to implement this. In my experience a lot of business analysts aren’t really familiar with principles of the web and what makes sense. A lot of times the real effort to creating a good form is in educating everybody else about what would be involved. Pushing back in situations like that. Not in a bad way but in a very professional productive way. “You realize that this is going to be a really bad contact form. Nobody’s acutually going to use it. I’ve even heard response like “That’s the point. If people contact us we have to take time a respond to them.” The problem isn’t with the form there, its with underlying things. Obviously that’s a little bit of an exaggeration. The idea is that the best place to start with forms and any kind of interaction like that is with the principles that are underneath there kind of guiding it. With the issue tracker that I am developing, I started out parring back the process of what’s the lifecycle of an issue. Trimming out parts that I didn’t think would really be necessary. I was just looking at it in the context of the lifecycle. I hadn’t even thought about what are the forms going to look like? How am I going to communicate this lifecycle within the context of the application? When it came down to the point when I had to explain how that actually worked, because I had trimmed the proccess and the lifecycle down so much, and it was only 3 steps really, I was able to translate that concept directly into the interface. If I had never actually gone and trimmed the lifecycle down and it had 6 different states that were very cross dependant and this state only is an option when you are in this state… It gets so complicated that even if I could express it in an interface, the code to build it would have been so absolutely unweildly that I could have never created a natural and intuitive inteface. So, I guess really challenging the underlying things rather than just thinking about the things on the surface. And then really just look at every form on it’s own. In it’s own light. What is the goal of this form? Should it be laid out like a traditional form? With one set of “label” “field” all the way down the page and a submit button. Should there be other buttons? Another thing when, I have a fairly consistent model that I am using when I am designing forms in my new application. The main form is for submitting issues and that one form is probably going to get 80% of the useage in this whole system. That and commenting. In the context of submitting issue alot of times you will be in a meeting capturing things as people are talking, capturing issues cause it’s an issue tracker. You want to be able to capture and issue, save it, and move on and capture another one really in kind of rapid succession. So I added an extra button at the bottom that I wouldn’t put on any other page, cause it doesn’t make sense, to save and add another. So it immediately saves that one and takes you back to the data entry screen. You can just continue in a circle and just keep on adding and adding. So really looking at forms and thinking about how are people going to be interacting with this? What are they doing in the real world while they’re using this form? Are they copying data from another application into here? Are they in the middle of a meeting just capturing items in rapid succession. What are they doing? Are they just quickly jotting it down from their iPhone? Understanding that context helps illustrate ideas and different sublte variations that you can do to forms and make them very very practical without adding a whole bunch of extra overhead on the implementation.

Paul: I remember you wrote an article at one stage redesigning eBay registration form. When you wrote about that you talked about the fact that this is a registration form. It is a one off form, and all of the ways that that then informed the way that you built the form. How it affected the positioning of things, and the layout and things, simply because it wasn’t going to be a form that people were using again and again. That’s the same kind of context that you are talking about.

Garrett: Yeah exactly. There’s always a different context to a form and it matters. It is easy to overlook it but that context, and really any design for that matter, context is so important but it is something that…I think that main reason that people don’t pay as much attention to context is because it requires a lot of extra work. A lot of times it’s easier, and it makes sense for kind of a first pass, to make every form look the same. It takes a lot more work to go through and re-invent the wheel every time you look at a form even though, re-inventing the wheel is probably a little bit extreme, to really give it some custom attention. Some tender loving care, just takes a lot more effort that lot of projects don’t have time for.

Paul: You mentioned earlier 37signals that you liked some of the stuff that they were doing. Are there any other good examples out there of forms that you really think are getting it right and are worth us having a look at?

Garrett: Probably the one thing that always jumps to my mind any time anybody asks me about forms is all of the work that Luke W is doing. I hate trying to butcher his name. The stuff that he is doing and hopefully his upcoming book is just really incredible. In depth. He’s done a lot of eye tracking research about label placement and button placement and he’s talked extensively about primary and secondary action buttons. All of his stuff is really incredible.

Paul: So where can people find out about him?

Garrett: I always just google for Luke W to get to his site. Functioning form is his blog. He’s the first hit for Luke W.

Paul: I’ll add it to the show notes. People can get to it via that. That’s interesting. I must admit I hadn’t hear of him so I’ll definitely check that out.

Garrett: He’s one of the, I don’t know his exact title, but he works at Yahoo and he’s got a plethora of presentations about form design and all of the kind of stuff. Really sharp guy.

Paul: And he’s writing a book you say as well?

Garrett: Yes he is for Rosenfeld Media. It’s due out early 2008.

Paul: Excellent. So just to finish us off. A little bit of bile at the end of the interview. Is there any forms that you want to name and shame? Any site that do things really badly that we can all go and laugh at and sneer at?

Garrett: You know that’s a very tough thing to do.

Paul: (lauging) So many out there.

Garrett: Well there are so many out there. But at the same time too there are a lot that seem like they could use improvement but they’re companies that are investing a lot of money and research to improving their forms. So I’m hesitant as an outsider, somebody who isn’t exposed to some of that data, to try and call them out, when they’re probably acutually right on the money. The top two that come to mind that I know are successful are eBay and Amazon. I think Amazon succeeds on the interaction design of their buttons and the flow of their checkout is natural and intuitive but I feel like a lot of their page designs, and it could be a very intentional thing in order to, although I hate thinking that Amazon would acutually do that, to kind of trap people and confuse them almost. If you look at each page in and of itself I think there is a lot of design things that they could make adjustments to that would make the pages easier to understand and comprehend at a glance. I feel like right now their design of their checkout process, or most of their site in general, is very busy and intense. It’s difficult to focus on one element because there’s so many elements. There is very little very intuitive page hierarchy within each page. And they’ve made leaps and bounds, watching the site evolve over the years. But, it still feels like there’s a lot more room for some design consistency for them to introduce. They’re slowly getting there. eBay is another one who, I know they acutually, I forget their CEO’s name, but she declared 2008 the year of user experience at eBay. They’ve acutually invested a lot in trying to improve their forms and really their user experience period. eBay is one that I’ve only successfully purchased something on there once and everytime I try to swim through there I get lost and just give up. Too me any situation like that is just begging for help. I think any form, even the best of the best, even 37signals, everybody is still learning. This is all so new that even the best forms have so much room for improvement. Even my stuff, I come a month later and say “what was I thinking there?” There’s so much work that needs to be done. I think that Luke’s work that he’s doing is probably some of the best and most important work that we’ll see in forms in the near future. He’s starting to really put down facts about what really is good and bad and why it is good and bad. Up until now most of us have just been pontificating based on “well this form is hard to fill out because of errors.” Or you know, the form breaks, or the error message isn’t helpful. Very obvious things. He’s tracking the much more subconcious things that until now nobody’s really dug into and made claims about. It’s kind of a cop out on your question.

Paul: No No. You gave two example there and you gave constructive reasons why they should be improved or could be improved. No I don’t thinks it’s a cop out. You’re just so much nicer than I am. You didn’t go for the jugular that was the only thing. Garrett it’s been great to have you on the show. I think that you’ve given us some real good hints to get going I guess and make some imrovements. It was good to talk to you.

Garrett: Yeah likewise.

Paul: No doubt we’ll get to talk again soon before too long. Especially when you’re issue tracker comes out. We’ll have to get you on hear all about that.

Garrett: Yeah. I’m hoping it will be sooner rather than later but it’s definitely tough to balance the feelancing and paying the bills and making progress on it.

Paul: I know exactly how you feel, we’re doing the same thing at Headscape at the moment. It’s always difficult. Client work is so tempting because it pays the bills here and now.

Garrett: Yup, exactly.

Paul: Okay good to talk to you and we’ll talk again sooon.

Garrett: Sounds good.

Thanks to Lee Theobald for doing the transcription

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Listeners feedback:

Finding usability test subjects

Our audio question comes from Clare who asks…

"Where do you find your test subjects for more formal user testing"

It can be hard to find good test subjects and I am not aware of any agencies out there that source people for you (although I am sure somebody will correct me).

I think it is worth stressing that finding users who match the demographic of your target audience is not a huge concern. As Steve Krug points out in his book "Don’t make me think" most problems are encountered by any user. That said, where possible it is good to find people that roughly match the specification.

To be honest our approach it is very adhoc. It normally consists of both Headscape and the client scrambling around to see who you can find. The client often has "tame" customers they can ask and we fallback on family, friends and other clients for recommendations.

I should also say my local church has been very handy! A church seems to have a good cross section of ages and backgrounds and an advert in the church newsletter often does the trick. Equally advertising in your local newspaper can attract people, but you have to be willing to pay for their time.

Accessible tables

This week’s email is from Daniel and takes the form of a recommendation rather than a question…

"Could you cover the tips discussed in this article [about accessible tables]? I have seen a lot of tables on the web. Almost none of them uses any of these tips."

The article Daniel is refering to can be found on the Opera developers site, which is a great resource covering all aspects of web development (not just stuff relating specifically to Opera). The specific post looks at how to markup data tables in an accessible format. Since designers have stopped using tables for layout they have become largely ignored. However, if not marked up correctly they can prove a real problem for speech readers. A simple table such as this…

Day AM PM
Monday Meeting Travelling
Tuesday Free time Meeting

…can become impossible to understand when read back because it is read in a linear fashion…

Day, AM, PM, Monday, Meeting, Travelling, Tuesday, Free time, Meeting

However, if marked up correctly it suddenly makes sense…

  • Day Monday AM Meeting
  • Day Monday PM Travelling
  • Day Tuesday AM Free time
  • Day Tuesday PM Meeting

Great find Daniel. These are tips we should all be implementing.

110. The mighty Meyer

On Show 110: Eric Meyer on version targeting, the business benefits of usability testing and do I have to have a blog?

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News and events | The profit and loss of usability | Eric Meyer on version targeting | Listener emails

News and events

Before we kick off the news section today I should point out that I actually link to many more articles, tutorials and news stories than I ever include on the show. If you go to boagworld and click the links in the header you can receive all of these posts by either email or RSS.

CSS reference library

Raise your hands if you have ever used the W3 School. Okay put your hand down now because you are looking kind of stupid. For those of you who didn’t raise your hands the W3 School is a comprehensive reference sources for almost every web language around. It really is very impressive.

The problem is that it doesn’t provide the nicest user experience. If you are looking for CSS reference information then a possible alternative is the new Sitepoint reference section. At the moment it only includes information on CSS however they are obviously looking to expand.

Its design is a lot more attractive than W3 School and although it is not as comprehensive it will provide you with all the latest information on CSS properties including CSS 3. It also provides you with an indication of which browsers support that property.

Stay on :target

Talking of CSS 3 there is an interesting article by Brian Suda over at Think Vitamin entitled Stay on :target. Target is a new CSS pseudo-class being introduced in CSS 3. Although it has yet to be implemented by Internet Explorer it is supported by many other browsers.

Essentially what target does is allow you to style a target element in much the same way you can style on hover. So when you click on a link that goes to a fragment identifier (what used to be called anchor links) then it styles that fragment.

So for example a good use of this attribute would be to highlight the content that you have just been jumped to (like the fade to yellow technique) or to hide and show content when the user clicks on a tab.

Of course many of you might be asking why I bring this up when it isn’t supported in IE. Well, not only is it an interesting glimpse into what is to come, it can also be used right now when the functionality provided isn’t crucial. For example you wouldn’t want it to hide and show content but it might be okay to highlight linked content with it.

Read the article and you can see the potential yourself.

Search behaviour patterns

Another article worth reading is Search behaviour principles over at Boxes and Arrows. This article looks at how people search and the different types of searchers there are. It also looks at what things affect the way people search and techniques that can be used to accommodate their approaches.

As I have said before on this show, not enough attention is given to search and this article will really get you thinking about how to better accommodate it. Best of all there are still a lot of hints that can be applied here even if you are lumbered with an inflexible search mechanism that cannot be customised or tweaked.

10 principles of effective web design

Talking of search usability brings us nicely on to our final story of the day which is a post from Smashing magazine. We haven’t mentioned them in a while but this week they are back with another top ten list. This time it is the 10 principles of effective web design.

Personally I think it is a misleading title as actually the post is about basic usability techniques. That said, it is a very good list and contains some really solid advice. It also contains lots of examples which really helps you get your head around the issues.

I don’t think the post has a lot to offer seasoned usability testers but if you have always avoided the subject in the past then this is a nice simple starting point.

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Feature: The profit and loss of usability

We have looked at the subject of usability testing relatively recently on the show and have mentioned it countless times before. However, never have we taken a step back and asked the fundamental question: why is usability testing important? This week we look at how usability testing can be presented to clients and dispel some of the misconceptions about it.

For more detail on what we cover read my post The profit and loss of usability.

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Expert interview: Eric Meyer on version targeting

Paul: So on last weeks show we discussed Internet Explorer 8 and some of the plans Microsoft have for it and joining me this week is Eric Meyer. Hello Eric, good to have you on the show.

Eric: Cheers, hello.

Paul: Cheers, very British of you.

Eric: I try to localise my content.

Paul: Yes, very good. Most impressed! We’ve got Eric on the show really because this whole news surrounding Microsoft and what they were planning to do was broken on the A List Apart website, in 2 articles, one of which Eric wrote. The reason I think I wanted to get you on the show to talk about it is because I was kind of struck by the honesty of your article that a lot of what you were saying was very much ‘I really don’t want to like this idea but…’ kind of attitude. Which is the kind of attitude that I think goes down well with the people that listen to this show. So I was wondering Eric, could you kick off by giving a brief explanation of what it is that Microsoft are proposing doing, just so that we’ve got a bit of an understanding of it?

Eric: Um, well pretty much what they’re proposing is that Internet Explorer, Internet Explorer 8, and in the future will recognise a single element, a meta tag which can be used to say ‘This is the version of Internet Explorer that I want you to act like’ so that Internet Explorer 11 can act like Internet Explorer 8 did, or Internet Explorer 7.

Paul: Right.

Eric: So the idea basically is well they call it Version Targeting so that you can have your page actually targeted to a certain version of Internet Explorer even if newer versions have come out.

Paul: Ok. So, I mean at face value that sounds very much like browser sniffing, which is obviously something that has kind of become considered bad practice. How does it differ?

Eric: Well my perspective is that it differs because it actually reverses the direction of sniffing. Browser sniffing To date it has been a case of authors trying to figure out what browsers they want to sniff for and what should happen as a result. This was sort of the reverse side of. It would be the browser sniffing the page to say, ‘What do you want me to do?’, at least in the case of Internet Explorer. It should be clear that Microsoft has so far as I am aware anyway not proposed that anyone else has to do this, or that this has become any part of any sort of standard. They’re saying if it is what we want. This is what we’re planning to do on the browser. So they have the same echoes. I really feel like they are not the same thing. There are a lot of people who disagree with me but they are really very different because one of the reasons that browser sniffing by authors has become viewed as a bad practice is because it becomes fragile over time. First of all there’s a case of people saying ‘If this is Internet Explorer do such and so’, and they don’t consider that there might be a version this version of Internet Explorer that might change what I’m trying to work around. Another reason is that people make guesses about what will be in user agent strings which is usually what people browser sniff on and sometimes those guesses turn out to be wrong as when Safari first came out its user agent strings had the phrase White Gecko in parenthesis.

Paul: Yeah.

Eric: A lot of people had done browser sniffing scripts that looked for the word Gecko so all of the scripts thought that Safari was Mozilla, Firefox or whatever and so some of them broke. In a way it is hard to fault the authors because how are they supposed to know a browser from Apple, not based on Gecko, would have the word Gecko on it’s user agent string and yet that happened so this would be much more controlled it seems to me were it would be browser saying ‘What do you want me to act like?’ and that’s the other reason this has varied from browser sniffing usually tries to predict the future, whereas this version targeting that looks like it will happen in Internet Explorer it actually has to predict the past which is inherently easier to do.

Paul: Why has Microsoft decided to take this position? It seems to me like in some ways they’ve created a rod for their own back in the sense that they are producing I don’t know, Internet Explorer 11 and in that has got to be the rendering engine for 10, 9, 8, 7 and all the way back. Is that not just a lot of work on their part? What’s driving them in this direction?

Eric: I think it will be a lot of work on their part. I do not believe that the idea is to have completely separate rendering engines for each of those browsers, but to have effectively if then else statements in the rendering engine or cases or switch statements for a little more program language savvy. The reason that they’re doing this is that they really have a problem, well they have a dilemma, and they need to get out of the dilemma. The dilemma that they face is basically this: There are a lot of pages out there both on the public web and in private intranets that were developed to IE6 or IE7 let’s say and weren’t developed in an open standards way they weren’t developed the way a lot of people in the standards movement develop sites which is to code to the standards and then figure out how to work around the problems that they encounter. If you have an intranet, a massive intranet site, and your company standard is IE7 the default tendency is to develop it to IE7, you use behaviours that are not correct according to the standard, but are the way that IE7 acts. You have all these past mistakes which every browser makes past mistakes. IE7 it can be argued has made more mistakes than others, not an argument I want to get into. They have that situation where there’s this large legacy of pages. So they can’t have those break for a number of reasons, many of them business reasons, actual monetary reasons but at the ground level you could look at it as if the browser changes enough that those pages start to break it becomes a bad browsing experience for users of that browser. At the same time, the Internet Explorer team would like very much to improve their standards support. They did this for IE7; they fixed a lot of things. They went more towards the updating the browser and didn’t worry quite as much about breaking sites, and they got into quite a lot of trouble over it both internally and externally. There were people who took on the task for breaking the web. We’ve been here before as an industry back in 2000. This is how DOCTYPE switching became to be because the first few iterations of IE and Netscape did very badly at CSS support. They tried and more power too them but Internet Explorer got the box model wrong. Netscape got so many things wrong that they had to junk it and start off with a new browser. So DOCTYPE switching was basically invented as a way of being able to say ‘Given these criteria render pages the way they used to be rendered and give them these other criteria go the more standard route’. From the Microsoft prospective this is like a super DOCTYPE switch except in this case instead of hinging it on a DOCTYPE they’re hinging it on information about what the browser version is.

Paul: Yeah. It is interesting when I first heard about this and I first read your article and the other one on A List Apart, my initial reaction was oh no all this feels wrong and indeed which is what in the sense you said that you went through when you were writing the article and then we actually were discussing it on last weeks show with John Oxton and John Hicks, the same kind of thing came out that we felt very uncomfortable with this and we were reflecting on a lot of things that were said including Jeremy Keith who made this point of you’re actually in a position where you’re actively having to tell Internet Explorer 8 how to behave like Internet Explorer 8 and not IE7, which seems a bizarre set of circumstances but since then I’ve been thinking about it a little and I’m struggling to come up with a reason that I really object to this beyond a principle of the thing that I feel like I shouldn’t agree with it but I’m having trouble articulating why I guess. What kind of things are you seeing? You must have seen a lot of objections come up when you are brave enough to step up and say what you did on A List Apart, I’m sure there was quite a backlash. What kind of things are people saying and throwing against this?

Eric: Well I can see quite a few objections.

Paul: *laughs*

Eric: Well one of them is an objection that Jeremy brought forth which I think I am glad that were talking about that which is that the default behaviour is to default to IE7 as I understand. So when IE8 comes out, if it doesn’t see this version target meta tag in a page it will assume that page is to be treated as IE7 would have treated it, which again completely reverses what were used to. What were used to is when a new browser comes out the page will be interpreted according to the latest and greatest unless you’re using a quirks mode DOCTYPE switch but anyway, it’s bizarre, and yet I did go through the same thing when I first saw it I was like &#”;What!&#”; *laughs*

Paul: Yeah.

Eric: Good old WTF basically.

Paul: *laughs*

Eric: And when I first saw this it was at the beginning of January when Aaron Gustafson submitted the first draft of his article, I hadn’t actually heard about this before then, and I started arguing with him about it in the A List Apart editing forum and very quickly came to realise, &#”;Why am I objecting to this?&#”; and I took the time to step back and say &#”;What’s the deal here?&#”; and that’s were my article came from with the two of us going back and for and it was like, could you write an article about that because that’s what a lot of people are going to go through. So there’s the default behaviour, you have to have the meta to have the latest and greatest, yeah, I would like to see that changed, I would like to have Internet Explorer act the way browsers always have because that’s what I’m used too, but at the same time I have to be realistic about the problems that they face, that I was explaining before.

Paul: Yeah, because that wouldn’t solve their fundamental problem which is that people that aren’t aware of working to the latest standards aren’t going to be aware that they have to put meta data in there pages either.

Eric: Right, so people have said that Microsoft, of anyone, are in a position to educate people who are not aware of the need to do that one thing and that’s the point I made when I was talking to a member of the IE team about this. There are other objects that I think mostly have been related to that for example Bruce Lawson posted just in the last few days, the default behaviour means that from an accessibility point of view any page that doesn’t have this meta tag is stuck with IE7′s accessibility support which apparently is not were it should be, so he’s made the point that freezing pages to IE7 in the absence of any other information freezes them in this inaccessible state, I’m not an accessibility expert so I don’t know how best to categories that but, will have accessibility problems and keep them for years and years as opposed to, ya know, as accessibility problems improve in Internet Explorer, getting those benefits and that a very real objection and a very real concern, and I think one that needs to be made to the Microsoft people because accessibility is very important. There are other objections from the javaScript community, it’s actually been interesting in the javaScript community, there’s been a real dichotomy, there have been some javaScript library authors who’s been like &#”;Yes! Finally, thank god somebody is talking about versioning!&#”; right, and there’ve been others who have been like &#”;Oh my god, are you kidding, libraries will have to support all these backwards engines&#”;.

Paul: Yeah.

Eric: Again, I’m not an expert to know what side of that certain dichotomy I would come down on, in my own blog posts I’m saying, wouldn’t you just use object detection and not worry about what the version number is?, but I guess that doesn’t fully address the problem, or at least that’s what I’ve been told. Again it’s something that needs to be figured out, because there have been some fantastic javaScript libraries and fantastic things that can be done with those and if this is a move that will hamper the growth of that field then that’s something else that would also bother me. There’s also the security objects, the idea that every backwards versions that you have your complicating your ability to keep your security holes closed, that’s the kind of thing we’re I have to say &#”;Look that’s down to the browser maker to figure out&#”;.

Paul: I guess that the problem with the whole default behaviour thing is how badly it’s going to break things, how many sites are going to be broken if the default behaviour was the latest browser and how badly are these sites going to be broken, are they going to be unusable? Are we talking about some small changes? I guess there are a lot of websites out there as well that just aren’t supported at all, content has been put online, nobody is checking them, nobody is checking when a new browser comes along, and if when IE8 was released and those websites became completely inaccessible and unusable then obviously there’s a big issue there because your loosing vast amounts of content on the web. I guess a lot of it is unknown entities at the moment isn’t it? It’s guess work.

Eric: Yeah. There’s a lot of guess work and that’s part of the problem, I think if we knew, if there were some kind of statistics, like if the IE team were to come out and said we built a version were the default behaviour was latest and we tested it against these 1000 QA sites and 20% of them broke, 5% were completely unusable, that would be one thing, or if they said we tested and 2 sites were broken, you could still read them but they look a little weird, that would be different and nobody does really know and at least nobody outside of Microsoft and maybe not even them, I don’t know if they’ve done that kind of testing yet. And, I’m sorry, there is one other objection that come from a couple of other browser manufacturers that this is in affect, anti-competitive, whether it’s meant to be or not, but it has that effect because Internet Explorer has such a large market share they have to worry about what it does and so to them it becomes a lot harder to do that, so if they are going to keep up this effort it’s going to become a lot harder to do in this version targeting world after a few releases, of course the question is whether they would need to do that or not and there’s a lot of debate about that, there are people who are like, &#”;Just stop, stop making reference to Internet Explorer and just let it strangle itself to death&#”;. I don’t want to get into all the back and forth that’s happened but that is another objection.

Paul: I guess, is there some danger here as well that once you’ve got this version targeting in place Microsoft could go off on some complete tangent and start introducing all kinds of proprietary functionality into their browser that isn’t supported in the other and we end up in a situation were we’re having browser wars again with different browsers implementing different proprietary tags and stuff like that, or are we truly beyond that do you think?

Eric: Umm, It is certainly a risk and how much of a risk influences were people stand on this. I don’t see that personally as being much of a risk, because yes, the Internet Explorer team could introduce a load of proprietary properties that let an author change the colour of the browser kernel right or replace the backwards and forwards buttons in the browser, whatever, and if nobody else supports that, I think those efforts will largely support them strangling themselves, I mean, colours scroll bars we don’t really hear about anymore, people will still do them, but nobody else really cares.

Paul: Yeah.

Eric: So, I would not claim to be smart enough to see everything that could possibly be done but I think in a lot of ways that might not be a bad thing, because it would let Microsoft experiment with less constraints, they can do initial implementation of things that are in CSS3 and if the behaviour of those things changes, in a later version they can fix what they did, they can change to match the spec, and then still have backwards compatibility for pages that took assumption of that, there are people that would say &#”;Well they should never implement anything that hasn’t been completely nailed down&#”;, but that doesn’t really work, because one of the ways that you get yourself out of the candidate recommendation stages at the W3C is to have implementations and the only way to have implementations is for someone to implement them and if they find out during that phase, and this is what the candidate phase is about, if they find out in that phase that such and such property that has been specified, doesn’t work in the real world for whatever reason, they’re then able to go back and change it, but in the mean time if your Internet Explorer and 11′ty billion pages have been implemented to your particular version of the property.

Paul: So, you wrote this A List Apart article that went out of the 21st of January, and we should probably say that we’re recording this interview on the 29th of January and it’s not going to go out for another week, so things might move on in-between but there’s obviously been a lot of discussion since you released that article, have your views really changed in any way, are you still in favour of this approach or have there been more concerns raised that have made you doubt it?

Eric: Hmm, I’m still in favour of the general idea, the implementation I’m a little less, I guess I would say I’m more agnostic about, but the general idea of backwards compatibility so as not to break sites, whilst still being able to change and improve and fix the browser I’m all in favour off. The default behaviour still bothers me, and I’m still having trouble working out if there is a case of honest to goodness technical reasons or it just feels wrong, there has to be something, how’s it’s gone about is a different question, if the IE team and the people that they have to answer to effectively can be convinced that having the default behaviour switched and then educating people whole want to freeze their sites, on how to freeze there sites using the meta, they can be convinced to do that and that that will fix the problems that they face then I’m all for it. Accessibility concerns do bother me and I think that that’s another argument in favour of switching the default behaviour but at the same time I also have to recognise that switching the default behaviour, as you said earlier, from a certain prospective, completely negates the entire reason to do this, given a certain set of circumstances if they’re going to switch the default behaviour it might almost as well not even do it. Again though that also depends on how much breakage on how many sites and what kind.

Paul: Yeah.

Eric: The other unknown that we’re facing here is we don’t yet know just how different the IE8 behaviours are compared to IE7, we have a clue in that we already know that there’s an internal build of IE8 that can support the ACID2 test, which they weren’t even really very close too, well I guess that depends on who you talk to, but they didn’t support it before so in or to support ACID2 they have to have things like generated content with CSS which we completely don’t have in IE7 they have to have fixed some of there parsing bugs and so on and so forth that hints at a very large change, an even bigger change than that between IE6 and IE7, but we don’t know at this stage, it could be, and this has been one of my objects to ACID2 or one of my discomforts with ACID2 over the years, it could be that they’ve just implemented exactly the things that were needed to ACID2 work and not more, which is the wrong way to go about supporting ACID2 and I don’t know that they’ve done that, but it’s possible. So I may be that it’s not such a huge change, but those things came about as sort of a broader push towards implementing more advanced selectors and fixing bugs and implementing area content and really pushing into the areas of CSS2 that they don’t support and the areas of advanced CSS modules that they don’t support yet, then that could be an enormous change and in that case there’s more chance of them breaking a ton of sites if they don’t have a mechanism like this in place to deal with them.

Paul: So I mean in some senses, after discussing this for however long we’ve been discussing it, there’s very little at this stage that we can really do about this, for the average web designer, Internet Explorer 8 isn’t going to be out in the immediate, one presumes and even when it does we’re talking about relatively minor changes that they’re going to have to make to their site, I guess the biggest immediate concern is maybe how you think about building sites at the moment, do you worry so much about things like progressive enhancement if maybe the way that Internet Explorer works in the future, I guess they’re still good principles.

Eric: Yes, absolutely they’re still good principles and that is how I have developed sites and will continue to develop sites and really I think what it comes down to here is who’s going to have to add the meta tag.

Paul: Yeah.

Eric: Is it going to be people who do forward development, ya know forward compatible development, is it going to be standards aware developers or is it going to be people who aren’t in that sort of craft. It’s not fair in a way, that the people who have been doing things in the right way will have to take that on, but on the other hand it could well if you look at the numbers, there are a lot less of us.

Paul: And in some ways we’re much more equipped to do it.

Eric: Right, to understand why it’s needed and how to do it the right way and when not to do it for that matter.

Paul: Yeah.

Eric: Because when you develop a site for someone and it seems like a one off and they really not going to be keeping it up, you might want to keep the meta tag off because you know that that will default to IE7 and that’s what you want or you might explicitly include it because you want it to default to IE7 and IE8 or ya know on my site if this happens I’ll probably use the edge keyword of IE equals 1024.

Paul: Yeah.

Eric: So I’ll always get the latest and greatest and so that’s for me personally, but for a client I would have a much harder time justifying that because clients don’t care if it’s forward compatible development or not they just care about whether their site works and will continue to work right and so the point has been made, as you did, that in a lot of ways people who are sort of more clued in are better equipped to take this on as opposed to somebody’s grandmother who uses Dreamweaver or whatever to put together a site for her poetry circle and this happens all the time, they don’t even look at the mark-up let alone would understand why this would need to be done why there would need to be some kind of meta tag, first you would need to explain the concept of tags etc, etc, etc.

Paul: I mean a lot of these people don’t even realise that there are multiple versions of a browser, or indeed that there are multiple browsers.

Eric: *laughs* And those are also issues that will need to be faced, somebody is going to have to do this. A lot of these advances that IE8 seems to have ready to go as indicated by passing the ACID2 test may well have to come back out.

Paul: Yeah.

Eric: You can always back changes out of a code base and that really seems to me to be the dilemma and I’ll want to say again, there are people who reject that as being the choice, there are people who feel very strongly that that isn’t in fact a choice, even if you except that’s a choice that they should keep the changes in but be willing to break sites because sites always have to be updated anyway and that’s how browsers have always done it, so there’s a large amount of history that says that can happen but browsers can still advance.

Paul: We will see won’t we, that’s what it boils down to. We will have to wait and see. Okay, Eric, thank you so much for coming on the show and talking that through, it’s an interesting area and I think it’s an area that will have significant impact on how things develop in the future, so it’s good to have your perspective on it. Thanks very much.

Eric: Paul, thanks for having me on, I really appreciate it.

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Listeners email:

Basic CMS options

As in last week’s show I so badly bastardised the name of our textmate reviewer, I decided it is only fair to allow him another go this week. He asks:

I have a friend who wants me to build a website that they can update. They don’t know how to write HTML or CSS. What is the best way to solve this problem?

The obvious solution is to use a content management system of some type. Indeed this is something we have covered before on the show back in show 24. If you were building a relatively big site that needs constant updating, then I would definitely encourage you to check out that episode. However if your needs are simpler a full blown CMS might be overkill. In such situations you should consider a simple blogging system like WordPress.

One final option maybe to use a tool like Contribute. That way you could build a nice simple static site but your friend would have a WYSIWYG tool to edit it.

The importance of blogs

Our second question is from Lauren:

My question is about starting a blog. Right now, my nights are filled with homework, but once I complete my program, I can truly dedicate my time to building my portfolio. Are blogs really that important now? I don’t know if I can come up with meaningful content to make my blog stand out. Does this mean that I won’t be able to find a good job in the industry without one?

You talk about a portfolio and blog as if they are separate things, but I would suggest they should be combined. As somebody who regularly hires web designers, I have to say I find portfolio websites frustrating. At worst they show me some pretty pictures, at best examples of fully functional websites. However, what they don’t tell me is the thought process behind the designs. Why did you choose the colors you did? Who is the target audience and how did this affect the design?

A blog can also be used as a portfolio but allows more depth into the designs you are presenting. Also, a blog allows you to link to other content on the web and express your views on that content. This shows me as a potential employer that you are well read and interested in what is out there.

As a student looking for your first job I wouldn’t expect your blog to include new CSS techniques or innovative approaches to user testing. However, I would like to see examples of work fully explained and evidence that you are reading other web design sites and have opinions on what you are reading.

109. Rissington?

On Show 109. IE8 divides the web design community, Anton Peck talks about imagery, and the Rissington Podcast crew stand in for Marcus.

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News and events | Anton Peck on imagery | Listener emails

Unfortunately Marcus is not yet back on active duty but does thank you all for your kind support. However, do not fret. You do not have to endure another show of me waffling on by myself. Stepping into Marcus’ still warm shoes are two giants in the world of web design and podcasting. From the infamous Rissington Podcast we have Jon Hicks and John Oxton.

News and events

Microsoft to automatically roll out IE7

First up I was sent an article by several listeners which seems to indicate Microsoft is intending to do an auto-update of Internet explorer on the 12th February.

When IE7 was initially released Microsoft made the decision to make the upgrade to their latest browser optional. So even though a user had requested automatic updates they would not receive IE7 unless they specifically approved it. This decision not to force users to update frustrated those in the web design community who wanted to wave goodbye to the evils of IE6.

However, it would now appear Microsoft has decided to take the plunge and will be rolling out IE7 as part of the automatic update. Not all users are signed up to receive these updates but those who are will be using IE7 from February 12th (if they are not already).

Expect to see a significant decline in IE6 users to your site very soon. Perhaps it will not be long before IE6 follows IE5.

IE8 divides the standards community

Talking of Microsoft and Internet Explorer, probably the biggest story of the week is Microsoft’s plans for IE8.

IE8 promises to be a huge step forward in standards support and has been significantly rebuilt in order to enable this. However, such dramatic changes in their rendering engine comes at a cost. They fear that by becoming more standards compliant they will break many websites which are not built with standards in mind.

The way they have dealt with this problem is to introduce a small piece of code that you drop into your pages which can be used to specify what version of IE your site is designed to work with. The browser then renders the webpage as if it was that version of the browser. So for example you could specify that a page was designed for IE7 and a person viewing the page in IE8 would see the page as if it was rendered in IE7.

If no browser is specified then it defaults to rendering the page in IE7 that way no matter what changes Microsoft make in future browsers legacy sites are still rendered correctly.

What on the face of it seems like a very sensible plan has caused uproar in the web design community. A List Apart and Eric Meyer seem to be generally supporting the principle while many others including the likes of Jeremy Keith strongly object.

One of the main sticking point seems to be that this approach breaks progressive enhancement. In other words I may choose to implement a piece of functionality on my site knowing that it wont currently work in IE7 but does work in other more compliant browsers such as Firefox. If i don’t add this special code when IE8 comes along it will look at my page see the code is absent and so render it as IE7. That means even if IE8 supports the functionality now it wont use it because it is rendering my site as IE7.

Its a complex issue with good arguments on both sides. In next week’s show Eric Meyer and myself will discuss it in more depth.

HTML 5 is coming

Still on the subject of the future of web design we now turn to HTML 5 which has just been released in draft format. Sitepoint provides a nice little summary of what is in and what’s out. There is also a summary of the differences between HTML 4 and 5 which is very useful as well.

I cannot claim to have read the entire specification yet but I have to say what I have seen contains some exciting stuff. Having HTML tags to define common areas like headers, footers and navigation offers some interesting possibilities and its good to see built in support for video and audio.

The big shame is that practical application of this is still a long way off but its nice to know that there is potential there.

Career advice for web designers

Of course all these upcoming technologies wont matter to you if my predications of a couple of weeks ago come true and we all find ourselves without a job! This week I was pleased to discover I was not the only one with a pessimistic attitude towards the coming year. Robert Scoble has posted a entry entitled “what to do if you are laid off in 2008 recession“, which I thought was a particularly cheery title.

Actually it is a really good post with some excellent advice. What I like most about it is that the advice applies as much to a student trying to break into web design for the first time as it does to a out of work professional.

In fact if you are considering a career change of any kind (or have had one forced upon you) then this is a good read.

Advice includes…

  • Spend at least 30% of your day job hunting
  • Start a blog
  • Share your knowledge with the world
  • Demonstrate your skills on youtube
  • Networking
  • Contact web start ups because they are hiring.
  • Volunteer
  • Prioritise friends and family

The list goes on and is definitely worth reading.

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Expert interview: Anton Peck on imagery

Paul: So joining me today, as I said at the start of the show, is Anton Peck. How are you Anton?

Anton Peck: I’m doing great Paul. Thank you.

Paul: It’s good to have you on the show.

Anton Peck: I know. It’s about time isn’t it? *laughs*

Paul: It seems like it’s been a while. We haven’t actually had you on BoagWorld before have we?

Anton Peck: No, no. This is the first time.

Paul: But I’ve known you from… Where did we first meet? Was it South By Southwest?

Anton Peck: Yeah. I think we had sorta done virtual communication before then through email, IM or whatever. But we actually first met at South By Southwest last time.

Paul: Cool. So Anton, tell me and the listeners a little bit about yourself. How do you describe yourself? Do you primarily describe yourself as a web designer or an illustrator?

Anton Peck: That’s a tough call. The illustration is more my fancy, my hobby. It’s where my passion lies but the design is what I’ve been doing for a long time. So it’s sort of my trade of skill.

Paul: I see. So you’re kind of torn between two worlds.

Anton Peck: A little bit.

Paul: But fortunately those two worlds do overlap quite a lot which is why we have you on the show today. We thought it would be good to get Anton in really not to just talk about illustration but to talk about imagery on the web generally as that’s kind of his thing really, amongst many others, because you have a growing reputation. You do art-casts don’t you which are like illustration tutorials? Is that a good way to describe them?

Anton Peck: Yeah, that’s probably a good way to describe them. That is the rumor that I do those isn’t it. I don’t do them as often as I should but I do manage to get them out every once in a while.

Paul: And they are excellent. I have to say, I really do enjoy watching them. So let’s talk a little about imagery on websites and the use of imagery on websites. Let’s start off with a really nebulous and broad question that I guess is pretty impossible to answer but I’m going to ask anyway, which is what makes good imagery for a website? How do you go about picking imagery for a website?

Anton Peck: Well there’s a few things and some of them might seem obvious. First of all the images should complement the content of the website so that the substance isn’t too diluted from its original intent. I know that might seem kinda out there and obvious but it’s probably disappointing and surprising that there’s a lot of website owners that would want to put an image on a website because it’s really pretty or cool.

Paul: I guess it’s important to have imagery that relates to the branding or message you are trying to communicate.

Anton Peck: Right because imagery is meant to support the content rather than take away from it. You don’t want to pull everybody’s focus right away to the images but at the same time you want to support what’s already there. The images should have some interesting quality about them which could mean how well they have been cropped or resized. They should be saved at a pretty decent quality if they are JPEG’s or GIF’s. Not over compressed as they can sometimes diminish the personality of the website. When you go to a website and you see that it’s over compressed it really doesn’t look very good.

Paul: So for a relative newbie, an amateur that’s getting into web design, there’s always this question of GIF vs. JPEG. What do you use and when?

Anton Peck: Well for photographic style images that have a lot of… I would say colours but that’s not quite accurate but more photographic style images I would use JPEG’s. Then for images like logos, things that seem very flat and have a limited palette, maybe go with the GIF’s. Although I tend to do that a little bit less now that PNG’s are finding a little bit more broad support among browsers.

Paul: So do you use PNG’s very much?

Anton Peck: Every so often. They compress nicely especially when you use the adaptive palette which is similar to a GIF format but they can actually get a little bit smaller.

Paul: Cool, yeah. That’s been my experience as well.

Anton Peck: It just gets a little tricky when you are trying to do transparency.

Paul: Yes, exactly.

Anton Peck: That’s a whole other discussion.

Paul: Yeah, I don’t think I’m going to open that can of worms today. So any other tips for selecting good imagery?

Anton Peck: Well I would say it’s got to be appropriate and tasteful of course. So that way you can minimise the risk of offending someone or losing possible business. If you might have a certain sense of humour and want to put something on your website, you might have to watch out for how that might appear to someone else.

Paul: And I guess cultural considerations come in there as well. It’s easy to forget that the worldwide web is worldwide.

Anton Peck: Definitely.

Paul: The next big issue that a lot of people face is this whole kind of stock imagery kind of question. You reach a point where your website’s becoming relatively important to your business or you’re a web designer that’s working for certain clients. At what stage do you say that actually stock imagery isn’t the way to go, perhaps I should be getting something specifically commissioned whether that be commissioned illustrations, commission photography or whatever. It’s a difficult line. What’s your opinion on stock imagery? Is it the devil’s spawn or does it have a place? What do you think?

Anton Peck: No, I think it definitely has a place. It offers a great solution for those trying to find a good quality image when they can’t afford a commissioned photograph.

Paul: So what kinds of site do you use for stock imagery?

Anton Peck: I’ve been a fan of Crestock.com lately.

Paul: Ooo! I haven’t heard of that one.

Anton Peck: Yes and actually they have this huge contest going on where you can win a Mac Pro and all kinds of equipment. It’s a Photoshop contest and I happen to be one of the few judges on that particular site.

Paul: Ahh. So what’s this website again?

Anton Peck: It’s Crestock.com.

Paul: OK. I’ll check that out. Sounds good. So does that do both illustration and photography or…

Anton Peck: Yeah. They have a wide range of different material. They have background textures and you can search for pretty much anything there. A lot of it is user supported so if you even feel that you are a good photographer you can submit your work and see if you can even sell it and make a little bit of money off of it.

Paul: Oh cool. So when selecting stock photography, what should you look for? What should you avoid? The trouble with stock photography is a lot of it can look really similar to one another. What advice would you give about selecting stock imagery?

Anton Peck: Well there’s no real secret to it. There’s not a lot of advice either other than just go through a lot of it. Don’t try to find the very first searches you come across as that would be a higher chance it would be used somewhere else. You want to get a unique image, something that’s probably not as commonly found. It’s always a little disconcerting when you come across a new image that you see on 13 different sites like, “Oh that’s the same image used there”.

Paul: Yeah. It becomes obvious that it’s stock imagery.

Anton Peck: Right. So you want to find that unique image.

Paul: Yeah, couldn’t agree more.

Anton Peck: And the only way to find the perfect, unique image is to just go through a lot of it.

Paul: Yes! Which does take time doesn’t it.

Anton Peck: Certainly.

Paul: When it comes to commissioning stuff is there any particular advice you would give there in regards to briefing the photographer or the illustrator? I mean when somebody commissions you to do a piece of work, what kind of information are you after from them?

Anton Peck: Since they would commission me as an illustrator rather than an actual photographer, I’d mainly look at what they are trying to achieve for their website and how they expect it to support what they’ve done. One of the things that I was gong to talk about for commission photography, even though I’m not one, was the benefits for the websites because you can have a one of a kind image that fits exactly what is needed for the page. A photographer can come out to the business and take photos of the staff and location which is obviously something you can’t do with stock photos.

Paul: Yeah, which obviously makes a huge difference. I think often at times people actually want to see that kind of stuff because on the web you’ve got no way of judging what the company behind the website is really like. So to be able to see real imagery of real people and real locations does add some credibility and trustworthiness to a company. It’s not just somebody working out their back bedroom or whatever.

Anton Peck: Exactly what I was thinking, yes.

Paul: OK so you have a budget. How much difference does it make actually commissioning imagery rather than getting stock imagery. Is there really a difference? Is it really worth going out and getting stuff specifically commissioned?

Anton Peck: I would say if you are looking to get high exposure and if you were a big enough business I would definitely say do it.

Paul: So why is that? What difference does it make?

Anton Peck: Well that’s exactly what I mentioned earlier. It’s the one image that you are going to own or the website is going to own and it’s not going to be found anywhere else. Completely unique.

Paul: You do feel that when you go through these thousands and thousands of stock images that “Well, it’s pretty much unique. Who else is going to use it?” but it’s amazing how often images turn up. I’ve got a little program that changes my desktop image on a regular basis and I’ve had this really nice one that I loved and kept for a while which was a cityscape of London that had been made all futuristic and I thought “Wow! What a great image”. And then I’m going on the tube and there’s the same image plastered across the wall. It’s amazing how often they do turn up again.

Anton Peck: Yeah it’s takes away a little bit doesn’t it?

Paul: Yeah definitely. Definitely. You’re an illustrator, let’s get onto the role of illustration. What advances or disadvantages do you think that illustration has over photography. When should you be using photography, when should you be using illustration?

Anton Peck: Illustration’s gonna provide a whole different type of personality to a website that you can never find in a photo. You can create situations, objects, environments that would either be too expensive to reproduce or they just don’t exist in the real world. Things that you just can’t do with a photograph. Again, that’s going to have to be through the interview of the illustrator trying to describe whether the job is appropriate or not. Actually that would be up to the art director trying to commission to decide whether they need an illustrator or a photographer. But custom website illustrations are so unique right now. When you do have a custom illustration it stands out a great deal more than a photograph. I think one of the greatest examples that stands out on the top of my mind would be Andy Clark’s website with Kevin Cornell’s image that he did of that scooterboy, the guy on the scooter.

Paul: Yeah, it looks superb. That’s stuffandnonense.com, if I remember.

Anton Peck: .co.uk

Paul: Oh .co.uk. Well check that out.

Anton Peck: Just try to imagine if Andy would have reproduced that with a photograph. It wouldn’t have the same personality I don’t think. He wouldn’t have been able to pull it off.

Paul: So do you think that photography has less personality generally or is it just the stock photography that has less personality?

Anton Peck: I wouldn’t call it a more or less personality thing as much it would be a different type of personality. It depends on what you’ve going for.

Paul: Do you think there’s some situations where illustration just isn’t appropriate because it would create the wrong kind of personality or is illustration flexible enough to be able to work in most situations?

Anton Peck: No I think illustration is not appropriate for everything. I think there’s probably a time and a place where an illustration is not going to do the job of a photograph. The photograph tends to look a little bit more… I was going to say professional but I don’t think that’s the word for it. There’s a sort of business approach… I don’t know. Illustration is very personal. It’s one of a kind. It seems that if you have a corporation maybe an illustration isn’t going to work unless it’s a certain kind of illustration.

Paul: Yeah I kind of know what you mean. There’s something… A photograph has a kind of… trustworthiness isn’t the right word but a realism to it perhaps that lends itself to certain circumstances.

Anton Peck: Definitely. It’s really hard to distinguish between the two. It would really boil down to the specific case that it was going to be used.

Paul: Tell us a little bit about some of the different types of illustration and why you would pick when. Obviously every kind of illustrator has very different styles but are they any kinds of broad categories you would recommend in certain circumstances?

Anton Peck: Well, let me think off the top of my head. It seems like you have a real nice vector, flowery styles with flat colours like Veerle. Her work is fabulous and it’s all Illustrator. Her style is just so unique. Then I think of Kevin Cornell. His style is so organic and painted. Then there’s styles like my own. I tend to learn for more photorealism in some cases. My own personal gallery doesn’t lean that way too much. There’s a few different styles out there and it’s hard to say when it’s going to be used properly.

Paul: Do you think that some styles date more quickly than others? You talked about that flowery style where you see a lot of art deco type shapes being used on the web at the moment. Do you think that illustration goes through more fashion trends than photograph does?

Anton Peck: I would venture to say yes and in a way. However like all fashion trends, it always comes back. Right now the big popular thing is artwork that looks like it’s straight from the 70′s. The muted brown colours and the nice organic curves, swirls and circles, things like that. Those are going over quite well I think.

Paul: It’s interesting isn’t it. I think there some sites that need to be fashion conscious and on the cutting edge of what’s going on and there are others that need to be generic and long lasting. It very depends on what kind of industry you are in as whether you should follow these trends or not I guess.

Anton Peck: Right. Or then if it seems to expire then you can just change it out and get a new one.

Paul: The glory of CSS, the separation of content from design.

Anton Peck: Absolutely.

Paul: OK Anton. Thank you very much for coming on the show. It’s really interesting that we haven’t tackled the discussion of imagery before.

Anton Peck: I did have one real quick public service announce if you’ll let me have another minute.

Paul: Yeah, go for it.

Anton Peck: For your listeners I’m wanted to just bring up that they shouldn’t take images, and I know it’s kind of obvious, take images from fountain sites or Flickr or Google Image search. That’s just bad practice and they are normally just going to get found out and it’s not a very nice thing to do. If they find images on sites that they like, they can contact the owner to obtain permission.

Paul: And it’s surprising. Often the owners are very happy and flexible to accommodate that. If you take the time to contact them they are often very flattered that you asked. Good piece of advice. OK thank you very much Anton and we’ll get you back on the show again in the future. Good to talk to you.

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Listeners email:

Textmate reviewed

Teifion shares his thoughts on Textmate for the mac, an incredibly powerful text editor with a sophisticated plug-in architecture.

I have to confess that I have only opened Textmate once and found myself unsure where to begin. I do know however that Teifion and many other web developers rate it extremely highly and use it as their primary development tool. In the show I pick Mr Hicks and Oxton’s collective brains about its benefits and whether I should make the effort to learn it properly.

Javascript or JQuery

The second listener contribution comes from Will who writes…

I was listening to your last one and you said it would be important to learn javascript for 2008. I know bits of javascript but don’t particularly like it and don’t know ajax yet, however, I have been playing with jQuery and find it much simpler. Do you think it’s a good alternative to learning all of javascript and have you used it at all?

Personally I think it is important to learn a language from scratch and that relying too heavily on libraries can cause problems in the long run. Although there is nothing wrong with you learning jQuery I would suggest it should be an addition to learning Javascript rather than a replacement.

If you want to know if Mr Oxton and Hicks disagree with me you will have to listen to the show :)

To leave an audio comment for the show skype “boagworldshow” or call +44 20 8133 5122.

107. Running to keep up

On show 107: What should you be learning about in 2008, Jason Beaird on web design basics and how to deal with portfolio pages.

Download this show.

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News and events | Where to focus in 08 | Jason Beaird on design basics | Listener emails

News and events

Setting expectations

Our first news story today is an article on working with your clients. Specifically it focuses on the subject of setting your clients expectations and clearly communicating with them.

We all work for somebody. We all have clients in some form. Whether our clients are other companies or simply our boss we all know the feeling when they seem to expect something which we believed we never promised.

This article looks at two ways of managing this kind of scenario. First be diligent up front. As the article says…

Setting expectations isn’t difficult, or mysterious, but it does take time and you have to be diligent about it.

Second it suggests being consistent. That doesn’t mean you are inflexible. It means that you need to be consistent in your communications throughout a project. If goal posts move, it is important that you explain the ramifications.

The principles of this article are universally applicable. So whoever you are take a few minutes to check it out.

Great websites do, not say

The next post I found falls into the category of “it’s funny because it’s true”. It’s a post by one of my favourite bloggers Gerry McGovern who seems to rant against websites that spend more time talking about user experience rather than offering it. He begins his rant by focusing on welcome copy…

I don’t want to pass meaningless pleasantries with your website. I don’t want to shake its hand. Or talk about the weather. I’m at your website for a reason. I’m in a hurry. I’m impatient. So kill the welcome, please.

He goes on to criticise sites that waste valuable copy explaining how easy their sites are…

If it’s really easy, why are you telling me it’s really easy and quick? For starters, you’ve wasted my time by making me read your meaningless sentence.

If you ever write copy for websites then you should read this post. If you don’t then check it out anyway if only for the pure entertainment value.

CSS: The All-Expandable Box

My final suggestion for your reading pleasure is a post on the Web Designers Wall entitled The All-Expandable Box. This solves a problem which I encounter all the time.

As you will know if you listen to this show regularly I am a great fan of using ems for typography. I like the idea users can resize their text to suit their own requirements.

The downside of this approach is that it can quickly break designs especially when text is contained within a box. The box will naturally expand vertically but not horizontally. The result is that you loose control of line length. Enabling the whole interface to expand including the box itself is very useful. This article shows you how.

Its a nice clean technique that should act as a building block for much more complex things. So if you are considering doing more ems based design then this should be a nice starting point.

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Feature: Where to focus in 08

As web designers we are all busy people. We are in such a fast moving sector that it can be hard to know what is worthy of our attention. Should we be focusing on Silverlight or brushing up on Javascript? Learning Rails or grappling with mobile devices? This week I want to share my thoughts of where you should be focusing your energies in 2008.

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Expert interview: Jason Beaird on design basics

Paul Boag: Joining me today is Jason beard author of an incredibly useful and wonderful book that I’ve really come to love. That’s – How would you describe it? Is it a basic introduction to designing?

Jason Beaird: It’s a basic introduction to graphic design principles. The book was really first intended for web developers in fact the initial working title was web design for developers and it kind of expanded into just a introduction to graphic design principles for anybody not just for developers, not people already creating websites. But anybody interested in design really.

Paul Boag: Mmm what’s so great about it is that you’ve kind of really taken time to go over the basic principle of creating a beautiful website. Which I guess is the title of the book, “The Principles of beautiful of web design” that’s the title isn’t it?

Jason Beaird: That’s correct.

Paul Boag: I really should have it in front of me shouldn’t I [Jason laughs] Oh but you’ve got to be fairly impressed that I knew that of the top of my head.

Jason Beaird: I’m just impressed that you have a copy yourself.

Paul Boag: Well yes I do. And it’s good because a lot of people that listen to this show are not necessarily professional designers we have a lot of people who listen to the show who are website owners but have to do a bit of design in order to maintain their site. We’ve got Developers that developing applications and having to do some design as part of that and we’ve also got people who probably are designers but not full time so are interested in how the professionals go about doing these things. So it’s a really good book for the boagworld listeners and why I’ve been so desperate to get you on the show for so long Jason, so it’s good to have you Jason.

Jason Beaird: So everybody laughs along.

Paul Boag: Well you’re a busy man; you’ve got a lot to do. So I thought what we would basically do is take the chapters from the book and maybe pick out some of the basic principles from each of those chapter and get you to talk about them little bit. So the chapters in your book are layout and composition, colour, texture, typography and imagery and that for a start made me very enthusiastic. Because it’s like really obvious, basic stuff that here are the main issues you are going to come across from a design prospective and you know we’re going to do a chapter on each which I just thought very refreshing and very logical and that’s good. So let’s kick off with layout and composition so tell us a bit about some of the stuff you cover in that chapter maybe and some of the basic principles that non-designers need to know about.

Jason Beaird: Well the entire book is really just basics, in my opinion. It’s just stuff that a lot of people think designers have as intuition and really it’s just stuff you can learn and learning these principle is like learning how to hand code. Really you can a website using a WYSIWYG but understanding the tags and selectors allows you to see inside and know what’s going on. And these are just basic. But really this is going to be the fire hose version of the book.

< p>Paul Boag: Yeah, I’m asking you to compress the entire book into about 20-30 minutes. [Both laugh]

Jason Beaird: I’ll give it a shot. We’ll start out with layout, some of the main principles of graphic design theory is balance, unity and emphasis and learning how to take all three of those and use them effectively in a layout is a pretty good place to start, from a layout prospective. By balance I mean symmetry. Is it divided right down the middle, or does it still feel balanced even though it’s divided into columns? By unity I mean do the elements of the website feel like they are one cohesive thing. You know does it feel like it’s a singular unit rather than a bunch of different bits. Then emphasis obviously is about creating a focal point on the page. And keeping that focal point and understanding where people are going to look and why they are going to look there and so there there’s different ways to create all three of those things. One thing I talked about in the first chapter about balance and creating balance is design proportion which some people call the golden mean or the golden ratio. Really it’s just a rule that if you divide a width by 1.62 just a number called Phi** you get a pleasing proportionate division. And so to make that simpler it can also be known as the rule of thirds. If you divide something by thirds it’s pretty close to the 1/ 1.62 ratio and you can come up with a pleasing kind of division for a navigation column and content area by using that kind of division. But really that’s sort of an overview.

< p>Paul Boag: Yeah, I wonder why the rule of thirds works, did you find out anything in your research about why that is pleasing?

Jason Beaird: I didn’t really find out a whole lot of solid information about it. But there is some out there, pythagorans noticed that it was a very common division in nature things like with leaves and shells had the same division and ratio and then started to develop the concept that anything designed around that is designing around nature so is therefore designing around gods design so you know. So the Romans and the Greeks built there some of their architecture on the golden ratio, the golden mean it’s a stable of graphic design since those times.

Paul Boag: Yeah and it really does work. I remember even back in Art College when I was being taught photography the same principles apply to photography composition you know or really anything you do, whether its print design or web design. So yeah the rule of thirds I think is a good one to take away.

Jason Beaird: Yep.

Paul Boag: Ok, what about colour tells us a little bit about colour because that’s a huge subject that people have written entire books on and you had one chapter so what did you chose to pick out on the subject of colour?

Jason Beaird: That’s the important thing to remember about these chapters is that there are entire books dedicated to each. I feel like was already trying to squeeze it already into the book. But with colour I think the most important thing to remember is that people’s perception of colour depend on their own personal experiences and cultural like right now, red and green means Christmas, for most Americans and most people around the globe whether they believe in that or not it’s just something that we’ve been exposed to so much that that’s the way we see it.

Paul Boag: Yeah.

Jason Beaird: But beyond those personal perceptions and traditional perceptions it’s good to know that there are ways to align colours where you really can’t make too big a mistake. [Laughs] and that are using a colour wheel and to rely on colour schemes that exist. With any rule it can be broken for whatever purpose you want but it’s good to know what the good colour choices look like before you start making your own and relying on color schemes or a colour wheel is a good way to get started.

Paul Boag: I think when you talk about these rules exist to be broken, ok that’s true but the kind of audience you are trying to reach, maybe a non-designer audience kind of playing safe is kind of always a good way to go.

Jason Beaird: That’s true.

Paul Boag: And you know using a colour wheels and stuff. Don’t you also mention in the book about finding a photograph that you like and or is that somewhere else, that might be somewhere else but it’s a nice idea anyway, taking a photograph and extracting the colours from that. I think is quite a nice way of doing it as well. Have you ever tried that?

Jason Beaird:I have tried that, I use that quite often. I don’t know if I mentioned that in the book or not. I mention a few other software based colour chooses and one that come out around the time I was writing the book that I didn’t get a chance to include was adobe kuler, at

Paul Boag: Yeah I think using a tool like that is very handy indeed. Because let’s face it we perceive colour in slightly different ways and what is it one in ten or is it one in 20 men are colour blind anyway.

Jason Beaird: I believe it’s 1 in 10 have slight colour blindness where they can’t tell, usually a red green; where they can’t tell the difference between red and green. Yeah so I mean yes, using a tool is a good idea if you are not a designer who’s really confident in colour.

Paul Boag: Now what about the subject of texture that was an interesting one I was quite interested that that was included in the chapter listings. And I, I intuitively do stuff with texture but I’ve never really thought about it that much so tell us a little bit about why you decided to include that and what advice would you give?

Jason Beaird: That for me was probably one of the hardest chapters to write because it was a lot of intuition and I like to use texture a lot in my own designs and I think that where truly the design begins. But there is not much principle wise to it. You can talk about points and lines and shape and that’s where all visual effects begin. But texture is really about creating a tactile quality and a theme for you website. Whether that is a smooth shape like apple computer with rounded corners and glossy buttons or whether that is a wicked worn look with a brick texture or something that makes it look nostalgia or old or whatever feel you want to create you can do that with texture. And I was trying to just convey that in that chapter.

Paul Boag: Yeah I mean texture kind a gives character to the site in many ways doesn’t it from the kind of grunge look you get through to the highly reflective look, or like what you say, sites like Apple. So what kind of, you talked about points and lines and perhaps you could explain some of those concepts to us.

Jason Beaird: Right you can create any kind of visual effect with just points. I showed an example; a picture of my cat, abbie, created with a dot matrix printer kind of effect on it. It’s just points. And then you can move in and use lines and shapes. It’s just important to remember that lines can create movement, horizontal line doesn’t have as much movement as say a diagonal line or vertical lines lead you up and down the page. It’s important to remember eye movement when you are creating textures. But really it’s just like what I said about creating a tactile quality and theme for the website.

Paul Boag: So as far as people may be, say a developer who has just developed an application and he needs it to look kind of half decent but doesn’t want to do anything too risky incase he screws it up and he’s not a designer. I mean what kind of advice do you give a person like that? Do you encourage them, probably best to stay away from doing too much textual stuff or is that something you should get into?

Jason Beaird: I think it’s something you should think about. Texture can easily be overdone and it can become goofy and silly rather than being professional. And I think it’s just in moderation. The thing to remember is to not leave your website backgrounds on div’s, backgrounds colors on div’s. Create some kind of texture, feel to it, whether that’s rounded corners or whether to go for the minimal stick where you don’t really use background images but rely on negative space. It’s just the fact of going beyond the standard HTML look. I mean obviously with style sheets you can’t just leave it un-styled because it’s styled content has no structure to it any more because, we’ve taken out the tables we’ve taken out the design in HTML and now we are relying on style sheets, so now you really have to build something up. That’s good I think, it makes people think about texture and all these typography, colour all these elements of design. But to think about it and just go beyond the basics. Just try to recreate something that you already like, picture wise, that doesn’t mean stealing the design but looking at another website you think captures the professional look and feel that you are going for and try to recreate that in your website.

Paul Boag: Yeah, it’s interesting that you talk about looking for inspiration. What kind of advice do you give people for a good place to look, should they just be looking at other websites or should they be looking beyond the web a bit?

Jason Beaird: I really believe that people need to look beyond the web. One of the tags for this book is that you don’t need to go to art school to design great looking websites and well I was kind scared of that headline, that professors from collage would hate me for it. [Paul laugh] It’s really true because if you have a passion for it, it will draw an inspiration from all sorts of sources whether it is architecture, or goofy things like traffic patterns or a door that you see, anything really can really inspire a look and feel to a website. Jonathan Stickler wrote an article about how he was inspired by an art deco building and that’s what gave him the design idea for his current website design.

Paul Boag:Yeah, and I thinks that particularly true when it comes to texture and colour as well as you can see textures and colors around you in everything from a plant pot through to a magazine so yeah.

Jason Beaird: One of the other big things from going through a collage art programs is that if you go to school for graphic design you’re not just going to school for graphic design you actually have to take all the traditional art classes, painting, drawing, pottery sometimes, a lot of history and really the reason for that is to create a foundation to a visual exposure to art. So you have this vocabulary and this experience pool to draw from when you are creating other designs.

Paul Boag: You mentioned earlier, negative space when you were talking about texture as another kind of approach to things. Negative space is something I think designers always throw around; it’s a term that we like to use quite a lot. But it’s not something we ever kind of explain. Just spend a couple of minutes explaining how negative space works and why it’s so important, if you would.

Jason Beaird: Negative space is important because it allows you eye to move around things if you had a page completely crammed with text you wouldn’t have any focal point to start with apart from the top of the page. Our eyes usually gravitate towards the center of the composition, so if you think about that you can have an element something around the center of the composition that can lead you to another element. Negative space is really a tool for moving the eye around.

Paul Boag: Right.

Jason Beaird: If you have, like I said before diagonal lines create movement. If you have diagonal lines that move you up towards something else. I gave a few examples in the book; it’s hard to talk about it with having any visuals.

Paul Boag: Yeah I know. It’s frustrating isn’t it? I really sometimes, I really regret doing an audio podcast, it’s a bad choice. [laughs] Ok, let’s look at the subject of typography. I’m guessing it must have been a hard chapter to write because A) typography is a massive subject and B) typography on the web is quite a tricky area. It’s kind of easy to almost easy, as a non-designer, to dismiss typography by going; well there are only about 4 fonts I’m allowed to use anyway so therefore typography on the web doesn’t exist. Why is that wrong, why is that not the truth and how did you squeeze a chapter out of this.

Jason Beaird: Well just like a lot of the chapters there are a lot of books on the subject of typography that go way beyond our experience with web or even print graphic design that go way back to the roots of communication and that’s really what typography is about. Its communication and all websites you’re trying to communicate something so if you can’t do that with pictures and ideas you have to do that with words so the way those words appear to people should become part of your design. It’s on hard with the state that it’s in with the web, having a limited palette of fonts to choose from. But at the same time it’s a good thing, I think for the novice because even though we are limited to this certain number of fonts that everybody has in their computers. Most of those fonts aside from comic sans are decent [laughs] for body text and things like that. The most important thing to remember is that there are other fonts out there and to have sensitivity towards things like spacing between lines and the vertical rhythm. Vertical rhythm isn’t something I talked about in my book because I thought it was an advanced subject but right after the book was published it sort of exploded into a big topic in web design and there’s a lot great articles out there written by other great web designers about vertical rhythm and how that affects your typography.

Paul Boag: So what is vertical rhythm for those that don’t know?

Jason Beaird: Vertical rhythm is just creating a space between your lines that kind of matches up throughout the website so that the spacing in the lines in your navigation area and the spacing in your lines in the content area kind of line up and their not just randomly spaced apart so you get weird alignments between things. It’s creating vertical rhythm, it itself is a good description; you’re creating a rhythm or pattern for your eye to follow down the page.

Paul Boag: So it’s all about basically making sure multiple typographic elements across columns have some kind of relationship to one another and that they are not just higaty pigaty all over the place.

Jason Beaird: That s the way I understand it, that’s the way I think of it is it’s really about creating a pattern and paying attention to the way the text lines up.

Paul Boag: So whatever, bearing in mind that we are limited to such a small set of fonts. What sort of basic advice would you give to someone starting on in web typography. You mentioned line spacing, what are you getting at there?

Jason Beaird: The default line spacing for HTML is very tight. And with tight text like that it’s kind of hard to read And also thinking about the width of the text you are reading . When you are reading a newspaper article or a magazine article the reason the columns are so narrow is because it’s easy, or a book even, it’s easy for your eye to scan a certain width of text and it’s easy for your eye to move to the next line if there is a little bit of space between it. And if you kind of know those basic concepts you can make it a little more pleasing to read that the default set up for typography on the web.

Paul Boag: Yeah, because especially if you’ve got a fluid site you can end up with ridiculously long line lengths if you don’t.

Jason Beaird: Right and I think that’s a lot of the beef people have with fluid layouts is that not only are you taking power from the graphic designer but you’ll also making line widths that are incredibly hard to read. But in my opinion if the user is comfortable expanding the site out to that width, and it’s readable having the line width that long, then obviously they don’t have a problem with it. But you should sort of leave that up to the user if you can. But it’s been proven that it’s easier to read text that’s been set to a certain width.

Paul Boag: Are there certain type faces that are better suited to kind of headings in preference to body’s and vice versa?

Jason Beaird: Well with body text, traditionally it use to be that body text for books and that were set to times or serif fonts because the serifs sort of lead your eye to the next character, but because of the resolution we have with the monitors and the way the text is being presented it’s actually been proven that sans serif fonts are better, fonts like Arial and Helvetica, are easier to read in smaller sizes because you don’t get the kind of resolution, the kind of detail that you get with printed type. And now that’s changing, we’re getting higher and higher resolutions in displays so maybe that will change in the future. But it’s just important to know those kinds of idea when choosing the body type for your website. But when you are choosing a heading, when you’ve got something that is very large it really just matters how the text displays and because you can use images and because you can use things like (scalable Inman Flash Replacement) sIFR to display another font besides the standard 6 or 7 fonts that are available – I call it the ok 5 9 [laughs] that are available across the Mac and web computers, Mac and PC computers sorry. You can choose other fonts that are outside those fonts to use for headers or areas where you want to give a little more design appeal. So there is a world of fonts out there, some good, some corny, that are available, some free and some very expensive that you can use for the headline on your website and it’s just important to be aware of those other fonts. I gave a few resources for free fonts I like www.1001 fonts.com is a good place to go for licensed fonts is a great font boundary, there is just a lot of fonts makers that make excellent fonts, not just for printed material like books but for web designers and people working on the web should be aware as well.

Paul Boag: Cool. So the last chapter in your book talks about imagery and I’m fascinated, and I have to confess that I haven’t read that chapter yet, so I’m kind of fascinated to know what you cover in that chapter as far as using imagery on the web. What kind of advice do you give?

Jason Beaird: Well the imagery. The graphic design doesn’t stop creating the frame around the website. It’s also about formatting the inside which is kind of difficult when you give the power to the user, give them content management. But choosing supporting content imagery is one thing that can really enhance the user experience of the web site. And finding and creating supporting imagery for awebsite content can be very difficult if you don’t know where to look or if you’re not a good illustrator or if you are not good at Photoshop. So I just try to give a basic primer on finding this type of supporting imagery and if you find an image that might work, how to tweak it to work for your needs. I just wanted to give a basic intro to using stock photo sites like iPhoto or stock photo exchange which is sxc.hu is a free stock photography site that is really great it has a lot of images. Finding images and then using them in your site is one way to really enhance the experience for your user, beyond that also I try to warn people from stealing images from Google and stop using the stock images and stock photography that we are all use to seeing in most free publication. I mean really here are a lot of stock images that have been created; the guy with the light bulb over his head, the hands holding the tree that’s growing in the soil in the persons hands. These are clique in the stock photography world you have to be aware when choosing images, to enhance the user experience.

Paul Boag: Yeah, yeah, defiantly , did you cover any of the technical aspects of compressing images or whether to go gif or jpeg and that kind of thing.

Jason Beaird: Yeah I did give a quick primer on jpegs, gifs and pings. And just a quick for everybody, if you are using a photo you obviously want to use a jpeg because usually with photos you usually have a lot of different tones and images. And gifs and pings the file space is based on the number of colours in the image. If you are using an icon type thing or a colour field where you have a limited number of colours then gif or pings are the way to go. And choosing between gifs and pings is really all about choosing between the types of transparency you want to have. Internet explorer 6 and below doesn’t support alpha transparency where you have a sort of gradient from opaque to transparent it just supports on an off. So with pings if you have transparency then you get a pink halo around them. Areas where there is transparency you can’t see it, now there are fixes for that but it’s kind of hacky still and for that reason people still hang onto the good old gif format which has transparency and unfortunately also has animation. [Both laugh]

Paul Boag: So is that one of your rules? Never ever use animated gifs?

Jason Beaird: Actually no it’s not, because I’ve used animated gifs even on my own site if you go to my site jasongraphics.com and hover over the logo it was sort of an experiment toy to play with I was designing my current layout, it was a sliding door type image where I’ve got the still part of the Jason graphics logo and then when you move over it jumps up, the position of the image jumps up so you see the animated moving, like sunrays over the logo. So that’s an animated gif and I’m not ashamed of that. But I think that animated gifs in a lot of ways degrade the professionalism of a lot of websites.

Paul Boag: It sounds a superb book, for anyone that’s not from a design background. Where can they get a hold of a copy, where can they find out more about it, how can they buy it I guess is the next question?

Jason Beaird: Well I’d love you to buy it.

Paul Boag: Obviously.

Jason Beaird: I set a little promo site for the book at www.principlesofbeautifulwebdesign.com were you can kind of hover over, I did a fun little thing where if you hover over each of the chapter names it sort of point s out in the website design itself how the things play a part of the design I made for the promo site.

Paul Boag: Oh cool.

Jason Beaird: Beyond that amazon.com has a good price for the book usually and you can go of course to site point.com to buy directly from them, and most people prefer to do is buy directly from Sitepoint. They sent you lots of emails about books that are coming out and specials. A lot of people are big fans of Sitepoint. I really like them a lot too.

Paul Boag: Yeah if you haven’t checked out Sitepoint before, then it’s worth saying that they are a lot more than a book publisher they have got a huge site with tons of great articles of all aspects of web design and a really active forum as well.

Jason Beaird: The forums are a great place to get involved and a great place to learn new things.

Paul Boag: Thank you so much for coming on the show I can’t say I normally get people on the show to pimp their book and to be honest that wasn’t what I originally ask you to do either. But the more I think about it the more I’ll looked at it, the more I think it’s a perfect book for a lot people that listen to this show if you are starting out in any form of design and don’t come from a design background then I can highly recommend this is a book to check out. Jason, we’ll get you back again in the future no doubt and make you cover some of these things in more depth. But for now thanks you very much for being on the show.

Jason Beaird: I appreciate it, it’s like being on the Dave Letterman show or the Conon O’Brien [Paul laughs] it’s like a status symbol. But I’m glad to be here and thanks for having me on the show.

Paul Boag: Thanks very much.

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Listeners email:

A excellent wire-framing tool

Robin:I’m a part-time web developer, committed to web standards, one day I’d like to make it my job. I’m a regular listener of boagworld in my car (traffic jam) going to work.

Remembering your discussion with Marcus about wire-framing (Powerpoint or Visio) i just came across this product: http://www.axure.com/demo.aspx. Looks spectacular although much to expensive for me (still).

Keep up the good work.

Building an online portfolio

Sultan:On the Headscape website I notice you have “related links” and “related pages”. What is the logic of that?

Also in your portfolio section when I click on a thumbnail why don’t you guys link to the actual sites rather than to a screen shot?

First of all let me say there is a lot about the Headscape website which I don’t like. It was built a while ago and our thinking has moved on.

One example of this is related pages and links. The logic was that related pages referred to other pages on the same website. Related links where external links to third parties. However in hindsight I don’t think that is a very clear distinction and should probably be changed.

I am however more happy with what we have done in our portfolio section. We have several reasons for the decision to link to screen shots rather than live sites. These include…

  • Some of the sites are intranets and not available to the public
  • Some sites had limited shelf life and are no longer available
  • We wanted the user to be able to click through multiples sites in quick succession

However, the primary reason is that clients often make significant alternations to the sites we deliver. After the end of the project we simply cannot guarantee that the quality of design and code will be maintained and so prefer not to directly link to the sites.

I am not suggesting that this is the right decision however it is the course of action we have chosen for Headscape.

106. Back to work blues

On this week’s show: Paul and Marcus discuss common mistakes when creating your sites structure and Rachel Andrews shares her experiences of getting into web design.

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News and events | Common mistakes of site structure | Rachel Andrews on building your web design career | Listener emails

Just a quick little request before we kick off today’s show. I need to get some more moo cards for the boagworld podcast (I am too tight to get proper business cards). Anyway I am having trouble with what to put on the cards. I was going to put a nice image on the cards but when I thought about it I couldn’t think of anything appropriate. In the end I decided to include tiny snippets from the reviews people have written about the show. However, being typically British with our self deprecating sense of humour. I decided to use the negative reviews rather than the positive ones. I have some great stuff such as “Paul has an ego that doesn’t need boosting” and “truly crappy jokes”. However, I need more. So, if you have 5 minutes this week drop me an email with a short, witty and hopefully not too rude review of the show. Let the venom flow :)

News and events

Internet Explorer 8

So the last time we did the news before Christmas Microsoft were under attack from Opera for its lack of standards support. Well, things have moved on since then and it is looking like Internet Explorer 8 is shaping up to be a very nice browser indeed. For start IE8 has passed the Acid 2 test published by the Web Standards Project. This is a definite commitment from Microsoft to provide comprehensive standards support and should be applauded. Jonathan Snook explains the ramifications of this as well as making some predications of his own as to what IE8 will look like. According to him we can expect straightforward column layouts, grid positioning and improved javascript support. Best of all if Jonathan is right we might see IE8 out in beta by the summer and in final release by next Christmas. Maybe then we can look at dropping support for IE6.

Using CSS to diagnose problems

Although there is still a lot of CSS not supported by browsers such as IE it is incredible what is possible with just what we have at the moment. Eric Meyer recently posted an article suggesting that you might want to consider using CSS to diagnose issues in your HTML that need resolving. In his article he uses CSS to find out where markup might be choking on missing accessibility features, targetless links, and just plain missing content. For example he uses CSS to visually highlight all images that have an empty or missing ALT attribute.

This isn’t an entirely new ideas. In fact Marco Battilana proposed a similar approach to highlight accessibility issues back in July 2006. However, Eric has taken it that much further and offered an excellent way of not only highlighting problems to yourself but also to your clients who maybe editing HTML.

Common accessibility mistakes

Talking about highlighting accessibility mistakes I came across a great article that does exactly that. Basically the article focuses on the fact that website owners can often be over enthusiastic when it comes to accessibility and start overusing HTML attributes designed to help accessibility. The result is that we can often do more harm than good. The article looks at the alt and title attributes which are often verbose or repetitious. It also looks at tabindex and accesskeys that can cause confusion and conflicts with normal browser behaviour. If you are applying any of these attributes to your code then I highly recommend you cast your eye over this article.

Basic design principles

The final story this week is an amazing series of posts by Patrick McNeil over at Design Meltdown. The reason I say they are amazing is because they are immense and I confess I am yet to read all of them. As you probably already know Design Meltdown tracks trends in web design and shows examples of sites that highlight these trends. Using the same example based approach Patrick looks at the fundamental principles of design and deconstructs them expertly. He covers Emphasis, Contrast, Balance, Alignment, Repetition and Flow in a screenshot packed series of posts that are a must read for anybody starting out in design. In the past I have always recommended Jason Beaird’s book “The Principles of Beautiful Web Design” for those starting out in design. In fact we have Jason on the show soon. However, if you don’t like reading books or want to save a bit of money then Patrick’s analysis is a credible alternative. Check it out.

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Feature: Common mistakes of site structure

Just before Christmas I wrote my final blog post for the year on creating the structure for your site. It is a topic that I have been thinking a lot about recently because of various projects I am working on and so it was fresh in my mind. In particular it occurred to me how much harder producing a good site hierarchy is than it first appears. In fact I see the same common mistakes occurring again and again. It is these mistakes I want to look at in today’s show. Read Common mistakes of site structure.

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Expert interview: Rachel Andrews on building a web design career

Paul: OK, so joining me today is Rachel Andrew from EdgeofMySeat.com. Hello Rachel. It’s good to have you on the show at last.

Rachel: Hello, Paul. It’s good to be here.

Paul: I feel like I’ve been trying to bully you to come on the show forever and ever and ever, but it hasn’t worked out for one reason or another, but we finally got you here, so that’s good news. So uhm, Rachel, when I came to kind of putting together what I was going to do, talking to you. I suddenly realized I didn’t know you very well. I’ve heard a lot about you and I’ve heard a lot of other people say good things about you, which has gotta be a good thing, but I didn’t know anything about your background or kind of how you came to be involved in web developement. So, I thought it might be quite interesting, if It’s ok with you, just to spend a few minutes talking about how you came to be a web developer. How did you get into this illustrious career?

Rachel: Uhm, completely by accident, really. It wasn’t something I intended to do. My training is as a dancer. I was going to dance. That’s all I ever wanted to do.

Paul: All right.

Rachel (laughing): So, the part where I ended up doing this surprised everyone, (Paul laughing) especially my programmer father. (Rachel laughs)

Paul: Ahhhhh

Rachel: We didn’t even have computers in school when I was in school. I’m showing my age.

Paul: Yeah, I know the feeling.

Rachel: Yeah, so, and I remember when I was, I don’t know, either 13 or 14 there were two guys that came in and said, “All of you will need to know about computers in your future careers.” And I was like, “No I won’t. I’m going to be a dancer.” and they couldnt tell me why I would need computers and so I felt quite pleased with myself. So, yes, it wasn’t on the radar after all.

Paul: So, how did you go from dance to web developement? It seems a bit of a leap there.

Rachel: Well, I know this is a fairly technical career, and I was working back stage for a quite a while and when I decided to quit dance for various reasons, I was working in the west end and I managed to my way into a back-stage techie job.

Paul: OK.

Rachel: I did work as a choreographer and I knew a reasonable amount about sound and lighting and could my way in. So, I worked back-stage in the west end and for a year and a half on Charlston and on The Mouse Trap.

Paul: Right, I see.

Rachel: So, so that was it. So, it wound up to be a technical kind of job and then I found myself pregnant with my daughter. And you cant go heaving around stage equipment while pregnant.

Paul: No.

Rachel: So (laughing), I found myself with some time on my hands. It was really that I even started using the internet.

Paul: Oh, ok.

Rachel: I was fairly young and didnt know anybody else with a child and pregnant.

Paul: What kind of… how long ago are we talking about here?

Rachel: Well, the said child is now nearly 11.

Paul: Right.

Rachel: So, quiet a while ago. ( laughing)

Paul: OK.(laughing)

Paul: So, in the relatively early days of the Web then to some degree…

Rachel: Yes. Yeah and I mean thats really so very important in that at the time there wasn’t actually that much to learn and I was chatting to people on for the parents on the forums because as I said, I didn’t know anyone with a baby and I didn’t know anything about babies. So, (Paul: Ahhh) I was using the web just to talk to other people in the same situation. And then if you wanted to put anything online there wasn’t Flickr or all of these hings. You really had to build a web site.

Paul: Right. Yeah.

Rachel: So, you know, once my daughter was born, I started putting together various HTML. So I could put together a web site telling people about her and things like that. And that’s what everyone did.

Paul: OK.

Rachel: You chat in the discussion forums and you build web sites. Uhm I don’t know… I quite liked that. That was always good fun. So, it didnt take that long before people would start asking me if I would build them a web site.

Paul: Mmhmm

Rachel: And… and at the time there was so little to know. You know, it was a bit of HTML and you had to do some basic things with images. As time went on, I realized I was actually quite interested in, what at the time fewer people were doing which was writing things with Perl which was about the only thing that anyone used to do things like guestbooks and (Paul: Yeah) posting forums to email. It was very, very limited at the time in terms of what people were doing on the server side. I sat down with the Orilley Camel book and taught myself Perl.

Paul: Oh Right, OK. (Rachel laughing) As you do.

Rachel: As you do. Obviously

Marcus: Or not, in my case.

Rachel: Yeah, well… I was bored. (all laughing) I had a baby. You know? Nothing else to do. So, that’s really how I got into doing the back-end stuff via such a strange route and I didn’t really realize what I was learning or if there was real reason to do so. It was interesting to me.

Paul: Do you think there was any advantages or drawbacks to taking that kind of route. I mean I know that most of us that entered the web in the early days did it through some convoluted route in preference to having some kind of formal training. Do you think the people that are coming along these days are going through a proper… you know, going through some kind of computer training course or whatever? Do you think their at a disadvantage for not learning it themselves and discovering it themselves.

Rachel: Well, yeah, but I think things are so different now. I mean back then, it really was a case of: You learned HTML. You learned a little bit about how to make graphics work online. And maybe, if you’re very pushy, you learned some Perl. (Paul: Yeah) And that was it. There wasn’t a huge amount of decisions. I mean, even just to start learning to do this now, you start having to think, “Well, which language do I want to learn? What is the best thing to be learning? Where should I put my time?” (Paul: Yeah, totally). You know, I was just kind of sitting with a little 486 computer and thinking, “You know… this is quite interesting. Look, I can do this!” But we were all just discovering what we could do at the time. Whereas now, if you’re looking at this as a career and what’s going to be best right from the start, before you’ve even gotten started, you know? (Paul: Yeah) So, It’s very different. And It’s very difficult when people always say, “Well, how did you get started? Have you got any suggestions on how I can get started?” And It’s so different now.

Paul: That’s probably one of the most common emails I get. It’s, how do you get started and what languages do you start with? So, I guess you really didn’t have a lot of choice. (Rachel (laughing): No…) It was Perl or nothing, wasn’t it?

Rachel: Really, I mean, yeah, there were other things around but generally people were writing in C, Javascript, and Perl. And the web host I happened to have, had this server which you were allowed to run your scripts on. (Paul: Oh, ok) (Rachel laughing) They were still slightly nervous of it. You know, it was just one server you could run things on. It was a quite good community around that. People would help each other out on how to do things.

Paul: So what advice do you give people who do write with those kinds of questions as to what languages to start with? What do you say?

Rachel: I think the important thing is to learn something well. At the end of the day, once you’ve learned one launguage, you can usually swap to something else. It’s the concept that’s the hard thing. (Paul: Yeah.) Understanding based design or understanding just the basic constructs of any language. Once you’ve done that, you can usually swap to something else. I usually say that PHP is a pretty good choice. Just because It’s out there, everywhere. (Paul: Yeah) You’re going to be able to easily find somewhere to run it. You can set up your own development environment without having to spend any money, really. You can get that all set up. And there is lots and lots of help and there is a great community around that. And to be honest, PHP is what we tend to develop in now and most of the time.

Paul: I mean, It’s quite interesting that you talk about those early days and how you basically got into it because you became a mother. But the early days in the web, and to be honest, to some extent now, there arent exactly a huge number of female developers around. I mean, it seems to be a very male dominated thing. Did that put you off? Did that create barriers to you?

Rachel: It didnt really at the time when I was learning because I came out of a very male dominated profession anyway, (Paul: Oh, OK.) having been working back stage. So, it didnt, worry me. And also at the time, I was just interested in learning it. I think out there in the work place once I became employed doing this, I encountered all sorts of strange situations where people really couldn’t quite get their head around the fact that I was technical and not like a designer or not something else that cliquey females are doing. I was the head of a technical team and went to help someone with a computer and I was the most senior person on the team. And they said, “Oh, can you not send one of the boys down?” (Paul gasps) I then said, “I can send one of the boys down. They’re not going to fix your computer for you, but I can send them down if that’s what you want.” (all laughing) I mean, so people were a bit taken aback, I think and don’t immediately assume that I do the job that I do (Paul: Yeah.) and are much more comfortable of putting me in a designer area.

Paul: Well, that was the mistake I made, isn’t it? (Rachel laughing) The first time, I suppose. I was the typical male chauvinist pig and presumed you are a designer, which I don’t know why. I think it was the hair color, more than anything.

Rachel (laughing): To be honest, I am not particularly hung up about it. It’s not something I get terribly upset about. I find it sort of intriguing that people just assume that. I’m not… you know… I’ve work in… sort of male dominated jobs for a long, long time now and I think if I got terribly upset about these things I wouldn’t be doing it. It is interesting. But in other ways, it works for me. When I was going for job interviews, for instance, if I’m the only woman who walks in and there are lots and lots of men, they’re going to remember me. (Paul: Yeah) And in the same, you know, if I’m pitching for work it’s a talking point. You know, people are always interested as to why I’m doing what I’m doing.

Paul: Damn, and here I was thinking I was asking original questions!

(Rachel and Paul laugh)

Rachel: I think sometimes, it does work for me because do remember. They would think can’t a woman do something a bit unusual?

Paul: Do you think it’s a problem within the industry or would you just think It’s one of those things and what will be will be kind of attitude?

Rachel: It’s really hard to see where it’s a problem. I think It’s a problem if girls or young women who are looking at career choices are being put off because they don’t see female role models out there. And, there’s lots of reasons why. There are women around doing this and tend not to be so high profile. (Paul: Yeah) I mean the reason that I’m not touring around all the different events and things is because I’m a mom. (Paul: Yeah!) You know, and I think that’s the same for an awful lot of women. I talked about this on my blog once and got loads and loads of women contacting me going, “Yes, exactly!” We’re the one’s doing the majority of childcare. I know there are men in that position too, and I’m not saying there aren’t men who are having to be… going to pick up kids at 3:00 or whatever it is. But it does tend to be women and It’s often the women who make that choice or wants to spend time close to the kids when they’re very little. My daughter is getting older but even so, I still wouldn’t be happy about, say going to a different country and leaving her here to go to an event.

Paul: Yeah. I mean to be honest, even for this interview we kind of have to fit it in around you taking your child somewhere, Marcus has got to do a school run in a minute. You know, so, it’s all part of the kind of… yeah… It’s nice we’re in a position where we can kind of fit our work around our families. It’s a good thing, not a bad thing.

Rachel: Yes, it is. And I think that’s possibly one of the reasons why there aren’t so many high profile women, because it takes time to raise your profile. And without me quite looking, I’ve been able to do that through writing, which I can do at midnight or whatever. If you’re going to get out there and get around to all the conferences and things, you know, and look at what other people who are considered to be my peer group and what they’re doing. I just couldn’t physically do that. (Paul: Yeah, totally) Because, I don’t want to. I don’t want to spend a lot of time away from my daughter right now. Maybe in 6 years time, she will be very disinterested in spending any time with me.

(Rachel and Paul Laughing)

Paul: Once she’s a teen-ager, you won’t want to be with her either.

(Both continue laughing)

Rachel: Exactly, you know, so things change but there are quite a lot of people with quite young children and actually more and more so. It’s quite funny, I feel like I’ve got quite an old child for the group of people that I speak to. There are lots of new developer babies out there.

Paul: Yeah, well Marcus is old and decrepit.

Marcus: Well, just to depress you, Rachel, what happens when they get older and become teenagers, they just rely on you as a taxi service.

Rachel: Well, I get that as well. That was the case today. I was ferrying mine and two others back from the

Marcus: The only thing I would say though is, we went through a period about 6 months the beginning of this year, trying to recruit new developers. And we only interviewed one woman out of probably a dozen candidates

Paul: I think that it’s worth saying that’s because we only have 1 woman apply, rather than we segregated all the women who refused to interview.

Marcus: That’s what I meant. Yes, well put Paul. We literally had only 1 woman apply, so yeah… I don’t really know why. Maybe it just seemed like kind of a boy’s area at the moment. I suppose, from what you were saying about the fact that you’re not inclined to go out there and sort of go out on the circuit like Paul does. I suppose until that happens, and maybe younger women who aren’t thinking about motherhood yet, are the ones who are going to be out there raising the profile of women and hopefully, this sort of “boys’ club” type mentality will sort of just fizzle away.

Paul: I mean, It’s quite interesting that you say, how you talked about how you managed to raise your profiles through writing. Tell us a little about that. How did you get into writing books? Because, you seem quite prolific. I did a quick search on Amazon to see exactly how much you’ve written and it seemed to go on for quite a long while.

Rachel: Yeah, there’s quite a few. That was, again, like most things, I tend to say, “Oh yes, I’ll have a go at that!” and then worry about it later. It was a long time ago, I had written some stuff for the Macromedia Web Site about Dreamweaver.

Paul: OK

Rachel: And it was Glasshouse who contacted me and said, “Oh, would you write a couple of chapters for a book?” A couple of chapters, that would be alright, you know (laughing). (Paul: Yeah, no big deal). So yeah, I wrote a couple of chapter for a book and it kind of went from there, really. I like writing. I enjoy… I’m much more from an arts background really than technical. So, I do enjoy writing and putting things across that way. So, yeah, it just went from there. And then when someone said, “Oh, will you write a few more chapters?” Yeah, ok, that was alright. (laughs) And before I know it, I’ve got this great list of books.

Paul: Yeah. It’s a very time consuming thing to do. I mean, beyond the fact that you obviously sound like you enjoy doing it. Do you find it beneficial from a publicity angle for bringing in work?

Rachel: Yeah, absolutely. I think people tend to see you as an expert if you’ve got things in print; if you’ve written things. It does sort of depend that you do know what you’re talking about. And especially with what I do, which is much more… It’s not like I have to show a nice portfolio of pretty things. This is what I can do. What people are doing when they hire me or hire my company is they are hiring us for our expertise. And they have to constant that we actually are experts; that we know what we’re talking about. So the writing does help in that because people assume that if someone let you write a book, you must actually know what you are talking about.

Paul: I mean, I get emails from people asking how do you go about raising your profile. I’m quite interested as to whether you stumbled into this. You know, you talked about you were writing for the Macromedia web site. Did you go out purposefully, intending to write for them or did it just kind of happen? How’s that come about?

Rachel: Again, that really just happened. But because I was writing on my own blog, and I was writing… you know, I was helping people out in forums. (Paul: Right) You know, if you’re out there doing things, people do notice. I mean certainly with things like magazines and books and you know, varies sites that want articles. There are people out there that are looking for people to write all the time, because there’s actually an awful lot of people who know what they’re doing but there are fewer who can express it and express it in a way that someone new to the concept is going to understand. If you are able to do that, if that’s something you can do and you are doing that on your own site or are helping people out in forums and things then it will get noticed. And there are quite a bit of places you can be submitting I suppose, to, you know, Site Point and Vitamin… There’s quite a bit of other sites that accept good content. (Paul: Yeah.) It means that you have to write a few things that you’re not paid for to get going. You can find then, that you can start putting together a body of work and say, “Well, this is the stuff I’ve done.” It’s not in It’self something that you earn a huge amount of money from. I think people who write for a living must have to work incredibly hard.

Paul: (laughing) Or be incredibly good. One or the other.

(Rachel and Paul laughing)

Rachel: Both I think, both. As something that helps raise your profile for the other things you do. If I found it an absolute chore, I don’t think I would do it because you don’t want to be sogging away at things you can’t stand in the hope that it will get you some profile. But it is one way to do it and It’s certainly a way to do it if you are in a position where you can’t get out to lots of events or you’re not someone who wants to do public speaking. I’m not keen at all on public speaking. I much rather hide behind the computer (laughing).

Paul: A proper developer. That’s what I like to hear.

Rachel: So, you know, It’s another way of doing it, because I do sort of think of the public speaking if you’re going to be thinking of conferences as being something that would really get that profile up there. No one has really met me until fairly recently at any events because I didn’t get to anything really. And yet a lot people would have known of me and the stuff I’ve done because of the lighting.

Paul: I mean, you talk about that you use this as a mechanism to you know, to increase your profile for the other work that you do. So, perhaps we ought to talk about the other work that you do. I mean, you run a company, “Edge of My Seat” which is edgeofmyseat.com. How did that start? You obviously from going… from being an enthusiastic amateur, you must have gotten a job in web design, I’m guessing. How did you go about getting that job and from there, how did you end up running your own company?

Rachel: Well, I… When I decided I actually wanted to go back to work… I’ve been doing bIt’s and pieces while my daughter was quite little and I decided I wanted to go back to work and it was really tail-end of this whole dot com era. (Paul: Oh, OK.) And so, I ended up heading up a technical team at Property Finder. (Paul: Oh, OK. Yeah, I know.) Which was very much on the technical side and we managed the servers and things like that rather than even doing any development or very much development. There were other people who were more on the development team, although we still did bIt’s and pieces. I did that for a while and the whole sort of dot com thing was starting to fall apart really, at that point. And I moved to another dot com company who built portal sites for accountants. So I know quite a bit about stage integration (Paul: Wow. What an exciting life you have). Yeah, but that’s the time where things really weren’t looking that stable and I felt, well I can actually do this myself. And at least then I would know where I was in terms of whether I was going to get paid by people. The problem is being employed in an unstable situation is that really, you can work a whole month and get to the end of the month and find out that nobody’s paying you. (Paul: Yeah.) And so I figured that actually, I may be better off setting off on my own. And so people had asked if I would take on bIt’s of freelance work and things. And so, I actually purchased a printer’s trust because at the time I was a young single mom. I’m not so young anymore but I purchased a printer’s trust and this in 2001. And they basically gave me a small grant and loan to get the company started. So, I had about a month’s money when I started. (laughing) I didn’t have the dot coms, so I kind of had to work. (Paul: Wow!) It’s a good way to start a business, you know (Paul: Yeah.) … make or break really. If it doesn’t work, we don’t eat.

(Rachel, Paul and Marcus laughing)

Marcus: I remember that feeling very well.

Rachel: Yeah.

Paul: Yes

Rachel: But it makes you really dive into it. The nice thing was, because I was paying for a child, mind you, at the time, I actually only had to earn half of what I had earned because I could keep her home with me.

Paul: Ahh, ok.

Rachel: So, I must have cut my expenses by being able sort of work around my daughter’s schedule and things. So, that kind of worked out alright and really, it went from there.

Paul: So how did you begin to win the business in that first month of, “Oh crap! What have I done?” (Rachel and Marcus laugh) You know, where did the work come from?

Rachel: Well, at the time, what I realized was that because of how the dot com was collapsing, everyone was getting rid of their developers. But they still had all these applications. And something I’ve always been good at is picking up on other people’s stuff and working on it. So, probably, uhm, September ’01, which was like a terrible time to start a company (Rachel and Paul laugh) and really for the first two or three years was taking stuff that was already built and was falling apart, or the developers had gone or had all sorts of problems with it and just fixing it or adding bits to it. And I did lots and lots of that which, during this time of recession, really, was actually, really good work because there was plenty of it. Everything had to have been built while they had lots of developers and they had money and things. And so I sort helped things limp along a lot. And what this sort of lead to really was this idea of doing development for design agencies. (Paul: OK.) And focusing on doing really good development to support really nice design. That really is what we’ve moved on to do now. Most of our clients are designers or design agencies. And they do a really good design, and then they hand it over to us and we look after it and we make sure it will work. (laughing) That’s actually a really nice way to work because it means we get to work with some really nice stuff, anyway, well designed stuff and we have people who care about what they do. (Paul: Yeah.) And we get to do the development side of things that we enjoy. Sort of working with people rather just sort of chucking things over the fence and throwing it back.

Marcus: The point your picking about picking up what other people have done and fixing it and that kind of thing… did that not kind of cause you problems with development platforms and having to deal with lots of different types of languages and that kind of thing?

Rachel: Yeah. I had learned ASP by that point and a bit of Java. And I tend to not have too much problems swapping from one thing to the other. Certainly, I mean then, it was a lot of Perl and my class PSP. Because that was, at this sort of time, they were really the two things that you were seeing things built in. So, I used to do either and then I started doing PHP as well around the same time. So, I’ve always been quite happy swapping between languages, swapping between databases. (Marcus begins to speak: I think the reason why…) It gets a bit much if you do too many in one day, you know, because you start putting semi-colons in the wrong place and stuff. It doesn’t really bother me too much. I mean, its nice to be able to concentrate one thing. As I said, we tend to build new stuff in PHP. But, I’m generally quite happy switching around.

Marcus: I suppose, the reason why I was asking is we’ve come across a few briefs that we’ve been sent in the past where it seemed like the perfect job for us but the development platform in particular has been something that we just don’t work on. Do we want to invest on that kind of platform just so we can go after this job and quite often, we’ve thought to ourselves, “No, we don’t.” So, I guess that’s where the question is coming from.

Rachel: Yeah, I think in terms of new stuff, you kind of do have to focus unless you’ve got an awful lot of people able to create your own libraries and things in different languages. So for new stuff, we do tend to choose PHP but at the time, what I was doing was just picking up on stuff. It was less of a problem really because I was just fixing stuff that already existed.

Paul: You seem to have done very well over the last few years and Drew has come and joined you now and you seem to be branching out a bit into the area of training. That seems to be something that’s come up.

Rachel: Yup.

Paul: I’m quite interested, you know… it’s great you’re there and you’re able to offer training courses. You do have a basic CSS training course, I think (R: Mmmhmm) and you’re talking about doing an advanced one, is that right?

Rachel: Possibly going to do that. We’ve had a few people ask. (Paul: OK) So, that’s what we’re thinking of doing.

Paul: So, I mean, the question now is who trains the trainer? How do you guys stay on top of the latest things that are emerging and how do you keep up with what’s going on?

Rachel: Well, basically, because we are doing it all the time, I think. The difference between us and a training company that just does training is that actually what we’re doing is, we’re using this stuff all the time. It’s the same as when I buy a book. I’m writing a book from the point of view of someone who has to do this. You know, who practically is doing it. And it’s the same with the training. Obviously, we’re constantly reading up on new things and trying things out in browsers and trying to get around problems and just by the day to day work that we do. So, that’s really what we’re bringing to a training course. For two or three years, people have asked me if I would do training. But until Drew joined, we just didn’t have the capacity. It comes down to one of those things that have to be arranged. So, it wasn’t saying that I really felt that I couldn’t do, but Drew was making to do it as well. Its great fun. Its an enjoyable… its actually enjoyable to be face-to-face with people. Especially writing a book and then the feedback you get as the occasional email that people say, “Oh, I really enjoyed that!” or, “Why did you say this? Its rubbish!” (Rachel and Paul laughing) Actually being face-to-face with people and seeing how they work through the course is really, really interesting and great fun.

Paul: Cool!

Rachel: So, yes. It’s been good.

Paul: Excellent! Well, thank you so much, Rachel, for coming on the show. It was really good to hear how you got into things and how your career has progressed. Even if it’s somewhat chaotic along the way. Although I can associate with that (Rachel laughing) kind of bouncing from one thing… We’d set up Headscape in January, 2002. So we were only 3 months behind you, so we understand your pain there.

Rachel: Yes, well it wasn’t the best time, really.

Marcus: We were both made redundant from a dot com in December, 2001, so it was necessity that got Headscape, I think.

Paul: Yeah. Always the best way. OK, thank you very much, Rachel, uhm and I’m sure that we will get you back on the show again if you’re willing at some point (Rachel laughing) in the future. Alright, thank you.

Rachel: OK.

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Listeners email:

So just before we wrap up the show I wanted to share with you an idea sent in recently by a listener (sorry I can’t find your name)! A number of you have written in since we said we were going to change the format of the show with ideas about how things could be improved. One idea that particularly appealed to me was a new short section at the end of the show where we read out some listeners emails. These emails could be a question, comment, recommendation or indeed anything else you think others maybe interested in. So whether you have a tip for improving your sites search engine rankings or just want to tell me how ignorant we are then drop us an email. Write in soon as we need content for next weeks show!

105. Christmas Cheer

On this week’s show: Paul suggests some gifts to buy the geek in your life. Marcus talks about wireframes and Matthew Paterson talks about the Email Standards Project.

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Clear:left winner

Congratulations to Ryan Downie who is the lucky winner of the Clear:Left training competition. Ryan will have his pick of either a place on the CSS Mastery.

If you didn’t win do not despair. There are places still available on both courses for a mere £345 + VAT. I have attended Jeremy Keith’s course on AJAX and have to say it was superb. I am sure the CSS course is just as good. Go to the clear:left website for more details.

News and events

Opera goes on the offensive against Microsoft

Without a doubt the biggest story of the week and in many ways the year is the fact that Opera is filing an antitrust suit against Microsoft. This story is huge, not because one browser manufacturer is litigating against another (something that is a common occurrence) but because of the strange ripple effect this seems to be causing in the web design community.

However, before we get into the ripples lets look at the antitrust suit itself. Operas beef seems to focus on two areas. First, they object to Internet Explorer being bundled with Windows (surprise, surprise). Second, they are complaining about Microsoft’s lack of commitments to web standards.

Call me an old cynic but this whole thing stinks of a massive PR exercise. This is especially true when it comes to the complaints about standards. As Eric Meyer points out, the timing of this claim seems odd to say the last. If the suit had been filed before the release of IE7 it would make some kind of sense. It was certainly true that standards support in IE was very poor. However, IE7 is a huge step forward and Microsoft seem to be active in its development of IE8.

To me this just looks like an exercise in pandering to the gripes of the web design community. It was as if Opera knew it wouldn’t get a lot of support for the whole “unbundle IE” argument and so threw in the standards issue to drum up some support.

However, as I have already said, the Opera antitrust suit is not the most interesting part of this story. The real clincher is the spin off discussion that has emerged sparked primarily by a very provocative post by Andy Clarke. He argues that this suit makes the position of the W3C CSS working group untenable. Andy asks how Microsoft and Opera can work together to create the next generation of CSS when they are in legal action over exactly that issue. This has led to a much wider discussion about how the W3C works and highlighted a divide between how browser manufacturers and designers see the world. Without a doubt there is huge frustration at the glacier speed at which the W3C moves. This is largely due to the challenges faced by browser manufacturers in implementing the specifications.

But the story does not end there. This frustration with slow progress seems to extend beyond even the W3C to also encompass the Web Standards Project which was setup precisely to push for better standards support. Some very prominent figures are even questioning its role.

If we as web designers want to pressure browser makers to provide better standards support then we need to invest in organisations like WaSP. They need to have the kind of funding that political lobby groups have. This will enable them to employ full time staff to constantly lobby and educate browser providers on what web designers need. In my opinion we as web designers need to put our money where our mouth is and start giving financing to organisations like WaSP so they can be more effective.

Boagworld christmas appeal

Talking about putting your money where your mouth is, I would like to thank everybody who has been kind enough to give to our Christmas Appeal. We have been raising money to support an orphanage and school in an extremely poor part of India. The idea is that you pay for anything of value you have received from Boagworld. Ask yourself how much have we taught you on the show? How much have we entertained you? Then decide how much you would pay for that and give that money.

So far we have received £465 and we are still collecting. Even if you hear this show after Christmas we are still collecting! To donate something or for more information go to christmas.boagworld.com.

The best CSS designs of 2007

Not only is Christmas almost upon us, the year is about to draw to a close. This makes it the time of year when bloggers look back at the year just gone and compile “the best of 2007″ lists. Normally I am lukewarm about such things however there is a great list over at web designer wall. They have compiled the best of CSS design in 2007. If you are in need of inspiration this is definitely worth a look. There is some truly stunning stuff here.

Talking of rating design you might also want to check out commandshift3.com which is basically hot or not for web design. When you visit the homepage you are shown two designs and you click on the design you prefer. Not only does it allow you to vote for designs it also lets you look at the best and worst based on votes received. This makes it a great site for inspiration and for learning what not to do!

Marcus’ bit: Quick and Dirty Wireframes

So a couple of week’s ago I wrote a post on the use of wireframes in web design. Marcus couldn’t come up with a decent topic to talk about himself this week so has decided to reuse my post and pass it off as his own! ;)

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Paul’s corner: Geek Gifts for Christmas

For my segment of the show this week I decided it might be fun to look at Christmas presents. Specifically what you should buy for the geek in your life. In order to avoid it sounding like a wish list for myself the items I have picked are items that I own myself and can personally recommend.

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Ask the expert: Introduction to the Email Standards Project

Hello world of Boag, I’m here today just to give you a really quick introduction to the Email Standards Project, a new community effort that has launched recently.

If you’re a web designer, and you’ve ever created HTML emails, you will know that getting them to look reasonably consistent across the major email clients is hair-pullingly frustrating.

At least with websites, there are only a few major browsers you have to worry about, and thanks to the Web Standards Project they are much improved from the days of the browser wars. With email you have at least 12 email clients with big shares of the audience.

Unfortunately, HTML email is still stuck back in 1998 with that Celine Dion song from ‘Titanic’ – nobody wants to be there. Over the last 10 years, web designers, and particularly web standardsy type designer, have generally taken a ‘Just Say No’ approach to HTML email. ‘Don’t send it, don’t read it, pretend it never happened’.

That approach has not been a spectacular success – millions of people still sent HTML emails, but because the designers wouldn’t touch them they were hideously ugly and just made designers hate them even more.

HTML email is here to stay. It is the default format in many clients, and sometimes it really does give a better experience for the reader than plain text. The Threadless newsletter is a great example – the send every week an email with pictures of the latest shirts. Trying to describe the shirts in text is nowhere near as useful. A picture is worth at least 1,000 words!

So here we are in 2007, and in order to get reasonable rendering, designers are having to dust off their table coding skills to get things working in Outlook, Lotus Notes, Gmail, Yahoo, Thunderbird…it goes on.

At Freshview we deal with designers every day through Campaign Monitor and MailBuild who are struggling with this problem, and we finally decided to do something about it. That is where the Email Standards Project came from.

Together with a few other people we’ve put a site up at http://www.email-standards.org (email hyphen standards dot org), and you will find a link for that in the show notes. The central idea of the Email Standards Project is that we want to work with designers and with email client developers to improve support for web standards in email clients.

It’s not one of those sites that is all talk and no practicality though – jump onto the site and you will see a bunch of tests we have done to work out exactly what does, and what does not work in all the major email clients as far as a core of normal HTML and CSS like padding, margins, floats, lists and so on.

If you’ve seen the Acid test for browsers, over at the Web Standards Project, then this is basically the same idea except for email. We’ve already had some contact with some of the big email client representatives about our results, which is really exciting. Check out the blog for updates in that area.

If you know the pain of designing HTML emails, and you want to support the project, then there is a section on the site that covers that too, and we’ve had a huge number of people offer to help, and some great feedback from people like Jeffrey Zeldman and Cameron Moll.

If you are a website owner, and you want to know why this matters to you, then check out the site for an article on why web standards are important for email, or talk to your web design firm. As is often the case, it comes down to money – better standards support means less time spent getting things to work, and more time on the actual design.

So thanks for giving me the chance to say a few words about the Email Standards Project, and I hope you all do get a chance to checkout the website, email-standards.org.

Happy Christmas!

That about wraps it up for this week’s show. We will be back with a slightly amended format as from Wednesday the 9th January. See you then.

Intranet delusions

Every business can benefit from some form of intranet whether it is a collection of online tools or a large corporate system. The problem is that many organisations make fundamental mistakes in how they approach their intranet.

I have been asked a number of times to talk about Intranet development and I have always avoided doing so. This is partly because I am not an expert in the field (although that doesn’t normally stop me talking about something!) However, it is also because intranets are a massive area and one in which so many mistakes are made. There seems to be a huge amount of naivety about developing and running Intranets. Against such a backdrop I am somewhat unsure where to begin.

In the end I have decided to take 5 of the most common misconceptions about Intranets and see if we can shed some light on why they are wrong.

A money pit

“The intranet is not important like the website. It doesn’t generate a return on investment”

This seems to be a common perception especially among senior management. Unlike a website, the intranet isn’t perceived as business critical. Instead it is seen as nothing more than a hole into which money is poured. The problem is that an intranet doesn’t typically generate revenue. However, it does generate a return on investment.

The real benefit of an Intranet is in productivity gains. If used a correctly it can:

  • dramatically reduce the time to access key information
  • act as an effective method of disseminating information
  • be a way to manage workflow
  • become a key component in improving communication

Accessibility free

” I don’t need to worry about accessibility because I know exactly who is using the site”

The perception that you don’t need to worry about accessibility on an intranet is naive. Just because you don’t have users with disabilities at this stage doesn’t mean you never will. Moreover, accessibility is about a lot more than the disabled. By building your intranet with accessibility in mind you can offer up the chance to deliver it to other devices such as mobiles.

Finally, many people who are not registered as disabled have accessibility issues. This is especially true with an elderly user who may have poor eyesight or arthritis. Building your intranet with accessibility in mind can improve the usability for everyone.

Browser specific

“We only need to design for Internet Explorer 6 because we use that across the entire company”

Single browser support on your intranet is a risk. Building for the peculiarities of one browsers can easily come back and bite you later. A company wont stay with the same browser forever. Even an upgrade from IE 6 to IE 7 could easily break your site. Build from a solid base of web standards and you have the confidence that changes to the browser platform will have a minimal impact.

The other advantage of this approach is that it is entirely possible to open up parts of your intranet to suppliers even if they do not share the same IT infrastructure as you.

Employee motivation

“Its not like a website, people are required to use the Intranet as part of their job”

It is true that people are expected to use things like the intranet as part of their job. However theory and reality are very different. I have seen many intranets effectively abandoned because they were just too difficult to use. It is quicker to use other methods (such as the telephone or email) to find the information required.

An intranet will only succeed if it:

  • has the right information
  • is easy to use
  • is engaging

Some of the most successful intranets are those that work as hard to be sticky as any website would. Adding social features is a good way of doing this as well as making sure your site has the right “killer” applications. However, most importantly you need to ensure that the site is easy to use and people can quickly find the content they require.

Unregulated content

“The idea is that everybody adds and maintains the content. It doesn’t need a web master”

In a utopian world an intranet should not need a web manager. Each employee should add and maintain their own information on the system. However, the reality is that this doesn’t happen. Some people are simply too busy to “mess around with the intranet” while others upload far too much erroneous “stuff”.

An intranet needs a web manager in the same way as a website does. It needs somebody to be a guardian for the content ensuring that the right stuff is online and organised in a logical manor.

Conclusion

Developing intranets is a huge subject and one that I shall return to in the future. However, hopefully these few misconceptions have helped challenge your thinking of how to approach their design and build. Although designing an intranet is very different to designing a website, it is actually surprising how much they have in common too.

Show 96: Moll on Mobile

On this week’s show: Paul suggests some ways a client can pick which agencies to ask to tender. Marcus asks when is speculative design okay and Cameron Moll explaining how to get started on the mobile web.

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News and events | When is speculative design okay? | Who to ask to tender? | Cameron Moll on the mobile web

News and events

Social Participation as a business tool

Back in 2006 I spoke at refresh06. One of the presentations I gave there has since proved a popular subject and I have been asked to speak on it again a number of times in various forms. It is on the subject of social participation and how to use it as a marketing and business tool. Social networks and communities are often seen as the domain of the teenage crowd with sites like YouTube and MySpace dominated by this demographic. However, community based applications are applicable to all audiences and can be a powerful tool for businesses.

After preparing the latest incarnation for a presentation I am giving at IBM, I thought I would do a run through (as I have only limited time). Discovering the new record feature in keynote I decided to record the whole thing and upload it for all to see. Hope it is useful.

Test your website for mobile compatibility

So this week we have Cameron Moll on the show talking about some of things covered in his new book “Mobile Web Design”. In his book he mentions an interesting site that I would like to pass on to you. It is a web application that allows you to test how well your website would appear on a mobile device. You simply enter your website address, wait while it calculates your results (it even gives a random mobile web development tip while you wait) and then view a complete breakdown of any issues with your site.

The report is distilled down into a single score but you can also see performance in each of the individual areas including:

  • Speed
  • Cost in terms of data access
  • Quality of code

and a whole host of miscellaneous tests. However, best of all is the fact that it also provides an emulation of what your site would look like on a whole host of mobile devices.

Laying out inline images

My next story tackles one of the mixed blessing of content management systems. Although it is great that content management systems allow clients to add content themselves they almost always fine a way of screw up the look of a site in the process. One way that they manage this is adding inline images. They are often required to add specific classes to images for them to be displayed correctly. Unsurprisingly the client sometimes fails to do this and the design becomes broken.

This week the List Apart website proposes one way to slightly reduce this risk. They use javascript to detect content images on a page and then apply different classes based on the width of the image in relation to its containing tag. In other words the Javascript detects whether the image is a full column, half column, or quarter column image and lays it out appropriately.

Its not the perfect solution and there are still ample other ways clients can screw up a design but it is a nice use of javascript that enhances a design without being mission critical. I think seeing this kind of use of Javascript and we should all be looking to use it for this type of thing.

10 Usability nightmares you should be aware of

My last story this week is another top ten list from the guys at smashing magazine (they do like their lists!). This one is a list of the top 10 usability mistakes and I have to say it is an entertaining list focusing on some big name sites. The list includes:

  • Hidden log-in links
  • Pop-ups for content presentation
  • Dragging instead of vertical navigation
  • Invisible links
  • Visual noise
  • Dead end
  • Content blocks layering upon each other
  • Dynamic navigation
  • Drop-Down Menus
  • Blinking images

Each mistake is explained in detail including some offending screenshots. A worthwhile read for us all.

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Marcus’ bit: When is speculative design okay?

I have decided to talk about speculative design work this week because we have recently produced a couple of designs and, although we recommend that it should be avoided, sometimes you simply can’t.

Unpaid prospective work is the bane of all of graphic based agencies and freelancers. It’s also something we have looked at before, but it’s such a significant subject I think it’s a good idea to look at it again.

The worst case

Some ‘clients’, and I use the word loosely, are simply looking for free work. It seems that they think ‘art’ or ‘drawing’ is not real work and is something that only fools pay for. They usually ask for a number of different page designs and concepts and will often ask for revisions on delivered designs.

The project often ends up being dropped by ‘the board’ and then mysteriously, a few months later, something very similar to your design appears for all to see.
These people are effectively stealing from you. Don’t do it.

When is it ok?

If you take the line that we should never do unpaid work then the answer is ‘never’.

However, life simply isn’t like that so you need to make some choices. You could argue that as long as the client is genuine i.e. it’s a real project that someone will win and subsequently get paid for, then it’s ok. It’s a fair fight and the best design will win.

But, this isn’t just about getting paid.

Educate (how many times do I use that as a heading!)

Speculative design is a beauty contest. The whole point of the exercise is to impress the client. This can possibly be seen as taking a somewhat derogatory view of a client’s ability to make the distinction between a design for them versus a design for their users. But even for those that understand the distinction, I don’t think it is possible to separate ‘what I like’ from ‘what is right for our users’. If there is a choice, then people can’t help picking the one they like best.

Added to this, there’s the big issue of designing in the dark. Even if a client has supplied a detailed brief and they’re happy to chat on the phone, the guy pitching still doesn’t really know what the requirements are. The early part of any design project involves detailed discussions about an organisations USPs, target audience, brand values, site statistics, site goals, etc etc.
User interface design is a collaborative process between the agency and the client that goes through an iterative cycle based on user feedback. This simply doesn’t happen with speculative design work.
So, in summary, always have this conversation with prospective clients. I know for a fact that on one job, we won the work by doing so. The client saw it as the most professional and well thought through approach taken by the agencies pitching for the job.

However, sometimes you have to do it or you will jeopardise your chance of winning the work – but still have the conversation and ask whether or not producing an initial concept will adversely affect your bid.

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Paul’s corner: Who to ask to tender?

With literally millions of web design companies worldwide where do you begin when trying to draw up a list of potential agencies? Who do you invite to tender?

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Ask the expert: Cameron Moll on the mobile web

Paul: Okay so joining me today is Cameron Moll. Good to have you on the show Cameron.

Cameron Moll: Hey, thanks Paul.

Paul: I think this is your first time on Boagworld, is it not?

Cameron Moll: Yeah it is.

Paul: Ah that’s good stuff we alway like to get new people on instead of having the same old boring people on every time. Nice to get someone from the States as well. Which is good.

Cameron Moll: Yeah absolutely and I’m kinda bummed you didn’t pick me for your hundredth episode.

Paul: Well if your in London you can come to our hundredth episode and join in the show. Do you happen to be over then by any chance?

Cameron Moll: Uh, when’s that gonna be.

Paul: Uh, October 20.

Cameron Moll: Um, unfortunately not.

Paul: Argg.Shame, what a shame. Yeah, so we’re looking forward to our hundredth that should be fun. So I mean the reason we’ve got you on the show today is because you’ve just produced a book called Mobile Web Design. This you already know I’m sure. So we thought it would be good to get you on the show just to talk about some of the things that you kind of cover in the book, and give a bit of an introduction, um, to the world of developing mobile websites. And um the question I wanted to kick off with is in your book you dicsuss kind of four different responses to kind of mobile web. In other words four different approaches people could take when they start thinking about the subject of mobile web design. And I just wondered whether you could talk us through those four different approaches that people could use.

Cameron Moll: Yeah that’s probably a good place to start. Um, most of these are straight forward right. It’s I think a pretty simple thinking to understand how one would approach the mobile web. And uh, you know I produced these about two years ago as I was trying to understand how someone like myself, you, how we would make that leap over to mobile. The more I was researching it the more it became apparent that you know there is really these four methods, and what they boil down to is, uh, is this. So one, you essentially do nothing. Two, you reduce the number of images and styling therby reducing the file size, uh, the page weight and so on. Three, handheld style sheets and then four, mobile optimized or what some refer to as content adaptation. And uh, the breakdown is essentially this, if you’re going with that first approach your saying “You know what, I’m going to do nothing.” I’m either lazy. I assume that my users have devices that can support the content I already developed and uh, you know when you think about the mobile web obviously the question that comes to mind is what technology am I going to use? How am I developing content for mobile devices? And fourthly, most devices out on the market today will support well structured mark up out of the box. And so most of the devices being sold, most of the devices that people have in hand today are going to support your html markup. So a lot of user will take that approach, I guess developers that is, take the approach to say you know what, what I have developed it good enough. I’m going to push it out there. And with things like the iPhone and some of the higher end Nokia devices that are out on the market, most of those devices can support a full desktop experience. Right, so it’s this idea that I refered to as content zooming. And so with the iPhone I can see the full website. I can pinch or zoom in. With some of the Nokia devices and Oprea mini 4, I can have that same experience. And so the thinking with that first approach is, lets just leave the content as is and allow those higher end devices to access them.

Paul: Sure (thoughtfully like he is paying attention)

Cameron Moll: Uh, the second approach. This essentially takes the existing markup and content and says lets pull out the images. Lets pull out the styling and allow users to access that raw content. And the thinking there is we’ll reduce the file size. We’ll take out all those big images, that unnecessary styling. Most of the devices out on the market today, well I shouldn’t say most, but alot of them don’t support the styling that you and I are used to using on the desktop. So, the thinking here is just to pull all that out and allow the device to see the raw content. And after all people are after the content not necessarly the background images and colours and things like that. Now the third approach is perhaps right now the most controversial, and that being handheld style sheets. I mean these have been promoted as kind of this poster child of all things web. So any device whethe it be a mobile device, a car a watch or what have you should potentiall be able to take the same markup and with a style sheet specific for that device, again it might be a printer it might be a mobile device. Being able to attach specific style sheets that render the presentation differently for that given device. So the idea being, you know if I just attach a handheld style sheet to my markup. I don’t touch the markup. I don’t touch anything else. I just add that handheld style sheet then great it’s going to display it differently and so on. Of course there are drawbacks to this approach and I guess what I’m skipping here is there is drawbacks that I cover in detail in the book to.

Paul: Yeah (thoughtfully like he is paying attention)

Cameron Moll: To each of these approaches. They all have pros and cons. The biggest one here with handheld style sheets, cutting to the chase, is the fact that not all devices support it. I would guesstimate, I don’t have any exact figures, I don’t know that they exist. But is guesstimate only about half the devices out on the market will support handheld style sheets. And even of those that do the support is somewhat shotty. In that some of those devices will correctly obey a property such as “display none” but they’ll still in the background download the associated content with that. So if you’ve got a large image for example, and you attach to that “display none” it won’t show it but it’s still gonna download in the background that image or that content. So right now, at least, using handheld style sheets is a bit of a pipe dream. It’s just we’d love to be able to have the power to access those, that capability. But right now it’s just not all that feasible.

Paul: Hmm. (thoughtfully like he is paying attention)

Cameron Moll: Finally, on the fourth point, mobile optimized content. This is where you say “You know what. I understand that the environment of being mobile, this idea of context is different that it is when I am sitting at my desktop.” It’s different because I might be using one hand for data entry. I’ve got a much smaller screen and naturally I’m out on the street. I’m out driving or something along those lines. So we say what’s different about that experience, then sitting at one’s desktop. Proponents of this fourth approach essentially say, “You know what the other approaches, especially the do nothing approach completely ignore context.” And that is what is the user doing when they’re out walking. When they’re on the tube or the subway and so on. So this last approach says, okay the context of being mobile is different than anything else. People want to do things differently when they’re out and about. So we’re gonna reformat our content to cater to that experience. We’re gonna present and entirely different experience, and altered experience perhaps to that of the desktop that addresses the specific needs of being mobile. The arguement I make in the book, I guess coming full circle with these approaches is, I often get asked the question “Well what’s the best approach then Camerson?” I don’t know. And you ask 20 different people in this industry and you’ll get 20 different answers. Right now I think the most feasible approaches moving forward are the first approach, do nothing, and the last approach, to create mobile optimized content. The arguement being is one, you need to understand first of all the context of mobile users and therefore adapt that experience to that context. But at the same time you have alot of capable devices out on the market that may be able to render a full experience that users are used to elsewhere.

Paul: I mean you talked there about context and in particular the fact that peole might be using it one handed or whatever else. What are kind of the major differences that you are seeing between kind of a user experience designed for the desktop compared to user experience designed for the mobile device? How do they alter? What should we be doing differently?

Cameron Moll: Well I think that the key phrase here is mobile right. So Barbra Ballard, I quote her in the book, I love her quote that essentially says that when we’re talking about mobile it’s referencing the user not the device. And I think if we start there saying okay mobile is about the user not necessarily the device that they are using but the user. We then start to understand. Okay what is this user trying to do? Where are they? What are the limitations that they confront? And what are the oportunities that are provided through mobile that might not be provided elsewhere? So, it’s not about how do we make this experience similar to the desktop, but how is it different? How do we make it different and how do we welcome that different experience? So this idea of context, it’s this idea, you know, you have this great content, and we hear this phrase “content is king.” Well I argue that context is king. Cause when a user is mobile that content is of little value if you ignore the context in which it is being used. That inevitably leads to the question. What are the needs? What are the problems? What are the tasks that users may encounter in an environment of mobility. Then that leads to what are the opportunities that mobile provides for that given context. For our content, for our company that the PC doesn’t.

Paul: Yeah. I mean it’s a very interesting area because it’s almost somethign you need to address on almost an individual project basis. Looking at what content you’re working with, and working out what of that content is actually relvant to a mobile device and which isn’t. I mean you use an example about that somebody’s probably not going to want to look at your portfolio page on your personal website on a mobile device. It’s just not the right context. I guess that’s what your getting at there.

Cameron Moll: Right. You bring out a very interesting point and that is, let’s say a given company. Let’s say you and I as developers are working within an organization right. And we’ve got 20 projects that we manage. Something you said earlier keys to the point of looking at those 20 applications or websites and saying okay first of all which of these 20 apps might be relevant to someone being mobile. We cut that down to say 5 or 6 or whatever the number becomes. Within those applications or sites if we’re talking about existing content here within those applications or websites it’s those 5 or 6 as being perhaps suitable to mobility. We then look within those entire applications, so within a given application for example that might have 20 different tasks that a user does with that application. We then say okay which of those tasks are relevant to someone being mobile. So it’s this process, at least with existing content, looking at what are the applications we provide and within those applications what are the features that are going to be relevant. Now what that also ignores though is the fact that we’re not saying what are new opportunities? What applications have we not developed that might cater to mobile? Or within an application that we have developed, what opportunities such as location awareness might be provided to a user that we just haven’t even thought about it.

Paul: Yeah. I mean that whole about the fact that you get into this mentality that a mobile device is a cut down version of what you provide on the desktop. Actually, there are opportunities to do stuff on a mobile device that isn’t actually possible on a desktop and the location aware stuff is a good example of that I guess.

Cameron Moll: Right exactly.

Paul: Okay. So lets say as a web designer I’m beginning to get a bit excited about the mobile web. It’s obviously the way that things are going. You provide some excellent statistics in your book about take up levels of mobile devices and I’ve cribbed those and used them on the show before. So I think that there is a lot of people that are listenin to the show and going yeah this is something that I am really quite excited about. But where do I start? What kind of technical skills to I need to develop mobile websites? Is it enough to just know standards based design? Or is there other thins I need to know as well?

Cameron Moll: You know that’s a perfect question. If you look at where we are at now today it’s totally different then say 4 or 5 ago. I remember the same hype 4 or 5 years ago where people were saying mobiles coming. Developing websites for mobile devices is the next big thing. It just kind of died out. I think largely it was due to the fact that back then you still had to develop in WML, which is not a cryptic language. It actually provided a lot of clarity and unity to the mobile web environment 4 or 5 years ago. But at the same time it required that a lot of us had to learn a new language in addition to HTML or CSS. That’s no longer the case. So this second time around when we hear this hype about the mobile web, to me at least it feels much more real. Because now we have again, as I mentioned earlier, most devices out on the market, in fact nearly all of them support HTML, XHTML, and some level of CSS. So that means that you and I, we already know HTML. We already know CSS. We can take that knowledge and start developing content for mobile devices. Whereas 4 or 5 years ago we had to learn a new language just to get over that barrier of providing content. So the good news is, for the most part, really if you know standards based design and development techniques, you are 90% there. I think the other 10% is left to understanding context. So trying to understand what those limitations are with mobile devices and mobile users. And also looking at the opportunities. so again we’re talking about smaller screens, data entry. Those being limitations but at the same time location awarenes. Users just want to do things different. They’re out on the go, which can be a great advantage depending on what kind of content you’re providing. So I think the good news here, long story short, yes. You and I can just build on the knowledge we already have if we just start to understand just a little bit about what the users are doing.

Paul: I mean you say. It’s interesting some of the words you use. You say ‘for the most part.’ Or ‘some browers understand CSS.” And I think that’s the other big fear that people have when they start investigating the mobile web, is the huge plethora of different browsers and devices and all of this kind of stuff. And it seems like how the hell am I supposed to test on that. It’s impossible to test on every conceiveable device and every conceiveable browser. Where do you start? Where do you put your initial efforts?

Cameron Moll: You know when I first started talking about mobile I think I was a bit to pessimistic in that I would stand up, say in a conference or in an article, and say okay if you’re going to test for mobile devices be prepared to test on dozens of browsers and if you think 4 or 5 desktop browsers. And getting consistency right for those is difficult. Wait till you see the mobile web. I’m a bit more optimistic now. I hope the book at least comes across that way and when I talk about it at conferences it comes across that way. And the reason being is this. There are some pretty easy ways to deal with that challenge of consistency. Of testing for mobile devices. Of just developing content period for mobile devices right. So you and I, you use probably the web developer extension for Firefox. We both probably at some point used Opera. Both of those browsers with those extensions and plugins can, at least at the very start, render and initial small screen preview. They both have options to be able to do that. So starting at the very least we can develop, again because we’re developing in XHTML rather than WML, we can within the browser at least do a very quick test to see roughly how it’s going to show up for the user. After that, once you’ve got at least the markup structurally sound you can then jump over to emulators. Now there are plenty of online emulators. .moby provides one. Opera mini provides another and there’s several others out there. But also there’s desktop software that you can download to be able to emulate mobile devices. So then taking 5 or 10 mobile devices I can now test how my content’s going to render, and it’s very close to how it will actually render on the device. But you can’t stop there. The last step has to be actual devices. And I think this was what was insurmountable for me starting out as a mobile developer. At least a beginner saying oh gosh do I have to go out an purchase 100 devices to be able to test my content. Well fortunately you can get away with 5 or 10 devices. If you can get 5 or 10 devices that vary widely. By that I mean one being a very basic phone, another one being a PDA,another one being a popular device such as the Razor. If you can get 5 devices that vary widely, 5 to 10, the chances are that that content is going to render well for most devices out there on the market. That will get you close enough. A lot of that is based not just on my personal preference but on the case study that I offer in the book. That is the Yahoo! website for the FIFA world cup last year. They took that approach. They said you know it would be difficult to test on 100 devices but we think if we can get 5 to 10 widely varying devices that chances are our content is going to display well for a global audience. Which indeed it was for that particular website. So that’s the arguement that I’ve made. I’ve hear others make that arguement as well. And it’s not difficult to get that number of devices right. So you can probably get 3 to 5 from yourself, from friends, collegues and so on, on loan for a couple hours. If you’ve got a blog you can ask for volunteers to do testing. I’ve done that before and it works pretty well. And then finally anyone can hop on eBay and do a search for unlocked mobile phones and purchase phones for an affordable price and get you know 5 to 10 devices. That’s how I did it. You know I hopped on eBay. I bought about 5 phones that were unlocked and then I just take my SIM card and swap that around the phones when I am doing testing. So it’s really not that difficult once you’re done developing your content to make sure that it renders well for mobile devices.

Paul: What do you think about the kind of growing thing that we’re seeing at the moment about designing mobile sites for specific devices? Like the iPhone. Do you think that is a bad route to go?

Cameron Moll: You know I’m not going to say it’s a bad route to go. But I do question it’s integrity. Three years ago or so, when I bought, well this was a little bit after I bought my Treo, for example which is a feature rich PDA. There were all kinds of Treo specific sites that had been developed. So you had something like, lets just say you had something like ESPN.com/mobile/pda/treo would be the web address for that content. And it was formatted just for that device. When you think about all the devices that are out on the market you then realize that that becomes a big chore to try to develope content for X number of devices. Now I think with the iPhone at least you have that same experience being repeated. For me it feels in part like you know years ago when we hit up a website and it said best viewd with Internet Explorer 4.0 or something like that. You know that is what we’re seeing now with the iPhone. Granted the iPhone provides a much different experience and a much richer experience, which is great, but at the same time I worry that we are spending a lot of effort on a device that 1. Is not a market majority and 2. The device itself, the iPhone itself might change at some point in the future. I might have a larger screen. It may render content differently. Which then will require that we go back and rewrite that content yet again. So the arguement I’ve made is if it makes business sense to develop and iPhone optimized site well more power to you. Go for it. But I advocate as a default creating content that can render on as many devices as possible. Not necessarily just one device.

Paul: Cool. Thank you so much Cameron. That is incredibly useful. Where can people find out more about your book then?

Cameron Moll: The web address is mobilewebbook.com or they can find a link from my website cameronmoll.com.

Paul: Excellent. It’s a .PDF book that you can download instantly. Now waiting around for delivery at $19. The best thing of all is it’s nice a short. Just over 100 pages. Isn’t that right? Something like that?

Cameron Moll: That’s correct. And I’ll give your listeners a heads up that we’ve got a print version coming out in October to be announced soon.

Paul: Oh that’s excellent. So you’ve got the choice either way. Alright thank you very much for coming on the show Cameron. We’ll get you on again in the future no doubt.

Cameron Moll: Hey thanks Paul.

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Quick and dirty competitive analysis

If you have a long list of competitors, doing a comprehensive review of them all might be too time consuming to be justifiable.

Every organisation should know what their competition is doing online. However, getting your boss to pay for proper competitive analysis is not always easy. I therefore thought I would share some quick and dirty techniques for doing competitive analysis yourself.

I am going to go ahead and make the assumption that you already know who your competitors are. If you haven’t already, make a list of them including their websites. Depending on your sector this could be a fairly long list. It will range from the large well established players to the small and dynamic upstart.

If you have a long list of competitors, doing a comprehensive review of them all might be too time consuming to be justifiable. In such situations you will be forced to narrow the list a little. However, be careful. The tendency when narrowing the field is to focus on the largest competitors. This can be a mistake. Sometimes the smaller sites, or those new to the marketplace, are more likely to be doing something innovative which you might be able to learn from. Instead try and ensure a mix of both larger and smaller sites.

Once you have established which websites you want to review I would suggest trying the following steps.

Basic review

Step 1 is to do a basic visual review yourself. Nothing beats taking the time to look through a competitors website. As you look through each site ask yourself a series of questions.

  • What is the message and tone of voice being used on this site?
  • What content and functionality is highlighted on the homepage and in the navigation?
  • What image are they trying to project through the design?
  • What functionality and content do they have compared with your own website?
  • What labeling are they applying to the content areas and site sections?

The aim is to gain a better understanding of the strategy being used by your competition regarding the web. Where you encounter differences in approach from your own site ask yourself why. Why have they chosen to approach the problem in a different way? Does that alternative approach give them an advantage?

User testing

Step 2 is to try user testing your competitors websites. There is no reason why you can only user test your own website. In many cases it can prove extremely useful to test your competitions website because it gives you an opportunity to test out responses to design, content, functionality and site structure. In short you can learn from what they have gotten right and improve on what they have done badly.

I am not going to get into the details of running a user test session here, although this is a subject we should return to at some point. What is important, is that testing a competitors site is a great training ground for making improvements to your own.

Accessibility

My next step when assessing a competitors website is to assess how accessible the site is. Potentially your competitors could be turning away valuable business simply because their site takes too long to download or because it cannot be accessed by people who don’t use internet explorer. Obviously accessibility is also about access for the disabled and this can be assessed using the WAI guidelines. However, if you are a website owner or manager rather than a designer/developer these guidelines may well prove more confusing than helpful.

For the sake of this section I want to suggest two tests that you can use to help assess how many users your competition are turning away.

Browser support

The first is to look at your website on as many different browsers and computers as possible. Many people do not realize that there are other browsers than Internet Explorer and that even Internet Explorer has various versions that will display your website differently. I would recommend you look at your site in at least Internet Explorer 6, Internet Explorer 7, Firefox, Opera and Safari for the mac. You may well be surprised at the differences you see. You can either download these browsers and test the websites manually or alternatively use a services such as Browsershot that will provide screenshots of website as displayed in different browsers. Obviously, if you use a screenshot service then you won’t get the interactivity of a real browser. However, for the sake of assessing the competition this is normally enough.

Download times

The second test you might want to perform is analyzing how fast the site downloads. In this age of broadband many web designers have become less concerned about download times. However, not everybody has broadband and most sites cannot afford to ignore dialup users. One service that helps you find out how long your site takes to download is a website optimization tool. Ideally you should be looking for download times of less than 10 seconds however anywhere between 10 and 20 seconds is acceptable.

Online visibility

My final step for assessing the competition is to look at how visible their website is. That is to say, how easy it is to find. Do your competitor’s websites rank higher than your own? Do more people link to them? Is there more talk about your competitor’s brands than your own? All of these questions are incredibly revealing.

A good place to start is with one of the many free websites that check various sources to ascertain online visibility. The one that I use most often is popuri.us. This checks your competitors visibility on Yahoo! and Google, but also on blogging search engines like Technorati and social networking sites like del.icio.us.

If you want more specific information relating to your visibility on certain search phrase then you will need a rank-checking tool. Again there are various free services available including Google Ranking, which checks all major search engines despite the fact that its name appear Google specific.

However, it is the question of linking that is most interesting. Who links to your competition and can you persuade them to link to your site? Finding out who links to your competition is remarkably simple. Just use the same popuri.us service I mentioned earlier. You will notice a number of the results are marked “backlinks”. By clicking on the details link associated with these backlinks you will be taken to the appropriate search engine and see all of the webpages that link to your competition. Alternatively you can simply go to the search engine you wish to check and type:

link:http://www.yourcompetition.com

This will return all of the sites linking to that website address. You can now contact these websites as appropriate asking if they would be willing to link to you instead of your competition.

Summary

The above is not intended to produce a perfect competitive analysis but it should get you started. Its a quick and dirty approach that gives you a handle on:

  • How easy your competitors websites are to find
  • Whether they are turning potential visitors away
  • How easy their site is to use
  • What they are trying to communicate and achieve through their content and functionality

Hope that helps.

Show 83: iphone bollocks

On this week’s show: Paul talks about the importance of undo, Marcus explains the benefits of stakeholder interviews and Struan Robertson highlights some legal deathtraps waiting for us online.

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News and events

Safari for Windows

Probably the most talked about story of the last week is the fact that Apple have released Safari for windows. To be honest I am a little surprised just how much has been written about this considering I don’t think the impact is going to be that significant. Will Safari cut into Internet Explorers market share? Probably not. Will it undermine the market share Firefox has developed? Almost certainly.

If safari under windows rendered exactly the same as under OSX then there maybe some benefit to windows based web developers. At the moment it is impossible for them to test on Safari without buying a mac. This has the potential of changing that. However, in all likelihood differences will emerge and if they do then this is just another browser that we have to test against.

We will see.

Applications for the iphone

At the same time Steve Jobs announced Safari for windows he also talked about the iphone. The biggest criticism of the iphone to date has been the fact that it is locked down so third parties cannot develop applications for it. Apparently Apple have been thinking long and hard about the problem and have come up with a solution. They are going to allow developers to build web 2.0 applications that can be accessed by iphone users using the built in Safari browser.

What a load of bollocks. They are telling us something we already knew. As soon as Steve Jobs announced that the iphone carried a full safari browser we knew that web applications would be developed for it. Sure, they are now saying that methods are going to be provided to automatically access iphone features such as dialing and google maps but very little detail was given. As far as I can see Apple is not giving people anything more than they already had.

Jason at 37 Signals is excited about what this means for web apps. He says…

This is the coming out party for web apps. We are very excited about this. These are exciting times.

…and he is right. It is exciting for us web developers. However, I am not convinced the user will see it that way. David Shea mirrored my own reaction at this news when he simply posted a graph showing the astronomical cost of data calls on mobile carriers. Web applications are great for web designers but for users of mobile devices like the iphone they could quickly be prohibitively expensive.

Web Design-isms: 7 Surefire Styles that Work

I found a great article on Think Vitamin this week that talks about design trends on the web. One of the things you learn early on as a designer is that despite your desire to produce something completely original you never will. Everything has been done before and in this article Larissa Meek takes us through 7 styles of design that appear again and again on the web.

The article very much reminded me of design meltdown, an excellent site that showcases different approaches to design. However, what I particularly liked about this post is that the author showed examples of how these styles occur in art as well as online. This is nice because it encourages us as web designers to look beyond the web for inspiration, a subject I have spoken about before.

CSS frameworks

The final story caught my eye because it is an extension of something we have been doing for a while. A while back I talked on the show about the fact that Headscape work with standard XHTML templates. We use these templates as a starting point for development. They allow you to jump start the build process as well as ensure consist naming conventions across the entire design team.

In a new post on the List Apart website Jeff Croft proposes a similar approach for CSS, based on the concept of Frameworks. Jeff argues that certain aspects of CSS development are often repeated across multiple projects. From browser reset styles to creating horizontal menus and standard grid layouts, it seems absurd that we generate these from scratch each time. Jeff proposes that instead we create a series of CSS files that we can be reuse again.

Its a great idea and one definitely worth exploring if you work on lots of similar projects or are part of a large team where you are looking for consistency.

Agony uncle: The importance of undo

A couple of weeks back I received this email from Tom in Texas:

I am a designer currently working on developing a web 2.0 app. The developer is doing some really cool AJAX stuff but unfortunately most of it breaks the back button in the browser. He is arguing that it doesn’t really matter as there are lots of other ways of going back. What is your opinion on the subject?

Once I had recovered from the naivety of the developers comment and finished counting slowly to 10, I started to think through the role of undo. In the end this very simple question from Tom evolved into a blog post on the importance of undo. It is this subject I am looking at in todays show.

Client corner: Stakeholder interviews

Got this question from Dusted.

I’m about to begin a project to help an organization evaluate its current web site and web site management. I’m also going to perform some research and planning to help them start developing a new web site.

The organization is quite complex with a lot of different departments – marketing/events, sales, information/press, youth and more. Each person responsible for each department will be interviewed and I need some advice about what questions to ask them.

Starting off with a few…

  • Describe your department’s needs of the web site.
  • What can be done in a better way?

The results of the interviews will be used when I present my evaluation (and research/planning) to the board.

Any advice, links to articles, books… help of any kind would be deeply appreciated.

We have done quite a lot of stakeholder interviews over the years so this question seemed like one I could help with.

Stakeholder interviews can often be confused with user interviews, as they can often happen during the same process. I tend to differentiate the 2 by calling them internal and external stakeholders. These groups will always require a very different set of questions.

This piece refers to internal stakeholders only; those people that:

  • Will be paying for the project!
  • Are content owners
    • Some won’t know or want to be content owners – “that’s X’s job”
    • Some will consider their content considerably more important than everyone elses – “there should be a tab called ‘Corporate Accountancy’ and a big ad on the homepage”!
  • Will be users e.g. sales

There are a number of good reasons for talking to stakeholders, as follows:

Politics

Most organisations involve some sort of tension between departments/stakeholders/teams/whatever. Giving representatives from each of these groups (make sure you don’t leave anyone out!) provides everyone with a voice. It ensures that everyone has said their piece and it’s down in writing. Ultimately, it gets buy in on the project from all parties thereby creating a better end product.

Education

This applies from both sides. The interviewer is looking to be educated regarding the various points and specialisms that the interviewee has (that’s the point of the interview!). However, the interviewer also has an opportunity to educate a whole raft of internal staff about the web. A good example would be why it’s not a good idea to name site sections after departmental structure. In fact, teaching users to think of their end users early in the interview will probably affect what they have to say.

Verification

Talking to internal stakeholders can often highlight the need to develop certain functionality/facilities/micro-sites/etc that web managers only thought might be useful. Interviews can also be used as a test bed for ideas as well as feedback.

Semi-structured

Following on form the last point, make a point of telling interviewees that they can go off track. The questions are useful as guides but don’t stop writing down what someone is saying if it doesn’t fit with the script.

So, finally on to some good questions to ask&#…;

Questions will, of course, vary depending on the organisation, end user requirements etc, but looking back through a number of scripts, these seem to crop up regularly:

  • What does your department do?
  • What are your ‘processes’?
  • Who is your client and what do they want?
  • How do you think the web can help you deliver?
  • What is your role?
  • What is the biggest pain about your job? What takes the most time?
  • Describe your Internet understanding/usage?
  • Describe your software understanding/usage?
  • Name applications that you are a confident user of.
  • Do you store any information in databases? What?
  • The current website – what’s good and bad about it, what’s bad about it?
  • Are you tasked with providing content for part of the website? If not, do you want to be?

Ask the expert: Struan Robertson on Legal Issues

Today’s guest expert on Boagworld is Struan Robertson a corporate lawyer who specializes in IT law. I first met him on the .net podcast and thought it would be great to get him on the show to give us a small taster of the kinds of legal issues encountered by web professionals. In the show he answers three questions on particular scenarios to give you a taster of the kind of issues that can arise. These include:

  • What are the dangers of working on websites for illegal companies
  • Some of the issues surrounding using images when you aren’t sure about the licensing
  • Storing private data

Although the particular scenarios are quite specific hopefully they communicate some underlying messages and encourage you to take your legal obligations seriously. If you are interested in learning more about the legal issues surrounding web design and IT in general then check out Outlaw.com where Struan provides a lot more advice. Also Struan writes a column in the .net magazine where he covers different legal issues each month.

Show 75: Christian Bears

Marcus is back and talks about what to do if a client doesn’t pay. I look at clearing floats in CSS and we have Richard Rutter on the show giving us the lowdown on good web typography.

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News and Events

Blogger’s code of conduct

This week has seen Tim O’Reilly pushing hard for a code of conduct among bloggers following the vicious online attacks against Kathy Sierra. Although, like everybody else, I was shocked by what Kathy has been through and although I respect Tim’s endeavors to change the current situation, I struggle to see what good a code of conduct will really do.

Tips for Bloggers

Tom Johnson has drawn together 20 principles for a successful blog based on feedback he has received from numerous top bloggers. If you are new to blogging or trying to revive a failing blog this article is definitely worth checking out.

120 Adobe Photoshop tips

Talking of tech tips, check out this superb document of over 100 things you never knew you could do in Photoshop. As a regular Photoshop user I was shocked by just how many of these I was unaware of. For example did you know that you could:

  • Straighten a crooked image using the measure tool?
  • Access key image function by right clicking the top bar of an image?
  • Modify the text on multiple text layers at the same time?

CSS Vista

The wonderful folks over at Site Vista has released a superb new tool that allows you to edit CSS files and instantly see the changes in both Firefox and Internet Explorer simultaneously. Very useful indeed although currently it is only available under windows.

Client corner: Resolving payment disputes

This week Marcus answers a question from Dan in Texas. Dan has a client who hasn’t paid and so is asking whether he should take their site down or not.

The core of Marcus’ approach is to ensure good dialogue with the client. He covers the idea that prevention is better than cure by establishing clear contracts up front but then looks at what steps can be taken if things do go wrong. We also when this happened to us at Headscape and how we resolved the dispute.

Marcus also broadens the discussion to look at it from the client’s perspective. He investigates when a client should withhold payment and how this should be discussed with the web agency.

Ask the expert: Richard Rutter on web typography

Richard Rutter is one of the three founders of Clear:Left and is passionate about typography. In fact he is so passionate that he has produced a practical guide to web typography which is freely available at webtypography.net. He therefore seemed the logical choice to introduce us to the basics of using typography on the web.

Agony Uncle: Clearing Floats

I got sent a question by Dan in Texas ages ago and I promised him we would tackle it on the show. Unfortunately I totally forgot about it until I read this recent article by Robert Nyman a couple of days back. Dan was asking about dealing with floats in CSS and how to ensure that the parent of a floated item contained it. This was exactly what Robert was talking about in his post and so I have shamelessly used his thoughts in the show to answer Dan’s question. Thanks Robert ;)

Review: Question Form

I am a great believer in giving users the chance to feedback their thoughts on a site. However its not always that easy. Online forms and email are hard to collate and all of the survey services I have found online in the past are crap. However, recently I came across a site called Question Form which really does stand head and shoulders above the competition

  • It is incredibly quick and easy to put a survey together
  • It provides a painless user experience to the user
  • You have complete customizable control over how your form looks
  • It provides excellent statistics as well as access to individual responses
  • It offers alerts of new responses via email, RSS and even SMS

The basic account is absolutely free and the pro accounts start from as little as $10. If you are thinking of adding a survey to your site then you should definitely check these guys out.

If you fancy trying a form out then take a second to complete the boagworld podcast survey.

Show 75 Script

In last week’s show I posted the rather muddled notes I use when recording the show. This was to make up for the less than perfect show notes I provide here. This idea seemed popular so here is my script from this week’s show.

Add your search engine to the browser

There is a great new feature in both Internet Explorer 7 and Firefox 2, which will allow you to integrate your site search directly into the browser.

I have been surprised how little buzz the new Open Search functionality in the next generation of browsers has received. After all, the additional exposure it could provide websites is considerable.

The concept

Open Search is a very powerful concept but for the purposes of this post, I am just going to focus on what it can quickly and easily offer website owners.

At the most basic level, it allows you to easily add the search functionality from your site to the search box found in the top right of both IE 7 and Firefox 2. Although this search functionality is only available while visiting a site, it does give users the option to save your search engine to their browsers and even set it as the default if they wished.

How to add open search

At first, the documentation associated with implementing open search appears very complex. This is largely because Open Search is capable of doing a lot more than basic browser implementation. However, below I give you the absolute basics to get your search in the browsers search box.

Step One: Create a description

The description is a very simple piece of XML that tells the browser about your search engine. There is a lot more information you can pass across but this is the basics:

<?xml version="1.0" encoding="UTF-8" ?>
<OpenSearchDescription xmlns="http://a9.com/-/spec/opensearch/1.1/">
<ShortName>Boagworld Search</ShortName>
<Description>Search for web site management advice.</Description>
<Tags>Boagworld</Tags>
<Image width="16" height="16" type="image/png">http://www.boagworld/favicon.ico</Image>
<Url type="text/html" template="http://www.boagworld.com/mt/mt-search.cgi?search={searchTerms}" />
</OpenSearchDescription>

Most of the above is hopefully self-explanatory. The most important bit is the URL template attribute. The simplest way of finding out what this is, is to search using the search box on your site. Once you have arrived at the search page, copy and paste the url into the above XML file and replace your search term with {search term}.

However, this will not necessarily work for your search engine. It will depend on the set up on your particular site. For example on boagworld, I had to strip out some of the other parameters being passed across. Other search engines might work in an entirely different way, in which case you will have to refer back to the open search documentation.

Once you have made the changes to your XML file upload it to your server. For this demo I saved it as search.xml and put it on my site’s root: www.boagworld.com/search.xml

Step Two: Pointing to your description

The next step is to point the browser at search.xml when it loads your site. You can do this by simply adding one line of code into the header of your pages.

<link title="Boagworld Search" type="application/opensearchdescription+xml" rel="search" href="http://www.boagworld.com/search.xml" />

Rename the title and make sure the href is pointing at your uploaded description.

Once you open the page in either Internet Explorer 7 or Firefox 2 you should see your search engine listed under the search engine dropdown.

Why IE doesn't play nicely

As all web designers know, Internet Explorer is the thorn in our collective flesh. Even with the dramatic improvements in IE7, it still finds ways to annoy. However, the nice chaps at Microsoft have gone some way to soothing our fevered brows.

Update: Thanks to all of you who pointed out that VMWare actually made their virtual PC free before Microsoft and Microsoft are just following suit. Kind of takes the edge off of my somewhat limited enthusiasm for the move!

I have to confess I am generally a bit of a Microsoft groupie. Unlike most designers, I don’t hate windows. In fact, I positively love the new version of Office and think Microsoft has improved a lot as a company recently. However, Internet Explorer still manages to extract swear words from me that would make my mother blush.

So if you are a web designer or web site owner looking to test your site on multiple versions of Internet explorer then head on over to the Microsoft Virtual PC website and download yourself a copy for free!

I can live with the CSS bugs thanks to conditional comments. I can even live with the fact that IE doesn’t support any of the cool stuff in CSS. I console myself with the fact that IE7 is so much better. Although even here my patience is tested, as the third Beta seems to reduce my PC to the speed of a ZX spectrum (am I the only one with this problem?).

No, what really gets to me is that you cannot run multiple versions of Internet Explorer together on the same machine. It sucks! I listened to Chris Wilson (lead developer on IE7) try to justify this travesty at the @media conference, but he did little to calm my hysteria. Although the reasons are all very logical, it does nothing to change the fact that I have to battle with this problem every day.

Sure, there are solutions of a sort:

I can download the hacked standalone versions of IE, cobbled together by other frustrated developers. However, although these are valiant endeavours, their consistency with the real version of IE is spotty to say the least.

Alternatively, I could pay shed loads of cash and buy something like VMWare, which allows me to run multiple "virtual" versions of an operating system within windows.

However at last Microsoft has shouldered some of its responsibility and made their version of VMWare (a product called Microsoft Virtual PC) free.

So if you are a web designer or web site owner looking to test your site on multiple versions of Internet explorer then head on over to the Microsoft Virtual PC website and download yourself a copy for free! Obviously, having to install multiple versions of Windows isn’t an ideal solution but at least it works and with Virtual PC it is about as painless as possible to do.

atMedia: Real world application

Yesterday I posted my thoughts on each session as I went along. Today I have decided not to post on each individual session but rather sum up the overall lessons to be learnt from this year’s show.

I have really enjoyed this year’s conference and have unsurprisingly learnt loads and met some great people. The trick is to now take what I have learnt and apply it to the real world.

This blog and podcast has always been aimed at two specific audiences:

  • Those that run and manage websites but aren’t web developers
  • Those that are web developers, but don’t have time to keep up with all the latest trends in this constantly evolving industry

A lot of what is written about web design is full of techno-babble and therefore incomprehensible to anybody who isn’t an ubergeek. The same is often true for web design conferences and atMedia was no exception. Discussions about WCAG 2.0, microformats and the DOM can often seem to have little relevance in the real world simply because they are not clearly explained in real world scenarios.

Bearing all of that in mind I have attempted to summarise the key issues raised from atMedia in such a way that they are relevant to the daily experience of the boagworld audience.

atMedia for website owners…

Pragmatic Accessibility

Probably the most depressing session at the conference was the one that discussed accessibility. I won’t bore you with the details, but sufficed to say the new accessibility guidelines that are currently being developed have some serious issues.

Many website owners have traditionally simply asked their web design agency to "make their site compliant with the accessibility guidelines". All they cared about was ticking the accessibility box so they didn’t get sued.

The lesson from atMedia is that you need to change that thinking. Accessibility needs to be more about finding the right solution for your users, rather than conforming to a generic checklist.

Are you more likely to be sued if you take this approach? No, not if you respond in a timely manner to any accessibility problems that your users identify.

Sites that work together

In the two atMedia conferences I have attended there has been more and more discussion about sharing information across multiple sites and in a variety of different ways. Whether it is turning contacts into downloadable business cards that can be taken into outlook or allowing events you show on your site to be published on other sites. Whatever the situation there are more ways than ever to share information. Not only is this an excellent way of getting your message in front of a larger audience it is also a great way of creating closer integration between websites.

Although this is still an evolving area I would encourage you to start thinking about what information on your site might be worth sharing and possibility some of the ways you would like to share it.

Also it is worth noting that there are a lot of other sites out there that allow you to integrate their content into your site. For example it is now easy to take Google maps and plug them right into your pages. In the closing panel of the conference the idea of sharing content between sites came out as the big area of growth over the next year, so it is definitely worth your attention.

Internet Explorer 7

Probably the most pressing issue for web site owners is the release of IE 7 within the next two or three months. It is vitally important that your site is checked in this new browser as changes to the way it works could mean that your site appears broken. Fortunately this is relatively easy to check by downloading the beta version of IE 7 and simply visiting your site. If you do spot problems, now is the time to contact your web design agency. But don’t worry, the fixes shouldn’t be that difficult or expensive.

More than just web pages

Without a doubt, the biggest shift in thinking between last year’s conference and this one, is in the area of web applications. What that means is that your website can now be more than just a collection of pages, but rather has the potential to behave more like a piece of software on your desktop. How does that apply to your site? Well, that depends. Let’s say that you have an events section. Instead of allowing users to click through a series of pages showing lists of events and then detailed information on an individual event, you can now show it as a calendar very similar to the one found in outlook. The key is that it is no longer necessary to wait while a new page loads but rather that information can appear instantly in the same way it would in a piece of software on your desktop.

Now it is worth saying that it is early days for this kind of technology and you might want to wait for the cost of development to come down. However, it is worth having a long hard look at your site and thinking about where it might be appropriate to add richer interactivity.

This isn’t the most straightforward of concepts to grasp so if you are left wondering what I am talking about then don’t panic. We will cover this subject in more depth later. However to get you started check out Google maps and then compare it with a site like Mapquest. Notice how on Mapquest everytime you zoom in or out the page reloads, while in Google maps it all happens without the refresh.

Don’t underestimate branding

Although this isn’t a new concept, it was really driven home in one of the sessions: you get what you pay for. It came up in a discussion about design and that great web design takes time. Often web design companies will cut corners on design in order to stay within a clients budget. This is unfortunate as research highlighted at the conference demonstrated that users make their mind up about a site based largely on how it looks. Once those first impressions have been formed it is very hard to overcome them no matter how good your content is.

The lesson to be learned here is that when you are looking at a web design companies proposal take particular note of how much time is dedicated to establishing the look and feel of your site.

Your site on a mobile phone

Without a doubt delivering the web through mobile devices like mobile phones is going to be a big growth area over the coming year. Already there are three times more mobile phones than personal computers, the vast majority of which can access the web. The question is; do you need to worry about this yet as a website owner? Well to some extent that depends. The key thing that came out of this conference is that mobile users want very different content from a user sitting at a PC. The chances are a user isn’t going to want to know about your company history while shopping in the high street. However they might be interested in comparing prices if you run an ecommerce site.

Even if you have content which might be useful to mobile users the current barrier to entry is very high. With so many mobile phones out there and so many different browsing experiences, creating a good mobile website is very difficult.

My advice is simple… wait. Wait for the industry to mature and standards to emerge. Although the mobile web is an exciting area it is early days and now is not the time for the majority of organisations to enter the market.

atMedia for busy web developers…

New accessibility guidelines: Don’t worry YET

So you have just begun to get your head around the WCAG 1.0 guidelines when you hear that the second version is about to be released. Don’t panic, you don’t have to worry about them just yet.

To be honest, it became quickly apparent from the session on these guidelines, that they are in a mess and not yet in a fit state to release. Even the accessibilit
y experts are havin
g trouble understanding them so I really wouldn’t waste your time at this stage.

The emphasis should be on creating the most accessible site you can irrespective of any particular set of "rules". That isn’t an excuse to slack off, but it should be seen as an opportunity to be pragmatic about the approach you take to accessibility.

Time to learn Javascript

If I had one message from last year’s conference it was "now is the time to learn standards". This year the message is "get your hands dirty with Javascript". Javascript is, without a doubt, having a real renaissance and it is a skill you should definitely develop whether you consider yourself a developer or a designer. More and more of your clients are going to be asking for some of the cool functionality that is found on the so called "web 2.0" sites and as these are mainly driven with Javascript you will need to brush up your skills. But beware, make sure the techniques you learn are up to date and that you get your head around concepts like unobtrusive Javascript, graceful degradation and progressive enhancement.

Preparing for Internet Explorer 7

As I am sure you are already aware IE 7 is going to be launched in the next couple of months. What you might not know is the new browser is going to be pushed out through windows update so you can expect this to become the dominant browser very quickly. Obviously this is an excellent opportunity to get some extra work from your clients (unless of course you are an in house designer in which case it is just extra hassle – sorry!).

In order to make the process of testing and fixing sites as painless as possible Microsoft have produce a set of tools for preparing for IE 7. Among them is an expression finder, useful for finding all of those annoying IE specific CSS hacks which may no longer work in IE 7.

Open data

From Google Maps to Microformats, there are more and more ways to share data across multiple sites. This kind of data sharing was seen as the biggest growth area for the coming year, so it is something that is worth learning more about. I couldn’t possibly begin to cover the many opportunities in this post but it is definitely an area to start researching.

One of the simplest places to start is with the subject of Microformats. Microformats are simply a consistent way tagging content across multiple sites. Because data is marked up in a consistent manner it can be identified by other systems and used.

The simplest example is the hCard which allows you to markup your contact information on your website in such a way as to make it readable by other sites and applications.

I know it may all sound very confusing but it’s actually very simple and very powerful. Definitely worth checking out.

Pricing design

One of the sessions at the event focused on what makes design great. It was presented by some of the best designers around and yet their answer was incredibly simple. Great design takes time. You need time to consider and tweak a design. The creative process just can’t be rushed. If you are anything like me, the look and feel of sites that you work on don’t get the priority they deserve. With so many time consuming tasks within an average project, design is often the first to suffer when the budgets are tight or the deadline is looming.

Although it is not easy, the moral of the story is that if we want to make our designs truly exceptional, we need to build more time for design into our projects. If you work out how to do that without sending the budget through the roof then let me know!

Designing for mobiles

Although designing for mobile devices is a huge growth area and you may well find clients interested in mobile sites, proceed with extreme caution. The session here at atMedia confirmed my worst fears about developing for mobile devices. There are approximately 40 different mobile browsers and over 160 different devices. Support for XHTML and CSS is minimal and designing for the mobile web is a very different beast to designing for the PC.

And so it ends

So that’s about it. A great conference. Thanks to all that were involved in presenting and putting on the event. It was incredibly enjoyable and had a great friendly atmosphere. If you missed out on atMedia then don’t panic. The podcasts will be out soon and you can still come to d.construct in September (for a fraction of the price!).

atMedia: IE7 and beyond

Chris Wilson, the lead developer on IE 7 shares some of his thoughts on the upcoming release of Internet Explorer.

There have been endless posts on the various new features and fixes in Internet Explorer 7 so I won’t bother going over what Chris covered in this area. However there were three tip bits of information which you might not be aware of:

Getting ready for IE 7

I didn’t realise quite how many tools Microsoft have produced for web designers and website owners to help them assess their site in IE7. In fact they have produced an IE 7 readiness toolkit which you can download. The one tool that particularly caught my attention was an expression finder which allows you to identify any hacks in CSS.

IE 8 and beyond

Microsoft seem to be more committed to moving Internet Explorer forward than in the past. They are already working on the next two releases and it would seem that we won’t have to wait another 5 years for the next upgrade!

Windows update

The big question every web designer is asking, is how long before they can drop support for IE 6. Well that depends on how fast IE 7 is rolled out. It sounds like this will happen fairly fast because it will be included as part of the windows update. It also looks like it will be a high priority update because of all of the security fixes. In short Microsoft will be pushing IE7 as hard as possible.

Odeon wise up

Credit where create it due. It is easy to criticise when there are problems but we should also be full of praise when people get it right.

No doubt, you remember the hail of criticism that Odeon cinemas received when they forced an accessible version of their cinema listings offline. The main Odeon site was so inaccessible that only users of Internet Explorer could access it. In response, an enthusiastic web developer created a more accessible alternative. Unfortunately, Odeon viewed this as a "breach of their intellectual property" and forced the owner to take it down.

I was quick at the time to add my voice to the criticism, so I feel it is only right for me to praise Odeon’s new site, which is an excellent example of good web design. The new site is built using web standards, conforms to basic accessibility guidelines and even works with Javascript and CSS disabled. They really have done an excellent job.

Like all sites, there is room for improvement. They do use flash for the selection of seats but at least they provide an alternative version (admittedly with slightly less functionality) for those without flash installed. They could conform to a higher level of accessibility and maybe even consider a low vision version. However, all of that is nit picking. They are now setting an excellent example that other large corporate would do well to follow. It is just a shame that they handled the initial dispute so badly.

Podcast 30: The flash debate strikes back

Last weeks show (the great flash debate) generated so much interest and so many comments that we have decided to do a follow up show looking at the feedback we have received.

Play

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Paul’s constant blunders

In what is becoming a regular feature, Paul kicks off this weeks show by apologising for his various blunders over the last couple of weeks. He explains his bizarre interpretation of the WAI guidelines as well as doing a complete u-turn regarding macs, now that boot camp has been launched.

Technobuster: CSS Hacks

In this weeks technobuster section Paul and Marcus discuss CSS hacks. What are they? Why do we need them, and possible ways to avoid them? In particular they discuss the problems with Internet Explorer and ways to avoid hacks by using conditional comments.

Main Feature: The Flash Debate Strikes Back

Paul and Marcus were slightly concerned that some listeners had misinterpreted their position on flash so felt that it was worth clarifying a few points. They look at good and bad examples of flash as well as discuss some of the feedback they have received over the last week.

Web resource review: Robert Nyman

If you are a web developer Robert Nyman’s blog is a must read. He covers all kinds of web design related issues and recently wrote a very interesting article about Flash and Internet Explorer. If you are a web site owner it is important that you are aware of recent changes in the way flash is implemented in Internet Explorer. For more information on this issue for web site owners visit the Headscape website.

Promote us please!

Paul also made a request to all listeners to the podcast. If you enjoy this show he asked that you take a few moments to promote it in one of the following ways:

Add a comment to the boagworld.com listing in itunes. Simply go to the music store in itunes and search on boagworld. The opportunity to comment is associated with each show.

Link to the podcast. If you have a blog or website of your own write a short piece saying what you think of the show and link back to this site.

Add the boagworld feed to your site. It is easy to add the posts from this site directly to your own site. Click here to find out more.

Vote for us on podcast alley. Click here to go straight to the boagworld entry and click the vote button.